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Quotes by Artist

"I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it."
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Lee Krasner
"I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it."
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31
"I've always thought that it's good to watch the news to find out what everybody else is looking at and believing, if only because that's how consensus is constructed."
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Barbara Kruger
"I've always thought that it's good to watch the news to find out what everybody else is looking at and believing, if only because that's how consensus is constructed."
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31
"I rarely draw what I see. I draw what I feel in my body."
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Barbara Hepworth
"I rarely draw what I see. I draw what I feel in my body."
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31
"I started producing work with an ecstatic addiction."
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Ben Nicholson
"I started producing work with an ecstatic addiction."
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31
"In the animation world, people who understand pencils and paper usually aren't computer people, and the computer people usually aren't the artistic people, so they always stand on opposite sides of the line."
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Don Bluth
"In the animation world, people who understand pencils and paper usually aren't computer people, and the computer people usually aren't the artistic people, so they always stand on opposite sides of the line."
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31
"Angela King is a lovely person with a tremendous sense of art."
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Peter Max
"Angela King is a lovely person with a tremendous sense of art."
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31
"I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality."
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Max Beckmann
"I believe that the reason why I love painting so much is that it forces one to be objective. There is nothing I hate more than sentimentality."
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31
"Everybody's an artist. Everybody's God. It's just that they're inhibited."
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Yoko Ono
"Everybody's an artist. Everybody's God. It's just that they're inhibited."
God,
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31
"I always admired Walt's optimism. He seemed to know the direction he was going to. When I was at the studio, I remember he kept driving all of us back down to a more fundamental level all the time."
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John Hench
"I always admired Walt's optimism. He seemed to know the direction he was going to. When I was at the studio, I remember he kept driving all of us back down to a more fundamental level all the time."
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31
"I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge."
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Jackson Pollock
"I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge."
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31
"History is a facsimile of events held together by finally biographical information."
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Robert Smithson
"History is a facsimile of events held together by finally biographical information."
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31
"The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds."
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Yves Klein
"The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds."
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31
"Everyone in those days expected that art students were wild, licentious characters. We didn't know how to be, but we sure were anxious to learn."
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Norman Rockwell
"Everyone in those days expected that art students were wild, licentious characters. We didn't know how to be, but we sure were anxious to learn."
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31
"Artists are expected to fit into fraudulent categories."
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Robert Smithson
"Artists are expected to fit into fraudulent categories."
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31
"Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face."
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Faith Ringgold
"Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face."
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31
"The question of sex will take care of itself."
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Helen Frankenthaler
"The question of sex will take care of itself."
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31
"Well, in Bradford I could say I was brought up in Bradford and Hollywood."
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David Hockney
"Well, in Bradford I could say I was brought up in Bradford and Hollywood."
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31
"A lot of people thought I wasn't doing anything because I was spending a lot of time socialising and going out, but I've always managed to get work actually done."
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Damien Hirst
"A lot of people thought I wasn't doing anything because I was spending a lot of time socialising and going out, but I've always managed to get work actually done."
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31
"The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public."
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Paul Gauguin
"The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public."
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31
"Anyway, it fell through because they ran out of money. That was when I learned not to waste your time getting your hopes up or to believe something until it actually happens. We broke up for various reasons, but it was a good band. Jim and Don produced some magical music."
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Jamie Muir
"Anyway, it fell through because they ran out of money. That was when I learned not to waste your time getting your hopes up or to believe something until it actually happens. We broke up for various reasons, but it was a good band. Jim and Don produced some magical music."
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31
"Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus."
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Sol LeWitt
"Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus."
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31
"I'm not really sure what social message my art carries, if any. And I don't really want it to carry one. I'm not interested in the subject matter to try to teach society anything, or to try to better our world in any way."
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Roy Lichtenstein
"I'm not really sure what social message my art carries, if any. And I don't really want it to carry one. I'm not interested in the subject matter to try to teach society anything, or to try to better our world in any way."
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31
"Nature is garrulous to the point of confusion, let the artist be truly taciturn."
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Paul Klee
"Nature is garrulous to the point of confusion, let the artist be truly taciturn."
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31
"As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction."
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Don Bluth
"As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction."
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31
"On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting."
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Jackson Pollock
"On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting."
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31
"I didn't know what to expect from a famous movie star; maybe that he'd be sort of stuck-up, you know. But not Gary Cooper. He horsed around so much... that I had a hard time painting him."
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Norman Rockwell
"I didn't know what to expect from a famous movie star; maybe that he'd be sort of stuck-up, you know. But not Gary Cooper. He horsed around so much... that I had a hard time painting him."
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31
"Whether it will convince or not, depends entirely on what it is in itself, what is there to be seen."
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Lucian Freud
"Whether it will convince or not, depends entirely on what it is in itself, what is there to be seen."
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31
"A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence."
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Robert Smithson
"A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence."
Art,
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31
"Smoking calms me down. It's enjoyable. I don't want politicians deciding what is exciting in my life."
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David Hockney
"Smoking calms me down. It's enjoyable. I don't want politicians deciding what is exciting in my life."
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31
"My studio was on 9th Street between University and Broadway."
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Lee Krasner
"My studio was on 9th Street between University and Broadway."
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31
"I feel uncomfortable with the term public art, because I'm not sure what it means. If it means what I think it does, then I don't do it. I'm not crazy about categories."
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Barbara Kruger
"I feel uncomfortable with the term public art, because I'm not sure what it means. If it means what I think it does, then I don't do it. I'm not crazy about categories."
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31
"I'm interested in why people compromise when they shouldn't. It comes back to what V's about in a sense. We've all got ideals, but given the right circumstances, we'll forget about them and put them behind us. I'm very interested in why people do that."
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David Lloyd
"I'm interested in why people compromise when they shouldn't. It comes back to what V's about in a sense. We've all got ideals, but given the right circumstances, we'll forget about them and put them behind us. I'm very interested in why people do that."
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31
"Sometimes I miss out the morning's painting session and instead study my Japanese books in the open."
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Gustav Klimt
"Sometimes I miss out the morning's painting session and instead study my Japanese books in the open."
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31
"The animation of the canvas is one of the hardest problems of painting."
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Alfred Sisley
"The animation of the canvas is one of the hardest problems of painting."
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31
"Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present."
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John Berger
"Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present."
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31
"On my left the shooting had the sharp explosion of the infantry artillery, on my right could be heard the sporadic cannon shots thundering from the front, and up above the sky was clear and the sun bright."
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Max Beckmann
"On my left the shooting had the sharp explosion of the infantry artillery, on my right could be heard the sporadic cannon shots thundering from the front, and up above the sky was clear and the sun bright."
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31
"We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing."
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Helen Frankenthaler
"We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing."
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31
"Democracy in China is like Viagra; no such thing as free elections."
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George Montgomery
"Democracy in China is like Viagra; no such thing as free elections."
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31
"In old movies, the cinematography is a thousand times better than anything today. Writing, a thousand times better."
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John Kricfalusi
"In old movies, the cinematography is a thousand times better than anything today. Writing, a thousand times better."
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31
"One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?"
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Anish Kapoor
"One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?"
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31
"I am not one who was born in the custody of wisdom; I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients."
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Gustave Courbet
"I am not one who was born in the custody of wisdom; I am one who is fond of olden times and intense in quest of the sacred knowing of the ancients."
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31
"Art requires philosophy, just as philosophy requires art. Otherwise, what would become of beauty?"
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Paul Gauguin
"Art requires philosophy, just as philosophy requires art. Otherwise, what would become of beauty?"
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31
"I'm the little dog who goes the wrong way - under the hoop."
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Jack Levine
"I'm the little dog who goes the wrong way - under the hoop."
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31
"Sloppy thinking gets worse over time."
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Jenny Holzer
"Sloppy thinking gets worse over time."
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31
"I was never a Boy Scout, but oh, I wanted to be one when I was a kid about ten or eleven years old. But there wasn't anyplace where I could ever join the Boy Scouts."
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Carl Barks
"I was never a Boy Scout, but oh, I wanted to be one when I was a kid about ten or eleven years old. But there wasn't anyplace where I could ever join the Boy Scouts."
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31
"The clarification of visual forms and their organization in integrated patterns as well as the attribution of such forms to suitable objects is one of the most effective training grounds of the young mind."
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Rudolf Arnheim
"The clarification of visual forms and their organization in integrated patterns as well as the attribution of such forms to suitable objects is one of the most effective training grounds of the young mind."
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31
"Kickback is a police thriller which I wrote. I'm very proud of it. I did it in two parts for France because when I wrote it, there wasn't the audience demand for crime stuff that there is now."
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David Lloyd
"Kickback is a police thriller which I wrote. I'm very proud of it. I did it in two parts for France because when I wrote it, there wasn't the audience demand for crime stuff that there is now."
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31
"What makes photography a strange invention is that its primary raw materials are light and time."
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John Berger
"What makes photography a strange invention is that its primary raw materials are light and time."
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31
"I came in on the decline. Phil Elliot was in first, he got his book out, he sold thirteen thousand, I think he got two issues out before I got mine in, this was March '87. He was out in December '86."
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Eddie Campbell
"I came in on the decline. Phil Elliot was in first, he got his book out, he sold thirteen thousand, I think he got two issues out before I got mine in, this was March '87. He was out in December '86."
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31
"I was mild-mannered, wore glasses, was very shy with women."
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Joe Shuster
"I was mild-mannered, wore glasses, was very shy with women."
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