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Jazz Quotes

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"So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it."
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"I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself."
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"Coltrane was moving out of jazz into something else. And certainly Miles Davis was doing the same thing."
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"I have a bachelor's and a master's in jazz."
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"Jazz was uplifted by what I did."
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"Well, I guess my unease with that is... I'm always a little uneasy with that phrase - smooth jazz, as opposed to what?"
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"I think that one of the problems that jazz has is that it's so incestuous that it's starting to kill itself."
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"I've always loved jazz."
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"The spirit of jazz is the spirit of openness."
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"My main influences have always been the classic jazz players who sang, like Louis Armstrong and Nat King Cole and Jack Teagarden."
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"As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe."
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"I am not a jazz singer. I wouldn't place myself on that footing. I wouldn't even enter that arena."
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"The way that we imitate each others' riffs is something that other bands don't do as much. If we're jamming with a jazz band, or I am jamming with a jazz band, I have to catch myself, the tendency is always to do that."
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"I can turn on some jazz guitarist, and he won't do a thing for me, if he's not playing electrically. But Jeff Beck's great to listen to."
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"I think I was supposed to play jazz."
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"The memory of things gone is important to a jazz musician."
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"Well, I had started a program which is even longer running than this one in 1967 which was a jazz program called The Best of Jazz and that still goes out on Monday nights. That's been going for 33 years or something."
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"I was considered as a jazz man rather than as a blues player. There were no blues players-you played one sort of jazz of another sort of jazz."
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"I'm not a big jazz fan."
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"I was a jazz major in high school, in an all-jazz band. No matter what I do, it features my musical influences."
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"I understood jazz, I understood how it worked. That's what I apply to everything."
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"Tone on jazz guitars is a real tough issue."
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"It pulled me like a magnet, jazz did, because it was a way that I could express myself."
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"I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch."
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"Jazz has an audience all around the globe and has had for many decades, I think speaking of the United States, let's say that what we need is more of an official recognition."
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"I think Wes Montgomery is the greatest jazz guitarist that ever lived."
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"One of the things I like about jazz, kid, is I don't know what's going to happen next. Do you?"
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"I'm really getting to appreciate traditional jazz now - the New Orleans stuff - a lot more than I did before."
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"The iconoclastic mode, that specific mode of language, there is an element of it that it is punk - that is confrontational. That's just a part of the language of jazz - at a certain point."
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"All the classic jazz players all sang and a lot of 'em sang blues."
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"The point of jazz is, you do something and then you go on."
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"I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet."
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"If it has more than three chords, it's jazz."
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"Coltrane would do what you'd get a Roland Pro Tools module to do but with a group of jazz musicians."
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"I think I represent a more left-wing view of what jazz is."
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"Jazz is there and gone. It happens. You have to be present for it. That simple."
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"Most of the stuff I learned to play, I learned in high school. I had a band in high school, a jazz-fusion thing, and I was the keyboard player. I was interested in how the instruments worked and the theory behind playing with them."
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"Jazz is not something that can be defined through blunt instruments. It is much more poetic than that."
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"To most jazz critics I was basically Kenny G."
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"I stayed with them for about a year up there and, at night, worked over in Long Island at a club called The High Hat Club which was like a pseudo jazz / blues place."
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"I'm a freak, everything has to be totally flat when I play. Ed Will, my jazz teacher, set up everything completely flat, and then you'd tilt your snare drum away from you, so I do that too. So my snare tilts away from me."
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"I'd actually been making my living as an organist with bands since I was probably 15 or 16 years old, and then as a senior in high school I put together a jazz quintet called The Bobby Mack Jazz Quintet."
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"I wanted to make a jazz record. I didn't want it to be a standards record."
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"Once you start collecting records you learn more and more about jazz and blues."
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"In 1994, I started touring again and I recorded two albums for Chesky Jazz."
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"I don't know if I have enough guts to do a whole standard jazz record."
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"And I played in jazz band as well during all three years in school."
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"You need better technique than I have to play jazz, but what you have to do is the same thing, isn't it?"
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"I think jazz is good, but I don't enjoy it. It's not for me."
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"I cut myself off from the mainstream of jazz. It stood me in good stead later on, as a musician."
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