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"I'm not really sure what social message my art carries, if any. And I don't really want it to carry one. I'm not interested in the subject matter to try to teach society anything, or to try to better our world in any way."
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"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."
"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."
"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."
"Let music ignite your vivid inner colors and bring you harmony inside and out."
"A work of art has no importance whatever to society. It is only important to the individual."
"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."
Explore more quotes by Roy Lichtenstein
"Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself."
"Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence."
"Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist. You forget that this has been thirty five years now and people don't look at it as if it were some kind of oddity."
"I'm interested in what would normally be considered the worst aspects of commercial art. I think it's the tension between what seems to be so rigid and cliched and the fact that art really can't be this way."
"You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard."
"But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes."
"I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like."
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