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"If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant."
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Exlpore more Creativity quotes
"What makes people tick? Life can be a trap of ennui, but imagery may be a redemptive escape from dullness. The iconic power and exuberance of images generate an inexorable addiction that needs to be gratified without respite. Here and now! ['Give me more images']"
"Authors always carry a means for scribbling and an excuse for pausing, often inopportunely, to record those fleeting sparks of creative fancy that might otherwise vanish like a wisp in the wind if ignored. Writing is a jealous and needy lover."
"I spent an hour looking at pots and carpets in the museums the other day, until the desire to describe them became like the desire for the lusts of the flesh."
"Do you know I get such a passion for reading sometimes its like the other passion -writing- only the wrong side of the carpet."
"As for my next book, I won't write it till it has grown heavy in my mind like a ripe pear; pendant, gravid, asking to be cut or it will fall."
"A good dose of fantasy is exercise for your sensibilities, it keeps your avatar strong."
"As for my next book I am going to hold myself from writing it till I have it impending in me: grown heavy in my mind like a ripe pear pendant gravid asking to be cut or it will fall."
"An inexhaustible imagination is the fountain of youth."
"You can't fake creativity, competence, or sexual arousal."
"I'll be blasted', he said, 'if I ever write another word, or try to write another word, to please Nick Greene or the Muse. Bad, good, or indifferent, I'll write, from this day forward, to please myself."
Explore more quotes by Trevor Nunn
"You are faced with the choice: either my integrity remains intact and this is the work that ends up on the screen, or I have to leave, and I have to be known to have left."
"The first big break was winning a scholarship to go to Cambridge University. I was very lucky, because my parents couldn't have afforded a university education for me. Without a scholarship I couldn't possibly have gone."
"When I was 13 years old, a professional theater company in my town needed a kid actor. I auditioned, and I got the part, so for just a few weeks I became a member of the company and I met some professional actors."
"In my teens, I developed a passionate idolatry for a teacher of English literature. I wanted to do something that he would approve of more, so I thought I should be some sort of a scholar."
"When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War."
"I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera."
"The thing that I had saved up for myself and wanted most to bring off was a fully fledged professional production of Hamlet at the Royal Shakespeare Theater in Stratford."
"In my early years, my father was away as a soldier in the war. When he came back, work was very difficult to come by. Even though he was a highly skilled man, a maker of furniture, the payment for that work was very poor."
"Peter Hall was just organizing the Royal Shakespeare Company. It was going to be an ensemble, it was going to be in repertory, it was going to have a home in London as well as in the Midlands, and all of those things were happening at that time."
"So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before."
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