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Milan Kundera

"And think about the precise meaning of that term: a Narcissus is not proud. A proud man has disdain for other people, he undervalues them. The Narcissus overvalues them, because in every person's eyes he sees his own image, and wants to embellish it. So he takes nice care of all his mirrors."

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"And think about the precise meaning of that term: a Narcissus is not proud. A proud man has disdain for other people, he undervalues them. The Narcissus overvalues them, because in every person's eyes he sees his own image, and wants to embellish it. So he takes nice care of all his mirrors."

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A.E. Samaan

"You are not in the kingdom by accident."

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"Let's be private... I am different character and DeYtH is different as character."

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A.E. Samaan

"I was starting to see that what looks like garbage from one angle might be art from another. Maybe it did take a crisis to get to know yourself, maybe you needed to get whacked hard by life before you understood what you wanted out of it."

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A.E. Samaan

"You are the only one of your kind."

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A.E. Samaan

"We seldom look up to the person, we usually look up to their persona."

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A.E. Samaan

"If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that registered earthquakes ten thousand miles away."

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A.E. Samaan

"We have worth because we were created in the image and likeness of God."

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A.E. Samaan

"The simple truth is that the only real 'ex-gay' person is a dead gay person - and even then I am not too sure about the validity of that statement."

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A.E. Samaan

"Most everything you think you know about me is nothing more than memories."

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A.E. Samaan

"You must wear clothes which suits your own soul, not your own society! What you wish to do is much more important than what your society wants you to do!"

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Milan Kundera
"Damn! What did Ansermet, that most faithful friend, know about Stravinsky's poverty of heart? What did he, that most devoted friend, know about Stravinsky's capacity to love? And where did he get his utter certainty that the heart is ethically superior to the brain? Are not vile acts committed as often with the heart's help as without it? Can't fanatics, with their bloody hands, boast of a high degree of "affective activity"? Will we ever be done with this imbecile sentimental Inquisition, the heart's Reign of Terror?"
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Milan Kundera
"Tereza knew what happens during the moment love is born: the woman cannot resist the voice calling forth her terrified soul, the man cannot resist the woman whose soul thus responds to his voice."
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Milan Kundera
"The novel's spirit is the spirit of complexity. . . . The novel's spirit is the spirity of continuity . . . a thing made to last, to connect the past with the future."
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Milan Kundera
"The sound of laughter is like the vaulted dome of a temple of happiness."
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Milan Kundera
"All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude. She closed her eyes and listened to the sound of a hunting horn coming from the depths of distant forests. There were paths in those forests."
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Milan Kundera
"It was futile to attack with reason the stout wall of irrational feelings that, as is known, is the stuff of which the female mind is made."
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Milan Kundera
"Given the nature of the human couple, the love of a man and a woman is a priori inferior to that which can exist (at least in the best instances) in the love between man and dog...It is a completely selfless love."
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Milan Kundera
"People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past."
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Milan Kundera
"He yearned to step out of his life the way one steps out of a house into the street."
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Milan Kundera
"Without much ardor but quite unmistakably, she was writhing her hips as if she were dancing. When he was very close, he saw' her gaping mouth: she was yawning lengthily, insatiably: the great open hole was rocking gently atop die mechanically dancing body. Jean-Marc thought: she's dancing and she's bored.He reached the seawall: down below, on the beach, he saw men with their heads thrown back releasing kites into the air. They were doing it with passion, and Jean-Marc recalled his old theory: there are three kinds of boredom: passive boredom: the girl dancing and yawning; active boredom: kite-lovers; and rebellious boredom: young people burning cars and smashing shop windows."
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