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David Sedaris

"A week after my drugs ran out, I left my bed to perform at the college, deciding at the last minute to skip both the doughnut toss and the march of the headless plush toys. Instead, I just heated up a skillet of plastic soldiers, poured a milkshake over my head and called it a night."

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"A week after my drugs ran out, I left my bed to perform at the college, deciding at the last minute to skip both the doughnut toss and the march of the headless plush toys. Instead, I just heated up a skillet of plastic soldiers, poured a milkshake over my head and called it a night."

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"Hey, guard! Ian hollered out loud. "Do you think we could get a bathroom break? The guard seemed to snicker as he pointed to the grass outside the cell. Eena smirked at how dead-on her thoughts had been after all. "Come on, Ian complained. "She can't do that, she's a girl. The soldier smiled wryly, a shrug communicating his indifference. Eena laughed in her mind. (I don't know what you think's so funny. You're the one who's gotta pee.) Oddly enough, that fact just made her laugh even more."

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"Hugh and I have been together for so long that in order to arouse extraordinary passion, we need to engage in physical combat. Once, he hit me on the back of the head with a broken wineglass, and I fell to the floor pretending to be unconscious. That was romantic, or would have been had he rushed to my side rather than stepping over my body to fetch the dustpan."
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"The thought of killing myself had slowed me down to five miles per hour. The thought of killing someone else stopped me completely."
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"I'm not a parent myself, but I think the best solution at this point is to slap that child across the face. It won't stop crying, but at least now it'll be doing it for a good reason."
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"When asked 'What do we need to learn this for?' any high-school teacher can confidently answer that, regardless of the subject, the knowledge will come in handy once the student hits middle age and starts working crossword puzzles in order to stave off the terrible loneliness."
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"If you are any kind of an artist, then validation can be a result, but you're going to do the work anyway. Because you're just wired that way. It's so engrained, it's such a part of your personality that you don't just stop doing it."
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"But instead I am applying for a job as an elf. Even worse than applying is the very real possibility that I will not be hired, that I couldn't even find work as an elf. That's when you know you're a failure."
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"I just looked at the pattern of my life, decided I didn't like it, and changed."
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"I would later discover it was a bad idea to gather more than two of these people in an enclosed area for any length of time. The stage was not only a physical place but also a state of mind, and the word audience was defined as anyone forced to suffer your company. We young actors were a string of lightbulbs left burning 24 hours a day, exhausting ourselves and others with our self-proclaimed brilliance."
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"Cover your glass in France or Germany --even worse, in England - and in the voice of someone who has personally affronted, your host will ask why you're not drinking. 'Oh, I just don't feel like it this morning.''Why not?''I guess I'm not in the mood?''Well, this'll put you in the mood. Here. Drink up.''No, really, I'm OK.''Just taste it.''Actually, I'm sort of...well, I sort of have a problem with it.''Then how about half a glass?"
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"On my fifth trip to France I limited myself to the words and phrases that people actually use. From the dog owners I learned 'Lie down,' 'Shut up,' and 'Who shit on this carpet?' The couple across the road taught me to ask questions correctly, and the grocer taught me to count. Things began to come together, and I went from speaking like an evil baby to speaking like a hillbilly. 'Is thems the thoughts of cows?' I'd ask the butcher, pointing to the calves' brains displayed in the front window. 'I want me some lamb chop with handles on 'em."
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