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"Isn't that exactly the definition of biography? An artificial logic imposed on an 'incoherent succession of images'?"
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"Looking as sharp as Sweeney Todd's razor, Roger struck a formidable figure as he donned his smart clothes and tie. At times, he would often talk of the night of his career when he fought John Conteh. He took the defeat of that match very personally and would often punch out a drunk who scoffed at his midlands accent and his past pride and glory."
"I am very averse to bringing myself forward in print, but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can hardly accuse myself of a personal intrusion."
"An autobiography is an obituary in serial form with the last installment missing."
"Discretion is not the better part of biography."
"I was so incensed that I was oblivious to all as I ran over broken glass, holding a five-foot weightlifting bar. The glass tore the soles of my feet as I chased the gang's car up the street. I remember breathing heavily as I cursed failing to catch my enemies."
"Back then I had muscles on my muscles, I was tattooed and tanned, wore the tightest of jeans to accentuate my snakelike waist and the whitest of tight vests to accentuate my muscle packed torso. To top it all off, I had the nicest piece of eye-candy on my arm in the form of a stunning, long-legged, mini skirted blonde."
Explore more quotes by Milan Kundera
"Damn! What did Ansermet, that most faithful friend, know about Stravinsky's poverty of heart? What did he, that most devoted friend, know about Stravinsky's capacity to love? And where did he get his utter certainty that the heart is ethically superior to the brain? Are not vile acts committed as often with the heart's help as without it? Can't fanatics, with their bloody hands, boast of a high degree of "affective activity"? Will we ever be done with this imbecile sentimental Inquisition, the heart's Reign of Terror?"
"Tereza knew what happens during the moment love is born: the woman cannot resist the voice calling forth her terrified soul, the man cannot resist the woman whose soul thus responds to his voice."
"The novel's spirit is the spirit of complexity. . . . The novel's spirit is the spirity of continuity . . . a thing made to last, to connect the past with the future."
"All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude. She closed her eyes and listened to the sound of a hunting horn coming from the depths of distant forests. There were paths in those forests."
"It was futile to attack with reason the stout wall of irrational feelings that, as is known, is the stuff of which the female mind is made."
"Given the nature of the human couple, the love of a man and a woman is a priori inferior to that which can exist (at least in the best instances) in the love between man and dog...It is a completely selfless love."
"People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past."
"Without much ardor but quite unmistakably, she was writhing her hips as if she were dancing. When he was very close, he saw' her gaping mouth: she was yawning lengthily, insatiably: the great open hole was rocking gently atop die mechanically dancing body. Jean-Marc thought: she's dancing and she's bored.He reached the seawall: down below, on the beach, he saw men with their heads thrown back releasing kites into the air. They were doing it with passion, and Jean-Marc recalled his old theory: there are three kinds of boredom: passive boredom: the girl dancing and yawning; active boredom: kite-lovers; and rebellious boredom: young people burning cars and smashing shop windows."
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