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Terence Fisher

"The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'"

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"The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'"

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Amber Hurdle

"I have only ever made one prayer to God, a very short one: O Lord, make my enemies ridiculous. And God granted it."

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Amber Hurdle

"Call it Nature, Fate, Fortune; all these are names of the one and selfsame God."

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Amber Hurdle

"God is a metaphor for that which trancends all levels of intellectual thought. It's as simple as that."

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Amber Hurdle

"Sometimes I wonder why God ever trusts talent in the hands of women, they usually make such an infernal mess of it. I think He must do it as a sort of ghastly joke."

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Amber Hurdle

"Teach him to think for himself? Oh, my God, teach him rather to think like other people!"

God,
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Amber Hurdle

"I may be as bad as the worst, but, thank God, I am as good as the best."

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Amber Hurdle

"I say to mankind, Be not curious about God. For I, who am curious about each, am not curious about God - I hear and behold God in every object, yet understand God not in the least."

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Amber Hurdle

"I am as bad as the worst, but, thank God, I am as good as the best."

God,
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Amber Hurdle

"God is the universal substance in existing things. He comprises all things. He is the fountain of all being. In Him exists everything that is."

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Amber Hurdle

"Happy is he who has gained the wealth of divine thoughts, wretched is he whose beliefs about the gods are dark."

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Terence Fisher
"There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course."
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Terence Fisher
"He 's ruthless only because of his ideals. Unfortunately he doesn't succeed. The thing fails and gets out of hand and takes charge of him. Idealism is the only excuse he could have and it's a great excuse."
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Terence Fisher
"Do I believe in the supernatural? Oh yes, certainly. I can't believe, I can't accept that you die and that's the end. Physically maybe it is a fact. But there's something about the mind that's more than that."
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Terence Fisher
"The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you go along, it 's disgraceful to have to do this, but now and again you have no choice."
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Terence Fisher
"We're not as materialistic and income-tax conscious as we think. At the moment our superstitions are tucked away, but come out sometimes in strange ways sex crimes, black masses."
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Terence Fisher
"Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed."
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Terence Fisher
"One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost."
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Terence Fisher
"The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go on but they say, 'Oh God, don't do it to me do it again, please, please.'"
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Terence Fisher
"The reflection of the flame in the glass seems to be touching the hand. And you feel the helpless fear of these dismembered parts. This sort of thing can hardly be visualized at the script stage."
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