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"Why does Anna Karenina kill herself? the answer seems clear enough: for years people in her world have turned away from her; she is suffering at the separation from her son, Seryozha; even if Vronsky still loves her, she fears for that love; she is exhausted with it, overexcited, unwholesomely (and unjustly) jealous; she feels trapped. Yes, all that is clear; but is a trapped person necessarily doomed to suicide? So many people adapt to living in a trap! Even if we understand the depth of her sorrow, Anna's suicide remains an enigma."
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"Modern tragic writers have to write short stories; if they wrote long stories - cheerfulness would creep in. Such stories are like stings; brief, but purely painful."
"Alone with everybody the flesh covers the bone and they put a mind in there and sometimes a soul,and the women break vases against the walls and them men drink too much and nobody finds the one but they keep looking crawling in and out of beds.flesh covers the bone and the flesh searches for more than flesh.there's no chance at all:we are all trapped by a singular fate.nobody ever finds the one.the city dumps fill the junkyards fill the mad houses fill the hospitals fill the graveyards fill nothing else fills."
"Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself."
"Malphas surveyed the women's bodies with utter disgust and sorrowuntil he realized Tabitha was still alive. He knelt by her side and cradled her head tenderly. "Tabby... I'm so sorry"Grimacing she opened her eyes as she labored to breathe. She laughed bitterly, exposing a set of bleeding teeth. "there are some things that sorry doesn't fix, Caleb.""Shhh, don't speak. I can--""you failed us," She went limp in his arms. Her eyes went Dull.Wincing, Caleb held her close to his heart and stroked her bloody hair. "No, Tabby. I failed myself.""Most of all, I failed Nick."
"The transience of humanity frames the tragedy of all people. There are no happy conclusions to life, we all die, and until we die, we will experience both happiness and pain. Acceptance of the tragedy of humankind without remorse is a shattering experience; it enables us to relinquish mawkish misconceptions, destructive obsessions, and crippling attachments. Only by accepting the tragedy of life as an integral part of the incandescent beauty of life, will I understand what it means to rejoice in the indelible bloom of life."
"She was the most beautiful thing I had ever seen, a tiny, bloody angel in the snow, and they were going to destroy her."
"What makes mankind tragic is not that they are the victims of nature, it is that they are conscious of it."
"But what was there to say?Only that there were tears. Only that Quietness and Emptiness fitted together like stacked spoons. Only that there was a snuffling in the hollows at the base of a lovely throat. Only that a hard honey-colored shoulder had a semicircle of teethmarks on it. Only that they held each other close, long after it was over. Only that what they shared that night was not happiness, but hideous grief.Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much."
"I like to take these unusual characters and then make them as normal as possible, because we all know that the tragedy and the abnormal always hides itself behind the normal."
Explore more quotes by Milan Kundera
"I understand you, and I shall not attempt to make you change your mind. I am too old to want to improve the world. I have told you what I think, and that is all. I shall remain your friend even if you act contrary to my convictions, and I shall help you even if I disagree with you."
"Metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory."
"In Tereza's eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others."
"The situation is very slightly solemn and thus embarrassing, as are all such situations when after the initial lovemaking, the lovers confront a future they are suddenly required to take on."
"The stupidity of people comes from having an answer for everything. The wisdom of the novel comes from having a question for everything."
"People meet in the course of life, they talk together, they discuss, they quarrel, without realizing that they're talking to one another across a distance, each from an observation post standing in a different place in time."
"Keep this in mind: it is our religion to praise life. The word "life is the king of words. The kingword surrounded by other grand words. The word "adventure! The word "future! And the word "hope! By the way, do you know the code name for the atomic bomb they dropped on Hiroshima? "Little Boy! That's a genius, the fellow who invented that code! They couldn't have dreamed up a better one. Little boy, kid, tyke, tot - there's no word that's more tender, more touching, more loaded with future."
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