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"If excitement is a mechanism our Creator uses for His own amusement, love is something that belongs to us alone and enables us to flee the Creator. Love is our freedom. Love lies beyond "Es Muss sein!"
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Exlpore more Freedom quotes
"To enjoy the beauty of the world, don't try to fit in. Try to fly out of your perceived boundaries."
"To embrace the message of Christmas is to throw off my hedonistic rebellion and bow before the chafing reality that I can't save myself, and in that very act to be suddenly taken aback in that I've stumbled upon the very freedom I've longed for in the very place I'd least expected it."
"Be as light as a feather and when they reach for you - you will blow right by their grip, you will effortlessly flow to safety."
"Freedom gives you the air of the high mountains."
"You need to break free from the chain of employment to fully utilize and discover your potential."
"True freedom is a freedom with clear boundaries. True freedom understands the real essence of do's and don'ts. A freedom without restrictions that brings comfort is a freedom in chains."
"Absolute freedom is an illusion. For while an employed man might be free from starvation, he is a slave to his employer's financial aspirations, and, working-hours."
"I suggest that people walk around under the moon barefoot, as I have today. There's that voice of your mom and dad and aunt and big sister and uncle and annoying cousin in your ear saying "Your feet are going to get dirty and you're going to turn into a bat" so the defiance in the act of simply taking your shoes off and standing there under that moon- is astronomical. A dirty-feet-moonlit-defiance that will make you smile."
"But whether the risks to which liberty exposes us are moral or physical our right to liberty involves the right to run them. A man who is not free to risk his neck as an aviator or his soul as a heretic is not free at all; and the right to liberty begins, not at the age of 21 years but 21 seconds."
Explore more quotes by Milan Kundera
"Damn! What did Ansermet, that most faithful friend, know about Stravinsky's poverty of heart? What did he, that most devoted friend, know about Stravinsky's capacity to love? And where did he get his utter certainty that the heart is ethically superior to the brain? Are not vile acts committed as often with the heart's help as without it? Can't fanatics, with their bloody hands, boast of a high degree of "affective activity"? Will we ever be done with this imbecile sentimental Inquisition, the heart's Reign of Terror?"
"Tereza knew what happens during the moment love is born: the woman cannot resist the voice calling forth her terrified soul, the man cannot resist the woman whose soul thus responds to his voice."
"The novel's spirit is the spirit of complexity. . . . The novel's spirit is the spirity of continuity . . . a thing made to last, to connect the past with the future."
"All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude. She closed her eyes and listened to the sound of a hunting horn coming from the depths of distant forests. There were paths in those forests."
"It was futile to attack with reason the stout wall of irrational feelings that, as is known, is the stuff of which the female mind is made."
"Given the nature of the human couple, the love of a man and a woman is a priori inferior to that which can exist (at least in the best instances) in the love between man and dog...It is a completely selfless love."
"People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past."
"Without much ardor but quite unmistakably, she was writhing her hips as if she were dancing. When he was very close, he saw' her gaping mouth: she was yawning lengthily, insatiably: the great open hole was rocking gently atop die mechanically dancing body. Jean-Marc thought: she's dancing and she's bored.He reached the seawall: down below, on the beach, he saw men with their heads thrown back releasing kites into the air. They were doing it with passion, and Jean-Marc recalled his old theory: there are three kinds of boredom: passive boredom: the girl dancing and yawning; active boredom: kite-lovers; and rebellious boredom: young people burning cars and smashing shop windows."
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