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Milan Kundera, the celebrated Czechoslovakian writer, captivated readers with his philosophical novels exploring the complexities of human existence and the nature of love and identity. From "The Unbearable Lightness of Being" to "The Book of Laughter and Forgetting," Kundera's literary genius and provocative insights have earned him acclaim as one of the greatest writers of the 20th century.
"He knew very well that his memory detested him, that it did nothing but slander him; therefore he tried not to believe it and to be more lenient toward his own life. But that didn't help: he took no pleasure in looking back, and he did it as seldom as possible."
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"He knew very well that his memory detested him, that it did nothing but slander him; therefore he tried not to believe it and to be more lenient toward his own life. But that didn't help: he took no pleasure in looking back, and he did it as seldom as possible."

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11
"Oh lovers! be careful in those dangerous first days! once you've brought breakfast in bed you'll have to bring it forever, unless you want to be accused of lovelessness and betrayal."
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"Oh lovers! be careful in those dangerous first days! once you've brought breakfast in bed you'll have to bring it forever, unless you want to be accused of lovelessness and betrayal."

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12
"Loves are like empires: when the idea they are founded on crumbles, they too, fade away."
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"Loves are like empires: when the idea they are founded on crumbles, they too, fade away."

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"He had come to find out that reality was more than a dream, much more than a dream!"
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"He had come to find out that reality was more than a dream, much more than a dream!"

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"Isn't that exactly the definition of biography? An artificial logic imposed on an 'incoherent succession of images'?"
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"Isn't that exactly the definition of biography? An artificial logic imposed on an 'incoherent succession of images'?"

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"What does it mean to live in truth? Putting it negatively is easy enough: it means not lying, not hiding, and not dissimulating."
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"What does it mean to live in truth? Putting it negatively is easy enough: it means not lying, not hiding, and not dissimulating."

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"People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past."
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"People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past."

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"Revolution and youth are closely allied. What can a revolution promise to adults? To some it brings disgrace, to others favor. But even that favor is questionable, for it affects only the worse half of life, and in addition to advantages it also entails uncertainty, exhausting activity and upheaval of settled habits.Youth is substantially better off: it is not burdened by guilt, and the revolution can accept young people in toto. The uncertainty of revolutionary times is an advantage for youth, because it is the world of the fathers that is challenged. How exciting to enter into the age of maturity over the shattered ramparts of the adult world!"
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"Revolution and youth are closely allied. What can a revolution promise to adults? To some it brings disgrace, to others favor. But even that favor is questionable, for it affects only the worse half of life, and in addition to advantages it also entails uncertainty, exhausting activity and upheaval of settled habits.Youth is substantially better off: it is not burdened by guilt, and the revolution can accept young people in toto. The uncertainty of revolutionary times is an advantage for youth, because it is the world of the fathers that is challenged. How exciting to enter into the age of maturity over the shattered ramparts of the adult world!"

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"Living, there is no happiness in that. Living: carrying one's painful self through the world.But being, being is happiness. Being: Becoming a fountain, a fountain on which the universe falls like warm rain."
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"Living, there is no happiness in that. Living: carrying one's painful self through the world.But being, being is happiness. Being: Becoming a fountain, a fountain on which the universe falls like warm rain."

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"And she realized that she (her soul) was not at all involved, only her body, her body alone. The body that had betrayed her and that she had sent out into the world among other bodies."
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"And she realized that she (her soul) was not at all involved, only her body, her body alone. The body that had betrayed her and that she had sent out into the world among other bodies."

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"It's not your enemies who condemn you to solitude, it's your friends."
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"It's not your enemies who condemn you to solitude, it's your friends."

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"Between the approximation of the idea and the precision of reality there was a small gap of the unimaginable, and it was this hiatus that gave him no rest."
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"Between the approximation of the idea and the precision of reality there was a small gap of the unimaginable, and it was this hiatus that gave him no rest."

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"Einmal ist keinmal, says Tomas to himself. What happens but once, says the German adage, might as well not have happened at all. If we have only one life to live, we might as well not have lived at all."
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"Einmal ist keinmal, says Tomas to himself. What happens but once, says the German adage, might as well not have happened at all. If we have only one life to live, we might as well not have lived at all."

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"For what is love if one loves a woman without knowing her? Just a decision to love? Or even an imitation? The question concerns us all: If, from our childhood on, the examples of love were not there inviting us to copy them, would we know what "loving" means?"
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"For what is love if one loves a woman without knowing her? Just a decision to love? Or even an imitation? The question concerns us all: If, from our childhood on, the examples of love were not there inviting us to copy them, would we know what "loving" means?"

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"Nudity is the uniform of the other side... nudity is a shroud."
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"Nudity is the uniform of the other side... nudity is a shroud."

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"How could she feel nostalgia when he was right in front of her? How can you suffer from the absence of a person who is present? You can suffer nostalgia in the presence of the beloved if you glimpse a future where the beloved is no more."
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"How could she feel nostalgia when he was right in front of her? How can you suffer from the absence of a person who is present? You can suffer nostalgia in the presence of the beloved if you glimpse a future where the beloved is no more."

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"And think about the precise meaning of that term: a Narcissus is not proud. A proud man has disdain for other people, he undervalues them. The Narcissus overvalues them, because in every person's eyes he sees his own image, and wants to embellish it. So he takes nice care of all his mirrors."
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"And think about the precise meaning of that term: a Narcissus is not proud. A proud man has disdain for other people, he undervalues them. The Narcissus overvalues them, because in every person's eyes he sees his own image, and wants to embellish it. So he takes nice care of all his mirrors."

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"As she uttered the words of the prayer, she glanced up at him as if he were God Himself. He watched her with growing pleasure. In front of him was kneeling the directress, being humiliated by a subordinate; in front of him a naked revolutionary was being humiliated by prayer; in front of him a praying lady was being humiliated by her nakedness.This threefold image of degradation intoxicated him and something unexpected suddenly happened: his body revoked its passive resistance. Edward was excited!As the directress said, 'And lead us not into temptation,' he quickly threw off all his clothes. When she said, 'Amen,' he violently lifted her off the floor and dragged her onto the couch."
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"As she uttered the words of the prayer, she glanced up at him as if he were God Himself. He watched her with growing pleasure. In front of him was kneeling the directress, being humiliated by a subordinate; in front of him a naked revolutionary was being humiliated by prayer; in front of him a praying lady was being humiliated by her nakedness.This threefold image of degradation intoxicated him and something unexpected suddenly happened: his body revoked its passive resistance. Edward was excited!As the directress said, 'And lead us not into temptation,' he quickly threw off all his clothes. When she said, 'Amen,' he violently lifted her off the floor and dragged her onto the couch."

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"An old villa surrounded by a garden looked to them like the image of a comforting home, the dream of an idyll long past."
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"An old villa surrounded by a garden looked to them like the image of a comforting home, the dream of an idyll long past."

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"The tree of possibilities: life as it reveals itself to a man arriving, astonished, at the threshold of his adult life: an abundant treetop canopy filled with bees singing. And he thinks he understands why she never showed him the letters: she wanted to hear the murmur of the tree by herself, without him, because he, Jean-Marc, represented the abolition of all possibilities, he was the reduction, (even though it was a happy reduction) of her life to a single possibility."
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"The tree of possibilities: life as it reveals itself to a man arriving, astonished, at the threshold of his adult life: an abundant treetop canopy filled with bees singing. And he thinks he understands why she never showed him the letters: she wanted to hear the murmur of the tree by herself, without him, because he, Jean-Marc, represented the abolition of all possibilities, he was the reduction, (even though it was a happy reduction) of her life to a single possibility."

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"Scepticism does not abolish the world, it turns it into questions."
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"Scepticism does not abolish the world, it turns it into questions."

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"There are no small parts. Only small actors."
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"There are no small parts. Only small actors."

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"No one can give anyone else the gift of the idyll; only an animal can do so, because only animals were not expelled from Paradise. The love between dog and man is idyllic. It knows no conflicts, no hair-raising scenes; it knows no development."
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"No one can give anyone else the gift of the idyll; only an animal can do so, because only animals were not expelled from Paradise. The love between dog and man is idyllic. It knows no conflicts, no hair-raising scenes; it knows no development."

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"A novel does not assert anything, a novel poses questions... The stupidity of people comes from having an answer for everything. When Don Quixote went out into the world, that world turned into a mystery before his eyes. That is the legacy of the first European novel to the entire subsequent history of the novel. The novelist teaches the reader to comprehend the world as a question. There is wisdom and tolerance in that attitude."
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"A novel does not assert anything, a novel poses questions... The stupidity of people comes from having an answer for everything. When Don Quixote went out into the world, that world turned into a mystery before his eyes. That is the legacy of the first European novel to the entire subsequent history of the novel. The novelist teaches the reader to comprehend the world as a question. There is wisdom and tolerance in that attitude."

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"Hate traps us by binding us too tightly to our adversary."
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"Hate traps us by binding us too tightly to our adversary."

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"If I were a doctor, I would diagnose his condition thus: "The patient is suffering from nostalgic insufficiency."
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"If I were a doctor, I would diagnose his condition thus: "The patient is suffering from nostalgic insufficiency."

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"No one cares about the artist Kafka, who troubles us with his puzzling aesthetic, because we'd rather have Kafka as the fusion of experience and work, the Kafka who had a difficult relationship with his father and didn't know how to deal with women."
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"No one cares about the artist Kafka, who troubles us with his puzzling aesthetic, because we'd rather have Kafka as the fusion of experience and work, the Kafka who had a difficult relationship with his father and didn't know how to deal with women."

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"Do you think that a doe in the jaws of a tiger feels less horror than you? People thought up the idea that animals don't have the same capability for suffering as humans, because otherwise they couldn't bear the knowledge that they are surrounded by a world of nature that is horror and nothing but horror." Paul was pleased that man was gradually covering the whole earth with concrete. It was as if he were watching a cruel murderess being walled up."
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"Do you think that a doe in the jaws of a tiger feels less horror than you? People thought up the idea that animals don't have the same capability for suffering as humans, because otherwise they couldn't bear the knowledge that they are surrounded by a world of nature that is horror and nothing but horror." Paul was pleased that man was gradually covering the whole earth with concrete. It was as if he were watching a cruel murderess being walled up."

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"He was looking for immensity. His life was hopelessly small, everything surrounding him was nondescript and gray. And death is absolute; it is indivisible and indissoluble. The presence of the girl was pathetic (a few caresses and a lot of meaningless words), but her absolute absence was infinitely grand; when he imagined a girl buried in a field, he suddenly discovered the nobility of pain and the grandeur of love. But it was not only the absolute but also bliss he was looking for in his dreams of death."
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"He was looking for immensity. His life was hopelessly small, everything surrounding him was nondescript and gray. And death is absolute; it is indivisible and indissoluble. The presence of the girl was pathetic (a few caresses and a lot of meaningless words), but her absolute absence was infinitely grand; when he imagined a girl buried in a field, he suddenly discovered the nobility of pain and the grandeur of love. But it was not only the absolute but also bliss he was looking for in his dreams of death."

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"Of course, these were only dreams. How could a sensible woman leave a happy marriage? All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude."
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"Of course, these were only dreams. How could a sensible woman leave a happy marriage? All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude."

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"In existential mathematics that experience takes the form of two basic equations: The degree of slowness is directly proportional to the intensity of memory, the degree of speed is directly proportional to the intensity of forgetting."
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"In existential mathematics that experience takes the form of two basic equations: The degree of slowness is directly proportional to the intensity of memory, the degree of speed is directly proportional to the intensity of forgetting."

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"Unlike the puerile loyalty to a conviction, loyalty to a friend is a virtue - perhaps the only virtue, the last remaining one."
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"Unlike the puerile loyalty to a conviction, loyalty to a friend is a virtue - perhaps the only virtue, the last remaining one."

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"Too much faith is the worst ally. When you believe in something literally, through your faith you'll turn it into something absurd. One who is a genuine adherent, if you like, of some political outlook, never takes its sophistries seriously, but only its practical aims, which are concealed beneath these sophistries. Political rhetoric and sophistries do not exist, after all, in order that they be believed; rather, they have to serve as a common and agreed upon alibi. Foolish people who take them in earnest sooner or later discover inconsistencies in them, begin to protest, and finish finally and infamously as heretics and apostates. No, too much faith never brings anything good."
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"Too much faith is the worst ally. When you believe in something literally, through your faith you'll turn it into something absurd. One who is a genuine adherent, if you like, of some political outlook, never takes its sophistries seriously, but only its practical aims, which are concealed beneath these sophistries. Political rhetoric and sophistries do not exist, after all, in order that they be believed; rather, they have to serve as a common and agreed upon alibi. Foolish people who take them in earnest sooner or later discover inconsistencies in them, begin to protest, and finish finally and infamously as heretics and apostates. No, too much faith never brings anything good."

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"If excitement is a mechanism our Creator uses for His own amusement, love is something that belongs to us alone and enables us to flee the Creator. Love is our freedom. Love lies beyond "Es Muss sein!"
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"If excitement is a mechanism our Creator uses for His own amusement, love is something that belongs to us alone and enables us to flee the Creator. Love is our freedom. Love lies beyond "Es Muss sein!"

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"Not only have people stopped trying to be attractive when they are out among other people, but they are no longer even trying not to look ugly!"
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"Not only have people stopped trying to be attractive when they are out among other people, but they are no longer even trying not to look ugly!"

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"Why does Anna Karenina kill herself? the answer seems clear enough: for years people in her world have turned away from her; she is suffering at the separation from her son, Seryozha; even if Vronsky still loves her, she fears for that love; she is exhausted with it, overexcited, unwholesomely (and unjustly) jealous; she feels trapped. Yes, all that is clear; but is a trapped person necessarily doomed to suicide? So many people adapt to living in a trap! Even if we understand the depth of her sorrow, Anna's suicide remains an enigma."
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"Why does Anna Karenina kill herself? the answer seems clear enough: for years people in her world have turned away from her; she is suffering at the separation from her son, Seryozha; even if Vronsky still loves her, she fears for that love; she is exhausted with it, overexcited, unwholesomely (and unjustly) jealous; she feels trapped. Yes, all that is clear; but is a trapped person necessarily doomed to suicide? So many people adapt to living in a trap! Even if we understand the depth of her sorrow, Anna's suicide remains an enigma."

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"A novel that does not uncover a hitherto unknown segment of existence is immoral. Knowledge is the novel's only morality."
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"A novel that does not uncover a hitherto unknown segment of existence is immoral. Knowledge is the novel's only morality."

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"The history of music is mortal, but the idiocy of the guitar is eternal."
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"The history of music is mortal, but the idiocy of the guitar is eternal."

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"We will never remember anything by sitting in one place waiting for the memories to come back to us of their own accord! Memories are scattered all over the world. We must travel if we want to find them and flush them from their hiding places!"
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"We will never remember anything by sitting in one place waiting for the memories to come back to us of their own accord! Memories are scattered all over the world. We must travel if we want to find them and flush them from their hiding places!"

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"When Don Quixote went out into the world, that world turned into a mystery before his eyes. That is the legacy of the first European novel to the entire subsequent history of the novel. The novel teaches us to comprehend the world as a question. There is wisdom and tolerance in that attitude."
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"When Don Quixote went out into the world, that world turned into a mystery before his eyes. That is the legacy of the first European novel to the entire subsequent history of the novel. The novel teaches us to comprehend the world as a question. There is wisdom and tolerance in that attitude."

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"We pass through the present with our eyes blindfolded. We are permitted merely to sense and guess at what we are actually experiencing. Only later when the cloth is untied can we glance at the past and find out what we have experienced and what meaning it has."
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"We pass through the present with our eyes blindfolded. We are permitted merely to sense and guess at what we are actually experiencing. Only later when the cloth is untied can we glance at the past and find out what we have experienced and what meaning it has."

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"There is nothing harder to explain than humor."
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"There is nothing harder to explain than humor."

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"But isn't it true that an author can write only about himself?"
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"But isn't it true that an author can write only about himself?"

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"Laughing deeply is living deeply."
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"Laughing deeply is living deeply."

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"Because beyond their practical function, all gestures have a meaning that exceeds the intention of those who make them; when people in bathing suits fling themselves into the water, it is joy itself that shows in the gesture, notwithstanding any sadness the divers may actually feel. When someone jumps into the water fully clothed, it is another thing entirely: the only person who jumps into the water fully clothed is a person trying to drown; and a person trying to drown does not dive headfirst; he lets himself fall: thus speaks the immemorial language of gestures."
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"Because beyond their practical function, all gestures have a meaning that exceeds the intention of those who make them; when people in bathing suits fling themselves into the water, it is joy itself that shows in the gesture, notwithstanding any sadness the divers may actually feel. When someone jumps into the water fully clothed, it is another thing entirely: the only person who jumps into the water fully clothed is a person trying to drown; and a person trying to drown does not dive headfirst; he lets himself fall: thus speaks the immemorial language of gestures."

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"Mankind's true moral test, its fundamental test (which lies deeply buried from view), consists of its attitude towards those who are at its mercy: animals. And in this respect mankind has suffered a fundamental debacle, a debacle so fundamental that all others stem from it."
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"Mankind's true moral test, its fundamental test (which lies deeply buried from view), consists of its attitude towards those who are at its mercy: animals. And in this respect mankind has suffered a fundamental debacle, a debacle so fundamental that all others stem from it."

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"Whether they knew of didn't know is not the main issue; the main issue is whether a man is innocent because he didn't know. (...) by beating himself on the chest and proclaiming, "My conscience is clear! I did not know! I was a believer!" Isn't his "I did not know I was a believer!" at the very root of his irreparable guilt?"
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"Whether they knew of didn't know is not the main issue; the main issue is whether a man is innocent because he didn't know. (...) by beating himself on the chest and proclaiming, "My conscience is clear! I did not know! I was a believer!" Isn't his "I did not know I was a believer!" at the very root of his irreparable guilt?"

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"People are going deaf because music is played louder and louder, but because they're going deaf, it has to be played louder still."
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"People are going deaf because music is played louder and louder, but because they're going deaf, it has to be played louder still."

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"In any case, it seems to me that all over the world people nowadays prefer to judge rather than to understand, to answer rather than to ask, so that the voice of the novel can hardly be heard over the noisy foolishness of human certainties."
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"In any case, it seems to me that all over the world people nowadays prefer to judge rather than to understand, to answer rather than to ask, so that the voice of the novel can hardly be heard over the noisy foolishness of human certainties."

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"For he was aware of the great secret of life: Women don't look for handsome men. Women look for men who have had beautiful women. Having an ugly mistress is therefore a fatal mistake."
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"For he was aware of the great secret of life: Women don't look for handsome men. Women look for men who have had beautiful women. Having an ugly mistress is therefore a fatal mistake."

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