Quotes by Director | Beyond Motive 63/67

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Quotes by Director

"Any change in form produces a fear of change, and that has accelerated. Marketing is the death of invention, because marketing deals with the familiar."

"Any change in form produces a fear of change, and that has accelerated. Marketing is the death of invention, because marketing deals with the familiar."

Nicolas Roeg, English Director

Change, Death, Fear, Deals

30

"I take them seriously but I try not to read them. I take them personally, that's why I don't read them. I think people are lying when they say they don't care, that's not true. I take them personally."

"I take them seriously but I try not to read them. I take them personally, that's why I don't read them. I think people are lying when they say they don't care, that's not true. I take them personally."

Antoine Fuqua, American Director

People, Care, Lying

30

"Jack Nicholson is a textbook actor who's very intuitive. He is absolutely brilliant at going as far as you can go, always pushing to the edge, but still making it seem real."

"Jack Nicholson is a textbook actor who's very intuitive. He is absolutely brilliant at going as far as you can go, always pushing to the edge, but still making it seem real."

Tim Burton, American Director

30

"Wynton told us that Miles sold out, just wanted to make more money, just wanted to sell more records. I don't believe that Miles sold out but I'm not in a position to say."

"Wynton told us that Miles sold out, just wanted to make more money, just wanted to sell more records. I don't believe that Miles sold out but I'm not in a position to say."

Ken Burns, American Director

29

"The truth is, I'm drawn to all kinds of things."

"The truth is, I'm drawn to all kinds of things."

Philip Kaufman, American Director

29

"By its very nature, no one person can ever be the center of jazz."

"By its very nature, no one person can ever be the center of jazz."

Ken Burns, American Director

29

"There are things that Scotsmen get and other people don't get in the dialogue. Scottish characters can be pinpointed by a phrase, targeted very quickly."

"There are things that Scotsmen get and other people don't get in the dialogue. Scottish characters can be pinpointed by a phrase, targeted very quickly."

Bill Forsyth, Scottish Director

29

"There has been a change in attitude, though."

"There has been a change in attitude, though."

Daniel Petrie, Canadian Director

Attitude, Change

29

"I think you're only free if you're working on very low or huge money."

"I think you're only free if you're working on very low or huge money."

George A. Romero, American Director

29

"I do think that we are facing a crisis in our democracy. As true patriots, each and every one of us has to speak up, speak out, and change those in charge. Our democracy depends upon it."

"I do think that we are facing a crisis in our democracy. As true patriots, each and every one of us has to speak up, speak out, and change those in charge. Our democracy depends upon it."

Robert Greenwald, American Director

Change, Crisis, Democracy

29

"If someone offered me a hundred million dollars to make a movie? I would first remind him that there are 850 million people in the world who don't have enough to eat."

"If someone offered me a hundred million dollars to make a movie? I would first remind him that there are 850 million people in the world who don't have enough to eat."

Lloyd Kaufman, American Director

People, First, World

29

"Tradition is the illusion of permanance."

"Tradition is the illusion of permanance."

Woody Allen, American Director

Illusion, Tradition

29

"Don't get married to an actress because they're also actresses in bed."

"Don't get married to an actress because they're also actresses in bed."

Roberto Rossellini, Italian Director

29

"There was no actual person who was James Bond, despite all the books."

"There was no actual person who was James Bond, despite all the books."

Terence Young, British Director

29

"I went to the Glasgow Youth Theatre and they just let me in. But I was so shy that I was there for about six weeks without actually introducing myself."

"I went to the Glasgow Youth Theatre and they just let me in. But I was so shy that I was there for about six weeks without actually introducing myself."

Bill Forsyth, Scottish Director

Career, Theatre, Youth

29

"One of the reasons to do documentaries is that. There's more sense of creating something, more sense of my own soul in the documentaries than in movies, because I don't write the movies I do."

"One of the reasons to do documentaries is that. There's more sense of creating something, more sense of my own soul in the documentaries than in movies, because I don't write the movies I do."

Michael Apted, British Director

Movies, Soul, Sense

29

"I often shoot with scissors in my eyes."

"I often shoot with scissors in my eyes."

Allan Dwan, Canadian Director

29

"The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'"

"The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'"

Terence Fisher, British Director

God, First, Will

29

"I do feel that the trend is away from ageism and toward a recognition that older people have a unique voice."

"I do feel that the trend is away from ageism and toward a recognition that older people have a unique voice."

Daniel Petrie, Canadian Director

29

"For people to understand me when I travel, I speak with my hands."

"For people to understand me when I travel, I speak with my hands."

Marcel Carne, French Director

29

"To you I'm an atheist; to God, I'm the Loyal Opposition."

"To you I'm an atheist; to God, I'm the Loyal Opposition."

Woody Allen, American Director

God, Opposition

29

"Similar to the telescope or the telephone, television enables us to see or hear things we never dreamed of. When you look at the details, a concrete scene between people is really something incredibly unlikely, something subtle that requires extended description."

"Similar to the telescope or the telephone, television enables us to see or hear things we never dreamed of. When you look at the details, a concrete scene between people is really something incredibly unlikely, something subtle that requires extended description."

Alexander Kluge, German Director

People, Television

29

"It is up to us to produce better-quality movies."

"It is up to us to produce better-quality movies."

Lloyd Kaufman, American Director

29

"You see so many movies... the younger people who are coming from MTV or who are coming from commercials and there's no sense of film grammar. There's no real sense of how to tell a story visually. It's just cut, cut, cut, cut, cut, you know, which is pretty easy."

"You see so many movies... the younger people who are coming from MTV or who are coming from commercials and there's no sense of film grammar. There's no real sense of how to tell a story visually. It's just cut, cut, cut, cut, cut, you know, which is pretty easy."

Peter Bogdanovich, American Director

Movies, People, Film, Grammar

29

"Just in the past few years - since I've been making movies, which isn't a very long time - you now have a culture that is fascinated and informed about the box office in a way that sometimes filmmakers weren't even."

"Just in the past few years - since I've been making movies, which isn't a very long time - you now have a culture that is fascinated and informed about the box office in a way that sometimes filmmakers weren't even."

Neil LaBute, American Director

Time, Movies, Culture, Now

29

"I figured, 'When is that ever going to happen again?'. So I basically set out the opposite way movies are made; I set out with a budget first. I said, 'What can I do well for $40,000?'."

"I figured, 'When is that ever going to happen again?'. So I basically set out the opposite way movies are made; I set out with a budget first. I said, 'What can I do well for $40,000?'."

John Sayles, American Director

29

"When I last went to Italy, over two years ago, I had a lot more trouble understanding the language than I used to when I lived there for a year. I used to speak very little but I could understand very well."

"When I last went to Italy, over two years ago, I had a lot more trouble understanding the language than I used to when I lived there for a year. I used to speak very little but I could understand very well."

Marcel Carne, French Director

Language, Italy, Trouble, Understanding

29

"I was very nervous at the beginning of Hotel du Nord."

"I was very nervous at the beginning of Hotel du Nord."

Marcel Carne, French Director

29

"And I just think that to introduce an unknown Shakespeare is thrilling, too - not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story."

"And I just think that to introduce an unknown Shakespeare is thrilling, too - not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story."

Julie Taymor, American Director

People, Shakespeare, Will

29

"I don't like James Bond. They made him a super hero, but he is just an agent, a human being. In my movies, secret agents are more realistic, I didn't want to portray them in the most glowing colours."

"I don't like James Bond. They made him a super hero, but he is just an agent, a human being. In my movies, secret agents are more realistic, I didn't want to portray them in the most glowing colours."

King Hu, Chinese Director

Movies, Being, Want

29

"I received from my experience in Japan an incredible sense of respect for the art of creating, not just the creative product. We're all about the product. To me, the process was also an incredibly important aspect of the total form."

"I received from my experience in Japan an incredible sense of respect for the art of creating, not just the creative product. We're all about the product. To me, the process was also an incredibly important aspect of the total form."

Julie Taymor, American Director

Art, Experience, Respect, Sense

29

"Nowadays they either want to move the film to Canada or in some cases they go to Prague or Romania or they want to keep 'em down in L.A."

"Nowadays they either want to move the film to Canada or in some cases they go to Prague or Romania or they want to keep 'em down in L.A."

Philip Kaufman, American Director

Movies, Canada, Film, Want

29

"If you do two versions of a film, they should be identical. With the same frames and settings."

"If you do two versions of a film, they should be identical. With the same frames and settings."

Marcel Carne, French Director

29

"There is no reason why challenging themes and engaging stories have to be mutually exclusive - in fact, each can fuel the other. As a filmmaker, I want to entertain people first and foremost. If out of that comes a greater awareness and understanding of a time or a circumstance, then the hope is that change can happen."

"There is no reason why challenging themes and engaging stories have to be mutually exclusive - in fact, each can fuel the other. As a filmmaker, I want to entertain people first and foremost. If out of that comes a greater awareness and understanding of a time or a circumstance, then the hope is that change can happen."

Edward Zwick, American Director

Change, Time, People, Hope

29

"People dance and we have a lot of music and... this might be the closet I get for a while."

"People dance and we have a lot of music and... this might be the closet I get for a while."

Cameron Crowe, American Director

Music, People, Dance

28

"I will not eat oysters. I want my food dead. Not sick. Not wounded. Dead."

"I will not eat oysters. I want my food dead. Not sick. Not wounded. Dead."

Woody Allen, American Director

Food, Oysters, Want, Will

28

"For years, I've been wondering what could happen to nuclear submarines when they dive and disappear from the surface of the earth for months, without a trace. No one really knows where they are."

"For years, I've been wondering what could happen to nuclear submarines when they dive and disappear from the surface of the earth for months, without a trace. No one really knows where they are."

Guy Hamilton, British Director

Earth, Months, Years

28

"Well, I always run the risk of falling on my face, which has in fact happened."

"Well, I always run the risk of falling on my face, which has in fact happened."

Marcel Carne, French Director

28

"I think he was explicit that it was a slave labor situation, but I was not alarmed at that point, because there were so many tragedies involved in that war. That was the first time I had any indication that something was sort of strange."

"I think he was explicit that it was a slave labor situation, but I was not alarmed at that point, because there were so many tragedies involved in that war. That was the first time I had any indication that something was sort of strange."

Charles Guggenheim, American Director

Time, War, First, Labor

28

"A 65-ft.-wide screen and 500 people reacting to the movie, there is nothing like that experience."

"A 65-ft.-wide screen and 500 people reacting to the movie, there is nothing like that experience."

Michael Mann, American Director

Experience, People, Nothing

28

"Everything is worth precisely as much as a belch, the difference being that a belch is more satisfying."

"Everything is worth precisely as much as a belch, the difference being that a belch is more satisfying."

Ingmar Bergman, Swedish Director

Being, Difference, Worth

28

"We really love all sports, but we don't think in the long term. The reason we did Kingpin was because there was a script we really liked and we saw the possibilities."

"We really love all sports, but we don't think in the long term. The reason we did Kingpin was because there was a script we really liked and we saw the possibilities."

Peter Farrelly, American Director

Love, Sports, Possibilities, Reason

28

"It seems that almost every time a valuable natural resource is discovered in the world-whether it be diamonds, rubber, gold, oil, whatever-often what results is a tragedy for the country in which they are found. Making matters worse, the resulting riches from these resources rarely benefit the people of the country from which they come."

"It seems that almost every time a valuable natural resource is discovered in the world-whether it be diamonds, rubber, gold, oil, whatever-often what results is a tragedy for the country in which they are found. Making matters worse, the resulting riches from these resources rarely benefit the people of the country from which they come."

Edward Zwick, American Director

Time, People, Country, Gold

28

"Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue."

"Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue."

Woody Allen, American Director

Comedy, Drama, Problems

28

"Well, a special screening was set up for government officials, so they didn't have to see the experience of going to see the film. They certainly aren't going to the projects to see for themselves the situation."

"Well, a special screening was set up for government officials, so they didn't have to see the experience of going to see the film. They certainly aren't going to the projects to see for themselves the situation."

Mathieu Kassovitz, French Director

Experience, Government, Film, Projects

28

"I use dancing to embellish, extend or enlarge upon an existing emotion."

"I use dancing to embellish, extend or enlarge upon an existing emotion."

Gower Champion, American Director

Dance, Dancing, Emotion

28

"You just have to trust your instincts and hope that if someone doesn't like your idea, you can prove them wrong in the final process. In the end, you can please some of the people some of the time, but that's about all you can do."

"You just have to trust your instincts and hope that if someone doesn't like your idea, you can prove them wrong in the final process. In the end, you can please some of the people some of the time, but that's about all you can do."

Bryan Singer, American Director

Trust, Time, People, Idea

28

"I like the platform to show your art and everything that goes along with that. To show your voice and hopefully find films that are more politically driven, films that maybe inspire."

"I like the platform to show your art and everything that goes along with that. To show your voice and hopefully find films that are more politically driven, films that maybe inspire."

Antoine Fuqua, American Director

28

"I want to keep audiences off balance, so they don't know who I am or how to take me. If I duck and weave, as Frank Bruno might say, I'll have a longer shelf life."

"I want to keep audiences off balance, so they don't know who I am or how to take me. If I duck and weave, as Frank Bruno might say, I'll have a longer shelf life."

Robert Carlyle, Scottish Director

Life, Audiences, Balance, Want

28

"An old thing becomes new if you detach it from what usually surrounds it."

"An old thing becomes new if you detach it from what usually surrounds it."

Robert Bresson, French Director

28

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