Samuel Beckett was an Irish playwright born on April 13, 1906. He is known for his avant-garde plays, such as Waiting for Godot and Endgame, which challenged traditional theatrical conventions. Beckett's works often explored themes of existentialism and the human condition, using minimalist settings and unconventional dialogue. His plays have been influential in the development of the Theatre of the Absurd and have had a lasting impact on modern drama. Beckett's contributions to literature and theater have earned him recognition as one of the most important writers of the 20th century.
"I shall soon be quite dead at last in spite of all."
"And perhaps there is none, no morrow anymore, for one who has waited so long for it in vain. And perhaps he has come to that stage of his instant when to live is to wander the last of the living in the depths of an instant without bounds, where the light never changes and the wrecks all look alike. Bluer scarcely than white of egg the eyes stare into the space before them, namely the fullness of the great deep and unchanging calm. But at long intervals they close, with the gentle suddenness of flesh that tightens, often without anger, and closes on itself."
"You can't have everything, I've often noticed it."
"Let me go to hell, that's all I ask, and go on cursing them there, and them look down and hear me, that might take some of the shine off their bliss."
"Curiosity is the hair of our habit tending to stand on end. It rarely happens that our attention is not stained in greater or lesser degree by this animal element."
"Ever tried. Ever failed. No matter. Try Again. Fail again. Fail better."
"I shall state silences more competently than ever a better man spangled the butterflies of vertigo."
"Yes, there is no good pretending, it is hard to leave everything."
"Be again, be again. (Pause.) All that old misery. (Pause.) Once wasn't enough for you."
"She was willing a little bit of sweated labour, incapable of betraying the slogan of her slavers, that since the customer or sucker was paying for his gutrot ten times what it cost to produce and five times what it cost to fling in his face, it was only reasonable to defer to his complaints up to but not exceeding fifty per cent of his exploitation."
"Nothing is funnier than unhappiness, I grant you that. Yes, yes, it's the most comical thing in the world."
"They comedifferent and the samewith each it is different and the samewith each the absence of love is differentwith each the absence of love is the same."
"I lay down across her with my face in her breasts and my hand on her. We lay there without moving. But under us all moved, and moved us, gently, up and down, and from side to side.(Pause. Krapp's lips move. No sound.)Past midnight. Never knew such silence. The earth might be uninhabited."
"Boys my age with whom, in spite of everything, I was obliged to mix occasionally, mocked me."
"There is no use indicting words, they are no shoddier than what they peddle."
"For the only way one can speak of nothing is to speak of it as though it were something, just as the only way one can speak of God is to speak of him as though he were a man, which to be sure he was, in a sense, for a time, and as the only way one can speak of a man, even our anthropologists have realised that, is to speak of him as though he were a termite."
"For in me there have always been two fools, among others, one asking nothing better than to stay where he is and the other imagining that life might be slightly less horrible a little further on. So that I was never disappointed, so to speak, whatever I did, in this domain. And these inseparable fools I indulged turn about, that they might understand their foolishness."
"With a cluther of limbs and organs, all that is needed to live again, to hold out a little time, I'll call that living, I'll say it's me, I'll get standing, I'll stop thinking, I'll be too busy, getting standing, staying standing, stirring about, holding out, getting to tomorrow, tomorrow week, that will be ample, a week will be ample, a week in spring, that puts the jizz in you."
"When I penetrate into that house, if I ever do, it will be to go on turning, faster and faster, more and more convulsive, like a constipated dog, or one suffering from worms, overturning furniture, in the midst of my family all trying to embrace me at once, until by virtue of a supreme spasm I am catapulted in the opposite direction and gradually leave backwards, without having said good evening."
"Name, no, nothing is namable, tell, no, nothing can be told, what then, I don't know, I shouldn't have begun."
"POZZO:I am blind.(Silence.)ESTRAGON:Perhaps he can see into the future."
"Ada: And why life? (Pause.) Why life, Henry? (Pause.) Is there anyone about?Henry: Not a living soul.Ada: I thought as much. (Pause.) When we longed to have it to ourselves there was always someone. Now that it does not matter the place is deserted."
"Estragon: And if he doesn't come?Vladimir: (after a moment of bewilderment) We'll see when the time comes."
"I happened to look up and there it was. All over and done with, at last. I sat on for a few moments with the ball in my hand and the dog yelping and pawing at me. (Pause.) Moments. Her moments, my moments (Pause.) The dog's moments."
"But even them, my pains, I understand ill. That must come from my not being all pain and nothing else. There's the rub. Then they recede, or I, till they fill me with amaze and wonder, seen from a better planet. Not often, but I ask no more. Catch-cony life! To be nothing but pain, how that would simplify matters! Omnidolent! Impious dream."
"Estragon: You see, you feel worse when I'm with you. I feel better alone, too.Vladmir: Then why do you always come crawling back?Estragon: I don't know."
"Estragon: They're too bigVladimir: Perhaps you'll have socks some day."