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"I think I got spoiled and that writing a short story and getting it published, or writing a novel and getting it published, you pretty much get to do the first, second and third draft yourself without a whole lot of interference."
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"Nothing can now be believed which is seen in a newspaper. Truth itself becomes suspicious by being put into that polluted vehicle."
"When the New York Times scratches its head, get ready for total baldness as you tear out your hair."
"In journalism just one fact that is false prejudices the entire work. In contrast, in fiction one single fact that is true gives legitimacy to the entire work. That's the only difference, and it lies in the commitment of the writer. A novelist can do anything he wants so long as he makes people believe in it."
"Pro-government press is not a press it is just a lie-generating ugly machine; it is a guard dog, guarding only the official thieves, not the public!"
"The internet has become a carefully controlled and heavily monitored illusion. It has turned into both a circus and battleground. Popularity is rigged and can be bought. Censorship is in full effect. Popular opinion is fabricated, and the perception of a viewpoint's popularity is typically orchestrated and manipulated by legions of paid trolls. If you want to know the truth about somebody's true popularity and influence, look to the streets. If you want to know if a person is really guilty or innocent, study the facts yourself. Never judge anybody based on what you see or read on the internet. Information can easily be manipulated by the push of a few buttons."
"Sensationalism dies quickly, fear is long-lived."
"If you interviewed 1,000 politicians and asked about whether the media's too soft or too hard, about 999 would say too hard."
"Madison Avenue is a very powerful aggression against private consciousness. A demand that you yield your private consciousness to public manipulation."
Explore more quotes by John Sayles
"Basically, if you could get a good trailer out of the script, Roger had no objection to you making a really good movie. He liked it if you did. He liked the more cleverness and ingenuity you could bring to it. He just wasn't going to give you any more money."
"There was a widespread indignation in the American media. They were saying, 'How can you make a movie during an election that's about politics? What are you doing? Are you trying to influence people's lives?' To which my response was, 'Well, I hope so.'"
"I figured somebody wrote a story who had a typewriter and I thought that movies were made by the cowboys and that they just said, 'Okay, you fall off the horse this time.'"
"My argument has always been that this is not an anti-Bush film, it's a pro-democracy film. And if Bush comes out on the wrong side of democracy, that's his problem."
"There are genres I don't care for, and I've never worked in those genres, and then sometimes there are people that I haven't liked and I haven't worked for those people. But if I feel like there's a movie that I would like to go see, I'll jump into it."
"I probably wouldn't have done as many as I did in one year, which I did when I was trying to raise money."
"Well, acting is cheap; I knew all these actors who weren't in the Screen Actors Guild yet, and it happened that they were all just about thirty years old."
"We just said, 'Okay, you're in the movie. Bring what you would bring for a three-day weekend and I hope you like the way you look in it because once you're on camera, that's your wardrobe.' But it worked; it worked and we were very surprised."
"In a movie you have all these logistical problems; all these practical problems. But you're also going to have people come who can do things that you can't do, and you get to direct their talents."
"I figured, 'When is that ever going to happen again?'. So I basically set out the opposite way movies are made; I set out with a budget first. I said, 'What can I do well for $40,000?'."
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