David Sedaris, a master of wit and satire, captivates audiences worldwide with his distinctive brand of humor and incisive storytelling. Through his bestselling books and poignant essays, he invites readers into his whimsical world, where mundane observations are transformed into comedic gems. Sedaris's razor-sharp wit and unfiltered candor have earned him critical acclaim and a devoted following, establishing him as a luminary in contemporary literature.
"Look at yourself on the day that you graduated from college, then look at yourself today. I did that recently and it was like, 'Yikes! What the hell happened?"
"The only bright spot in the entire evening was the presence of Kevin 'Tubby' Matchwell, the eleven-year-old porker who tackled the role of Santa with a beguiling authenticity. The false beard tended to muffle his speech, but they could hear his chafing thighs all the way to the North Pole."
"I'm not a parent myself, but I think the best solution at this point is to slap that child across the face. It won't stop crying, but at least now it'll be doing it for a good reason."
"A good [short story] would take me out of myself and then stuff me back in, outsized, now, and uneasy with the fit."
"Kools and Newports were for black people and lower-class whites. Camels were for procrastinators, those who wrote bad poetry, and those who put off writing bad poetry. Merits were for sex addicts, Salems were for alcoholics, and Mores were for people who considered themselves to be outrageous but really weren't."
"When I look at a lot of older stuff that I've written, I think one sign of amateur humor writing is when you see people trying too hard."
"A week after my drugs ran out, I left my bed to perform at the college, deciding at the last minute to skip both the doughnut toss and the march of the headless plush toys. Instead, I just heated up a skillet of plastic soldiers, poured a milkshake over my head and called it a night."
"Being locked up is one thing, but to have no concept of confinement, to be ignorant of its terms and never understand that struggle is useless - that's what hell must be like."
"Between the disfigurement and the muzzle, it's nearly impossible to catch what she's saying. Always, though, while tripping and stumbling to the music, she looks out into her audience and tells the story about her mother. Most people laugh and yell for her to lift her skirts, but every so often she'll spot someone weeping and swear they can understand her every word."
"I was just struggling with my inner vachette and pondering the depths of my own inhumanity."
"Nobody likes having a problem, but having a convoluted, bureaucratic one is even more galling."
"All I do is lie, and that has made me immune to compliments."
"People are often frightened of Parisians, but an American in Paris will find no harsher critic than another American."
"The trouble with aggressive nonsmokers is that they feel they are doing you a favor by not allowing you to smoke. They seem to think that one day you'll look back and thank them for those precious fifteen seconds they just added to your life. What they don't understand is that those are just fifteen more seconds you can spend hating their guts and plotting revenge."
"I've been keeping a diary for thirty-three years and write in it every morning. Most of it's just whining, but every so often there'll be something I can use later: a joke, a description, a quote. It's an invaluable aid when it comes to winning arguments. 'That's not what you said on February 3, 1996,' I'll say to someone."
"If I'm walking down an American street and anyone darker than a peanut shell approaches, I'll say, 'Hello.' This because, if I don't say it, he or she might think that I'm anxious. Which, of course, I must be, otherwise I'd walk by in silence, just as I do with my fellow Caucasians.Does this make me racist, or simply race conscious? Either way, I'm more afraid of conservatives than I am of black people."
"But I have no mind for business and considered staying awake to be enough of an accomplishment."
"My first semester I had only nine students. Hoping they might view me as professional and well prepared, I arrived bearing name tags fashioned in the shape of maple leaves."
"Scream at the mangled leather carcass lying at the foot of the stairs, and my parents would roar with laughter. 'That's what you get for leaving your wallet on the kitchen table."
"All of us take pride and pleasure in the fact that we are unique, but I'm afraid that when all is said and done the police are right: it all comes down to fingerprints."
"On Undecided Voters: 'To put them in perspective, I think of being on an airplane. The flight attendant comes down the aisle with her food cart and, eventually, parks it beside my seat. 'Can I interest you in the chicken?' she asks. 'Or would you prefer the platter of shit with bits of broken glass in it?' To be undecided in this election is to pause for a moment and then ask how the chicken is cooked.'"
"The walking tour guides one through the city's various landmarks, reciting bits of information the listener might find enlightening. I learned, for example, that in the late 1500s my little neighborhood square was a popular spot for burning people alive. Now lined with a row of small shops, the tradition continues, though in a figurative rather than literal sense."
"Oh, for Christ's sake,' I hear. 'Can we please just try to have a good time?' This is like ordering someone to find you attractive, and it doesn't work. I've tried it."
"I like the trail that the Internet created. For example, I was watching one of those Douglas Sirk movies, and I noticed that Rock Hudson towered over everyone, and I typed in 'How tall was' and I saw 'How tall was Jesus,' and I'm like, 'Sure,' and half an hour later you're somewhere you didn't expect to be. It doesn't work that same way in books, does it? Even if you have an encyclopedia, the trail isn't that crazy. I like that aspect of it."
"I asked her, dreamily, if we had met, and when she told me that we had not, I gave her a little finger wave, the type a leprechaun might offer a pixie who was floating by on a maple leaf. 'Well, hi there,' I whispered."
"One year I went as a pirate, but from then on I went as a hobo. It's a word you don't hear anymore. Along with 'tramp,' it's been replaced by 'homeless person,' which isn't the same thing. Unlike someone who was evicted or lost his house in a fire, the hobo roughed it by choice. Being at liberty, unencumbered by bills and mortgages, better suited his drinking schedule, and so he found shelter wherever he could, never a bum, but something much less threatening, a figure of merriment, almost."
"The thought of killing myself had slowed me down to five miles per hour. The thought of killing someone else stopped me completely."
"Across town, over in the East Village, the graffiti was calling for the rich to be eaten, imprisoned, or taxed out of existence. Though it sometimes seemed like a nice idea, I hoped the revolution would not take place during my lifetime. I didn't want the rich to go away until I could at least briefly join their ranks."
"A zoo is a good place to make a spectacle of yourself, as the people around you have creepier, more photogenic things to look at."
"But wasn't everyone in England supposed to be a detective? Wasn't every crime, no matter how complex, solved in a timely fashion by either a professional or a hobbyist? That's the impression you get from British books and TV shows. Sherlock Holmes, Miss Marple, Hetty Wainthropp, Inspector George Gently: they come from every class and corner of the country. There's even Edith Pargeter's Brother Cadfael, a Benedictine monk who solved crimes in twelfth-century Shrewsbury. No surveillance cameras, no fingerprints, not even a telephone, and still he cracked every case that came his way."
"I attributed their behavior to the fact that they didn't have a TV, but television didn't teach you everything. Asking for candy on Halloween was called trick-or-treating, but asking for candy on November first was called begging, and it made people uncomfortable. This was one of the things you were supposed to learn simply by being alive, and it angered me that the Tomkeys did not understand it."
"For the first twenty years of my life, I rocked myself to sleep. It was a harmless enough hobby, but eventually, I had to give it up. Throughout the next twenty-two years I lay still and discovered that after a few minutes I could drop off with no problem. Follow seven beers with a couple of scotches and a thimble of good marijuana, and it's funny how sleep just sort of comes on its own. Often I never even made it to the bed. I'd squat down to pet the cat and wake up on the floor eight hours later, having lost a perfectly good excuse to change my clothes. I'm now told that this is not called 'going to sleep but rather 'passing out, a phrase that carries a distinct hint of judgment."
"What's the trick to remembering that a sandwich is masculine? What qualities does it share with anyone in possession of a penis? I'll tell myself that a sandwich is masculine because if left alone for a week or two, it will eventually grow a beard."
"After a few months in my parents' basement, I took an apartment near the state university, where I discovered both crystal methamphetamine and conceptual art. Either one of these things are dangerous, but in combination they have the potential to destroy entire civilizations."
"The word phobic has its place when properly used, but lately it's been declawed by the pompous insistence that most animosity is based upon fear rather than loathing.... I hate computers. My hatred is entrenched, and I nourish it daily. I'm comfortable with it, and no community outreach program will change my mind."
"Low ceiling, stone walls, a dirt floor stamped with paw prints. I never go in without announcing myself. 'Hyaa!' I yell. 'Hyaa. Hyaa!' It's the sound my father makes when entering his toolshed, the cry of cowboys as they round up dogies, and it suggests a certain degree of authority. Snakes, bats, weasels --it's time to head up and move on out."
"My confessions did nothing to alter this situation, but for the first time in my life I felt that somebody actually knew me. Three somebodies, to be exact. Two were roaming the highway in a Cadillac, doing God knows what with a CB radio, but the other was as close to me as my own skin, and I could now feel the undiluted pleasure of her company."
"The humor section is the last place an author wants to be. They put your stuff next to collections of Cathy cartoons."
"Cover your glass in France or Germany --even worse, in England - and in the voice of someone who has personally affronted, your host will ask why you're not drinking. 'Oh, I just don't feel like it this morning.''Why not?''I guess I'm not in the mood?''Well, this'll put you in the mood. Here. Drink up.''No, really, I'm OK.''Just taste it.''Actually, I'm sort of...well, I sort of have a problem with it.''Then how about half a glass?"
"If you are any kind of an artist, then validation can be a result, but you're going to do the work anyway. Because you're just wired that way. It's so engrained, it's such a part of your personality that you don't just stop doing it."
"I find it ridiculous to assign a gender to an inanimate object incapable of disrobing and making an occasional fool of itself."
"When forced to leave my house for an extended period of time, I take my typewriter with me, and together we endure the wretchedness of passing through the X-ray scanner. The laptops roll merrily down the belt, while I'm instructed to stand aside and open my bag. To me it seems like a normal enough thing to be carrying, but the typewriter's declining popularity arouses suspicion and I wind up eliciting the sort of reaction one might expect when traveling with a cannon.It's a typewriter,' I say. 'You use it to write angry letters to airport security."
"I'd think it strange that the boardinghouse attracted both him and me, but that's what cheap places do -- draw in people with no money. An apartment of my own was unthinkable at that time of my life, and even if I'd found an affordable one it wouldn't have satisfied my fundamental need to live in a communal past, or what I imagined the past to be like: a world full of antiques."
"I would later discover it was a bad idea to gather more than two of these people in an enclosed area for any length of time. The stage was not only a physical place but also a state of mind, and the word audience was defined as anyone forced to suffer your company. We young actors were a string of lightbulbs left burning 24 hours a day, exhausting ourselves and others with our self-proclaimed brilliance."