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"The tree of possibilities: life as it reveals itself to a man arriving, astonished, at the threshold of his adult life: an abundant treetop canopy filled with bees singing. And he thinks he understands why she never showed him the letters: she wanted to hear the murmur of the tree by herself, without him, because he, Jean-Marc, represented the abolition of all possibilities, he was the reduction, (even though it was a happy reduction) of her life to a single possibility."
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"We live by choice and by necessity. We choose the mechanisms that are essential to ensure satisfaction of our baseline survival. What labor we willingly endure in order to meet our minimalistic subsistence requirements and what activities we elect to pursue in order to mollify our desire for living joyfully and attain self-realization defines our essential self's core personality."
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Personal Development

"I choose my friends for their good looks, my acquaintances for their good characters, and my enemies for their intellects. A man cannot be too careful in the choice of his enemies."
Author Name
Personal Development

"You have a choice. Live or die. Every breath is a choice. Every minute is a choice. To be or not to be."
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Personal Development

"Pick a truth that blesses your life!"
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Personal Development

"Avoidance is paying forward that which I would be much wiser to pay off."
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Personal Development

"People which can't choose, should die... So far I don't see where can they go if they are lock in maze?They will search exit with hours!"
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Personal Development

"God invites. We decline. And because of that single foolhardy decision we spend the rest of our lives 'declining'."
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Personal Development

"With all these forks in the roads of our path, why do so many choose to take the knife?"
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Personal Development

"Your choice can either violate a spiritual principle of love or walk in it."
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Personal Development

"Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?"
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Personal Development
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"He was no longer quite sure whether anything he had ever thought or felt was truly his own property, or whether his thoughts were merely a common part of the world's store of ideas which had always existed ready-made and which people only borrowed, like books from a library."
Philosophy

"He took her in his arms and lifted her up. She looked at him and he noticed only now that her eyes were full of tears. He pressed her to him. She understood that he loved her and this suddenly filled her with sadness. She felt sad that he loved her so much, and she felt like crying."
Love

"A person's destiny often ends before his death."
Fate

"Is not an event in fact more significant and noteworthy the greater the number of fortuities necessary to bring it about? ... Everything that occurs out of necessity, everything expected, repeated day in and day out, is mute. Only chance can speak to us."
Fate

"I was not a hypocrite, with one real face and several false ones. I had several faces because I was young and didn't know who I was or wanted to be."
Identity

"Once the writer in every individual comes to life (and that time is not far off), we are in for an age of universal deafness and lack of understanding."
Writing

"Laughter was like an enormous trap waiting patiently in the room with them, but hidden behind a thin wall."
Emotion

"Most people willingly deceive themselves with a doubly false faith; they believe in eternal memory (of men, things, deeds, peoples) and in rectification (of deeds, errors, sins, injustice). Both are sham. The truth lies at the opposite end of the scale: everything will be forgotten and nothing will be rectified. All rectification (both vengeance and forgiveness) will be taken over by oblivion."
Forgetting

"Tell me, where in life is there a value that would make us consider suicide uncalled for on principle! Love? Or friendship? I guarantee that friendship is not a bit less fickle than love and it is impossible to build anything on it. Self-love? I wish it were possible."
Values

"Brod was a brilliant intellectual with exceptional energy; a generous man willing to do battle for others; his attachment to Kafka was warm and disinterested. The only problem was his artistic orientation: a man of ideas, he knew nothing of the passion for form; his novels (he wrote twenty of them) are sadly conventional; and above all: he understood nothing at all about modern art.Why, despite all this, was Kafka so fond of him? What about you-do you stop being fond of your best friend because he has a compulsion to write bad verse?"
Friendship
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