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"Why does Anna Karenina kill herself? the answer seems clear enough: for years people in her world have turned away from her; she is suffering at the separation from her son, Seryozha; even if Vronsky still loves her, she fears for that love; she is exhausted with it, overexcited, unwholesomely (and unjustly) jealous; she feels trapped. Yes, all that is clear; but is a trapped person necessarily doomed to suicide? So many people adapt to living in a trap! Even if we understand the depth of her sorrow, Anna's suicide remains an enigma."
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"How one tragedy affects so many others."
"How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June" . If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that-for that-I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!"
"She dropped her head again on Marius' knees, and her eyelids closed. He thought the poor soul had departed. Eponine remained motionless. All at once, at the very moment when Marius fancied her asleep forever, she slowly opened her eyes in which appeared the sombre profundity of death, and said to him in a tone whose sweetness seemed already to proceed from another world:--"And by the way, Monsieur Marius, I believe that I was a little bit in love with you."She tried to smile once more and expired."
"She prayed to God to give him at least a moment so that he would not go without knowing how much she had loved him despite all their doubts, and she felt an irresistible longing to begin life with him over again so that they could say what they had left unsaid and do everything right that they had done badly in the past. But she had to give in to the intransigence of death."
"Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself."
"Sabotage isolated them from their home, thwarting any hope of outside help. Frantic, unreliable sightings of frightening things " horrible things - led to chaos. The crew, terrified, opted to die fighting and went hunting for their attacker. Kaine's only regret was that they found it. It killed them all.Systematically."
"I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal."
Explore more quotes by Milan Kundera
"For there is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels with someone, for someone, a pain intensified by the imagination and prolonged by a hundred echoes."
"They shout that they want to shape a better future, but it's not true. The future is only an indifferent void no one cares about,but the past is filled with life, and its countenance is irritating, repellent, wounding, to the point that we want to destroy it or repaint it. We want to be the masters of the future only for the power to change the past. We fight for access to the labs where we can retouch photos and rewrite biographies and history."
"There is a certain part of all of us that lives outside of time. Perhaps we become aware of our age only at exceptional moments and most of the time we are ageless."
"The assassination of Allende quickly covered over the memory of the Russian invasion of Bohemia, the bloody massacre in Bangladesh caused Allende to be forgotten, the din of war in the Sinai Desert drowned out the groans of Bangladesh, the massacres in Cambodia caused the Sinai to be forgotten, and so on, and on and on, until everyone has completely forgotten everything."
"Agnes subtracts from her self everything that is exterior and borrowed, in order to come closer to her sheer essence (even with the risk that zero lurks at the bottom of the subtraction). Laura's method is precisely the opposite: in order to make her self ever more visible, perceivable, seizable, sizeable, she keeps adding to it more and more attributes and she attempts to identify herself with them (with the risk that the essence of the self may be buried by the additional attributes)."
"He looks at houses, chateaus, forests, and thinks about the countless generations who used to see those things and who are gone now; and he understands that everything he is seeing is oblivion; pure oblivion, the oblivion whose absolute state will soon be achieved, the moment he himself is gone. And again I think about the obvious idea (that astoundingly obvious idea) that everything that exists (nation, thought, music) can also not exist."
"Jealousy has the amazing power to illuminate a single person in an intense beam of light, keeping the multitude of others in total darkness."
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