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"Revolution and youth are closely allied. What can a revolution promise to adults? To some it brings disgrace, to others favor. But even that favor is questionable, for it affects only the worse half of life, and in addition to advantages it also entails uncertainty, exhausting activity and upheaval of settled habits.Youth is substantially better off: it is not burdened by guilt, and the revolution can accept young people in toto. The uncertainty of revolutionary times is an advantage for youth, because it is the world of the fathers that is challenged. How exciting to enter into the age of maturity over the shattered ramparts of the adult world!"
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"Those who make peaceful revolution impossible will make violent revolution inevitable."
"Quite like religious fundamentalism, educational fundamentalism is based upon bookish creeds created by the self-proclaimed authority figures of the system. And this very fundamentalism is the cause of all the growing conflicts between the student-body of the education society and the teachers running that society. These conflicts further become tools of exploitation in the hands of a handful of war-mongering, authoritarian, blood-sucking politicians."
"Revolution is the accession of the peoples, and, at the bottom, the People is Man."
"It is the end. But of what? The end of France? No. The end of kings? Yes."
"Disobedience to rigid laws is a revolutionary act."
"One can take the path of revolution but the revolution should not give a shock to the society. There is no place for violence in revolution."
"Every revolution starts with the aim to help the poor, but when the poor get it they forget who they were and become the new oppressors. The cycle goes on forever."
"Sometimes all a country needs is an entire collapse for a new beginning!"
"You can carry out a spiritual revolution by making God's truth the head of everything."
Explore more quotes by Milan Kundera
"Damn! What did Ansermet, that most faithful friend, know about Stravinsky's poverty of heart? What did he, that most devoted friend, know about Stravinsky's capacity to love? And where did he get his utter certainty that the heart is ethically superior to the brain? Are not vile acts committed as often with the heart's help as without it? Can't fanatics, with their bloody hands, boast of a high degree of "affective activity"? Will we ever be done with this imbecile sentimental Inquisition, the heart's Reign of Terror?"
"Tereza knew what happens during the moment love is born: the woman cannot resist the voice calling forth her terrified soul, the man cannot resist the woman whose soul thus responds to his voice."
"The novel's spirit is the spirit of complexity. . . . The novel's spirit is the spirity of continuity . . . a thing made to last, to connect the past with the future."
"All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude. She closed her eyes and listened to the sound of a hunting horn coming from the depths of distant forests. There were paths in those forests."
"It was futile to attack with reason the stout wall of irrational feelings that, as is known, is the stuff of which the female mind is made."
"Given the nature of the human couple, the love of a man and a woman is a priori inferior to that which can exist (at least in the best instances) in the love between man and dog...It is a completely selfless love."
"People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past."
"Without much ardor but quite unmistakably, she was writhing her hips as if she were dancing. When he was very close, he saw' her gaping mouth: she was yawning lengthily, insatiably: the great open hole was rocking gently atop die mechanically dancing body. Jean-Marc thought: she's dancing and she's bored.He reached the seawall: down below, on the beach, he saw men with their heads thrown back releasing kites into the air. They were doing it with passion, and Jean-Marc recalled his old theory: there are three kinds of boredom: passive boredom: the girl dancing and yawning; active boredom: kite-lovers; and rebellious boredom: young people burning cars and smashing shop windows."
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