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Neil LaBute, an American director and playwright, is renowned for his bold and provocative works that delve into the complexities of human relationships and societal norms. His plays and films, such as Fat Pig and In the Company of Men, challenge audiences to confront uncomfortable truths about themselves and the world around them. LaBute's fearless approach to storytelling inspires others to tackle difficult topics with authenticity, pushing the boundaries of artistic expression and encouraging the pursuit of honest self-exploration.
"I make movies I want to see."
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"I make movies I want to see."

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"And with Aaron, I'd have to find a reason not to work with him."
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"And with Aaron, I'd have to find a reason not to work with him."

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"With In the Company of Men, the misogynist label stuck early and firmly. In the end, it probably did hurt the film a bit, because getting women into the theaters was difficult."
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"With In the Company of Men, the misogynist label stuck early and firmly. In the end, it probably did hurt the film a bit, because getting women into the theaters was difficult."

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"I would be more frightened as a writer if people thought my movies were like science fiction."
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"I would be more frightened as a writer if people thought my movies were like science fiction."

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"If we put the camera on ourselves, our friends and neighbors, we'll come up with some scary stuff."
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"If we put the camera on ourselves, our friends and neighbors, we'll come up with some scary stuff."

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"Unrequited love is always a great thing."
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"Unrequited love is always a great thing."

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"I wanted to make these people real, not like they were in a painting. Like these are people who don't know they're in a period movie. Those concerns are incredibly immediate."
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"I wanted to make these people real, not like they were in a painting. Like these are people who don't know they're in a period movie. Those concerns are incredibly immediate."

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"I was very careful to cast guys who were very good-looking and very fit and who had a certain sense of privilege about them, because with that sense of privilege comes contempt."
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"I was very careful to cast guys who were very good-looking and very fit and who had a certain sense of privilege about them, because with that sense of privilege comes contempt."

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"My best male friend is my best friend until he crosses me. We're all protective of the self."
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"My best male friend is my best friend until he crosses me. We're all protective of the self."

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"Everybody has the ability to be manipulative, to be hateful and deceitful."
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"Everybody has the ability to be manipulative, to be hateful and deceitful."

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"I will say that the idea of a woman being deceptive came from that original discussion with critics and reporters about if woman could do that kind of thing. Evelyn, herself, grew out of the discussions about how capable women are of deceit and lying and manipulation."
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"I will say that the idea of a woman being deceptive came from that original discussion with critics and reporters about if woman could do that kind of thing. Evelyn, herself, grew out of the discussions about how capable women are of deceit and lying and manipulation."

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"Just in the past few years - since I've been making movies, which isn't a very long time - you now have a culture that is fascinated and informed about the box office in a way that sometimes filmmakers weren't even."
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"Just in the past few years - since I've been making movies, which isn't a very long time - you now have a culture that is fascinated and informed about the box office in a way that sometimes filmmakers weren't even."

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"People have perhaps gotten to the point where for the most part movies are a just bit of escape."
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"People have perhaps gotten to the point where for the most part movies are a just bit of escape."

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"And I've got some screenplays and plays ready to dip into when I need to."
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"And I've got some screenplays and plays ready to dip into when I need to."

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"Everyone has a little bit of Howard and Chad in them. I think there's Christine in all men as well."
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"Everyone has a little bit of Howard and Chad in them. I think there's Christine in all men as well."

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"First I would probably place men at the bottom of the food chain. On a grander scale, I would say they're reacting to change. Feminism has got to be part of that."
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"First I would probably place men at the bottom of the food chain. On a grander scale, I would say they're reacting to change. Feminism has got to be part of that."

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"I'm more than open to hope, but I think men and women have a difficult time dealing with each other and often take the low road."
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"I'm more than open to hope, but I think men and women have a difficult time dealing with each other and often take the low road."

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"Relationships in general make people a bit nervous. It's about trust. Do I trust you enough to go there?"
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"Relationships in general make people a bit nervous. It's about trust. Do I trust you enough to go there?"

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"I think Christine and Chad are on the opposite extremes of the spectrum. Christine is a model victim, and Chad is a model perpetrator, and Howard is closer to the middle."
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"I think Christine and Chad are on the opposite extremes of the spectrum. Christine is a model victim, and Chad is a model perpetrator, and Howard is closer to the middle."

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"You start as an audience member and create a world you're interested in, and then you move into the telling of those stories, bringing what has interested you as an audience member."
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"You start as an audience member and create a world you're interested in, and then you move into the telling of those stories, bringing what has interested you as an audience member."

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"There is a lot of absurdity sometimes, not just in Mormonism but often in other religions that want to pretend that no bad happens in their church, rather than taking care of what bad does happen."
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"There is a lot of absurdity sometimes, not just in Mormonism but often in other religions that want to pretend that no bad happens in their church, rather than taking care of what bad does happen."

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"People think my work is therapeutic. I don't see it that way. It's not like I'm saving money from a weekly therapy visit by writing down my life."
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"People think my work is therapeutic. I don't see it that way. It's not like I'm saving money from a weekly therapy visit by writing down my life."

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"But for me, it feels like a natural extension of what I've been doing: exploring relationships. Here you have two relationships and we can explore how difficult it is for people to be together."
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"But for me, it feels like a natural extension of what I've been doing: exploring relationships. Here you have two relationships and we can explore how difficult it is for people to be together."

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"My business is can I create a world that's possible and could happen? I think that's the only thing that I have to do, and I think that I have done that each time."
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"My business is can I create a world that's possible and could happen? I think that's the only thing that I have to do, and I think that I have done that each time."

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"We live in a disposable society. It's easier to throw things out than to fix them. We even give it a name - we call it recycling."
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"We live in a disposable society. It's easier to throw things out than to fix them. We even give it a name - we call it recycling."

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"I have a healthy view of what one can do with art."
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"I have a healthy view of what one can do with art."

Art,
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"In a relationship you have to open yourself up."
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"In a relationship you have to open yourself up."

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"Without In The Company of Men, I could still be teaching, so who knows if this would've existed."
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"Without In The Company of Men, I could still be teaching, so who knows if this would've existed."

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"I think the more the actor lets you know what he thinks of the character, the less the audience cares - like a comedian who laughs at his own jokes."
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"I think the more the actor lets you know what he thinks of the character, the less the audience cares - like a comedian who laughs at his own jokes."

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