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Quotes by Director

"I only work with actors who take full responsibility for their characters."

"We just said, 'Okay, you're in the movie. Bring what you would bring for a three-day weekend and I hope you like the way you look in it because once you're on camera, that's your wardrobe.' But it worked; it worked and we were very surprised."

"In a kind of a way there's a bit of that happening now so we have to be careful to preserve our culture."

"Such manifestations I account as representing the creative leadership of the new forces of thought and appreciation which attend changes in technological pattern and therefore of the pattern of human relationships in society."

"The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable."

"I've always done 20 things at once. It's my way of staying alive, not to keep one dish cooking, but several dishes going. And I'm pretty organized."


"Model. Two mobile eyes in a mobile head, itself on a mobile body."

"I never storyboard. I hate it. I don't understand why so many directors want to make comic strips of their films."

"I try not to have favorites, but Barfly is one that I like. My favorite is always the one I just finished."

"I tried to stir the imagination and enthusiasms of students to take risks, to do what they were most afraid of doing, to widen their horizons of action."

"The danger is not so much in the economic structure of a society but in its intellectual structure."

"I think a badly crafted, great idea for a new film with a ton of spelling mistakes is just 100 times better than a well-crafted stale script."

"When I got lucky with Dean, I ended up with 16 years with one of the truly great performers of all time. He was the greatest performer I'd ever been around, bar none."

"I wanted to make connections between Whale's past and present."

"I do know that some Buddhists are able to attain peace of mind."

"It means that if they misunderstood Comfort and Joy, they misunderstood my other films."

"And it was out in the theaters in two weeks. This is not, 'We're going to develop twenty-five and maybe one's going to get made,' so the first three things I wrote got up on the screen and, good, bad or indifferent, I got to see them on their feet."

"There was a widespread indignation in the American media. They were saying, 'How can you make a movie during an election that's about politics? What are you doing? Are you trying to influence people's lives?' To which my response was, 'Well, I hope so.'"

"Forty years ago this country went down a rabbit hole in Vietnam and millions died. I fear we're going down a rabbit hole once again - and if people can stop and think and reflect on some of the ideas and issues in this movie, perhaps I've done some damn good here!"

"But for me, it feels like a natural extension of what I've been doing: exploring relationships. Here you have two relationships and we can explore how difficult it is for people to be together."

"If you had the opportunity and some talent, there was no way you couldn't progress, because it was an open market. There was the advertising world, and there was the documentary world."

"The guy that made me wanna make movies... and this is off the wall-is a guy named Michael Pal, the British director."


"I cannot forget a conversation that I had with an elderly couple from the tribe. They asked me whether I would kill them after I had finished. When I asked them why they asked that, they replied, Because you white men always do!"

"Only the Russian Cultural Officer was interested in my project."
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