Elizabeth Gilbert, an American novelist, is best known for her memoir Eat, Pray, Love, which chronicles her journey of self-discovery after a divorce. Her candid exploration of personal transformation resonated with millions, making her an inspiration to those seeking to find balance and purpose in their lives. Gilbert's work, including her novels and essays, encourages readers to embrace change, trust their intuition, and live authentically. Her journey reminds us that embracing new experiences can lead to profound personal growth and that the pursuit of happiness is always worth the effort.
"Zen masters say you cannot see your reflection in running water, only in still water."
"You know, you seem like a completely different person, now that you're with this new boyfriend. You used to look like your husband, but now you look like David. You even dress like him and talk like him. You know how some people look like their dogs? I think maybe you always look like your men."
"Most of my writing life, to be perfectly honest, is not freaky, old-timey, voodoo-style Big Magic. Most of my writing life consists of nothing more than unglamorous, disciplined labor. I sit at my desk and I work like a farmer, and that's how it gets done. Most of it is not like fairy dust in the least."
"Here's another example of the difference in our worldviews. A family in my sister's neighborhood was recently stricken with a double tragedy, when both the young mother and her three-year-old son were diagnosed with cancer. When Catherine told me about this, I could only say, shocked, "Dear God, that family needs grace. She replied firmly, "That family needs casseroles, and then proceeded to organize the entire neighborhood into bringing that family dinner, in shifts, every single night, for an entire year. I do not know if my sister fully recognizes that this is grace."
"But, ancient Greece and ancient Rome - people did not happen to believe that creativity came from human beings back then, OK? People believed that creativity was this divine attendant spirit that came to human beings from some distant and unknowable source, for distant and unknowable reasons."
"I don't think you can come into your wisdom until you have made mistakes on your own skin and felt them in reality of your own life."
"My husband was sleeping in the other room, in our bed.I equal parts loved him and could not stand him. I couldn't wake him to share in my distress-what would be the point? He'd already been watching me fall apart for months now, watching me behave like a madwoman (we both agreed on that word), and I only exhausted him. We both knew there was something wrong with me, and he'd been losing patience with it. We'd been fighting and crying, and we were weary in that way that only a couple whose marriage is collapsing can be weary. We had the eyes of refugees."
"I don't sit around waiting for passion to strike me. I keep working steadily, because I believe it is our privilege as humans to keep making things. Most of all, I keep working because I trust that creativity is always trying to find me, even when I have lost sight of it."
"I have no nostalgia for the patriarchy, please believe me. But what I have come to realize is that, when that patriarchic system was (rightfully) dismantled, it was not necessarily replaced by another form of protection. What I mean is--I never thought to ask a suitor the same challenging questions my father might have asked him, in a different age."
"Ceremony is essential to humans: It's a circle that we draw around important events to separate the momentous from the ordinary. And ritual is a sort of magical safety harness that guides us from one stage of our lives into the next, making sure we don't stumble or lose ourselves along the way. Ceremony and ritual march us carefully right through the center of our deepest fears about change."
"That competition and the struggle for existence is the mechanism behind this state of perpetual change."
"I see marriage as an operation that sews two people together, and divorce is a kind of amputation that can take a long time to heal. The longer you were married, or the rougher the amputation, the harder it is to recover."
"Humor is hard to catch in a second language. Especially when you're as serious a young man as Giovanni. He said to me the other night, 'When you are ironic, I am always behind you. I am slower. It is like you are the lightning and I am the thunder."
"The Silly Putty-like malleability of the institution [marriage], in fact, is the only reason we still have the thing at all. Very few people... would accept marriage on it's thirteenth-century terms. Marriage survives, in other words, precisely because it evolves. (Though I suppose this would not be a very persuasive argument to those who probably also don't believe in evolution)."
"Marriage is a game. They (the anxious and powerful) set the rules. We (the ordinary and subversive) bow obediently before those rules. And then we go home and do whatever the hell we want anyhow."
"I was a veritable Johnny Appleseed of grand expectations, and all I reaped for my trouble was a harvest of bitter fruit."
"Depression on my left, Loneliness on my right. They don't need to show me thier badges. I know these guys very well."
"I'd learned enough from life's experiences to understand that destiny's interventions can sometimes be read as invitation for us to address and even surmount our biggest fears. It doesn't take a great genius to recognize that when you are pushed by circumstance to do the one thing you have always most specifically loathed and feared, this can be, at the very least, an interesting growth opportunity."
"Your creativity is way older than you are, way older than any of us. Your very body and your very being are perfectly designed to live in collaboration with inspiration, and inspiration is still trying to find you-the same way it hunted down your ancestors."
"I've had to keep defining and defending myself as a writer every single day of my adult life -- constantly reminding and re-reminding my soul and the cosmos that I'm very serious about the business of creative living, and that I will never stop creating, no matter what the outcome, and no matter how deep my anxieties and insecurities may be."
"... you should never give yourself a chance to fall apart because, when you do, it becomes a tendency and it happens over and over again. You must practice staying strong, instead."
"He lived in sight of both worlds, but he looked toward the unknown. And he was a scholar.... You can still live on that shimmering line between your old thinking and your new understanding, always in a state of learning. In the figurative sense, this is a border that is always moving-- as you advance forward in your studies and realizations, that mysterious forest of the unknown always stays a few feet ahead of you, so you have to travel light in order to keep following it. You have to stay mobile, movable, supple."
"And since creativity is still the most effective way for me to access wonder, I choose it. I choose to block out all the external (and internal) noise and distractions, and to come home again and again to creativity. Because without that source of wonder, I know that I am doomed. Without it, I will forever wander the world in a state of bottomless dissatisfaction-nothing but a howling ghost, trapped in a body made of slowly deteriorating meat."
"The only thing more unthinkable than leaving was staying the only thing more impossible than stayin the only thing more impossible than staying was leaving.g was leaving."
"There is so much about my fate that I cannot control, but other things do fall under my jurisdiction. There are certain lottery tickets I can buy, thereby increasing my odds of finding contentment. I can decide how I spend my time, whom I interact with, whom share my body and life and money and energy with."
"Then I give her a grim shake of my head and say aloud, 'This blows ass.' She nods sympathetically. She doesn't understand, but of course, in her way she understands completely."
"In return, Giovanni told me that empathizing Italians say L'ho provato sulla mia pelle, which means 'I have experienced that on my own skin.' Meaning, I have also been burned or scarred in this way, and I know exactly what you're going through."
"Desiring another person is perhaps the most risky endeavor of all. As soon as you want somebody-really want him-it is as though you have taken a surgical needle and sutured your happiness to the skin of that person, so that any separation will now cause a lacerating injury."
"This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down. We all need such places of ritual safekeeping."
"I have good idea, for if you meet some person from different religion and he want to make argument about God. My idea is, you listen to everything this man say about God. Never argue about God with him. Best thing to say is, 'I agree with you.' Then you go home, pray what you want. This is my idea for people to have peace about religion."
"He said, "Just as there exists in writing a literal truth and a poetic truth, there also exists in a human being a literal anatomy and a poetic anatomy. One, you can see; one, you cannot. One is made of bones and teeth and flesh; the other is made of energy and memory and faith. But both are equally true."
"I thought about the relentless thought-processing, soul-devouring machine that is my brain, and wondered how on earth I was ever going to master it. Then I remembered that line from Jaws and couldn't help smiling: 'We're gonna need a bigger boat."
"I felt like I was some kind of primitive spring-loaded machine, placed under far more tension than it had ever been built to sustain, about to blast apart at great danger to anyone standing nearby. I imagined my body parts flying off my torso in order to escape the volcanic core of unhappiness that had become: me."
"You know, I think that allowing somebody, one mere person to believe that he or she is like, the vessel you know, like the font and the essence and the source of all divine, creative, unknowable, eternal mystery is just a smidge too much responsibility to put on one fragile, human psyche. It's like asking somebody to swallow the sun."
"This is what we are like. Collectively, as a species, this is our emotional landscape. I met an old lady once, almost one hundred years old, and she told me, "There are only two questions that human beings have ever fought over, all through history. How much do you love me? And Who's in charge?" Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief and suffering."
"I look at the Augusteum,and I think that perhaps my life has not actually been so chaotic, after all. It is merely this world that is chaotic, bringing changes to us all that nobody could have anticipated. The Augusteum warns me to not to get attached to any obsolete ideas about who I am, what I represent, whom I belong to, or what function I may once have intended to serve. Yesterday I might have been a glorious monument to somebody, true enough--but tomorrow I could be a fireworks depository. Even in the Eternal City, says the silent Augusteum, one must always be prepared for riotous and endless waves of transformation."