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Barbara Hepworth, the English artist, was a pioneering figure in the world of modern sculpture, known for her innovative use of form, space, and material. From her iconic pierced sculptures to her monumental public works, Hepworth's art explored the relationship between the human figure and the natural world, blurring the boundaries between abstraction and representation. Her legacy as one of the foremost sculptors of the 20th century continues to be celebrated for its elegance, beauty, and profound spiritual resonance, inspiring artists and admirers around the world with its timeless vision.
"At no point do I wish to be in conflict with any man or masculine thought. It doesn't enter my consciousness. Art is anonymous. It's not competitive with men. It's a complementary contribution."
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"At no point do I wish to be in conflict with any man or masculine thought. It doesn't enter my consciousness. Art is anonymous. It's not competitive with men. It's a complementary contribution."

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"I found one had to do some work every day, even at midnight, because either you're professional or you're not."
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"I found one had to do some work every day, even at midnight, because either you're professional or you're not."

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"I felt the most intense pleasure in piercing the stone in order to make an abstract form and space; quite a different sensation from that of doing it for the purpose of realism."
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"I felt the most intense pleasure in piercing the stone in order to make an abstract form and space; quite a different sensation from that of doing it for the purpose of realism."

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"My works are an imitation of my own past and present."
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"My works are an imitation of my own past and present."

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"Body experience... is the centre of creation."
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"Body experience... is the centre of creation."

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"Halfway through any work, one is often tempted to go off on a tangent. Once you have yielded, you will be tempted to yield again and again... Finally, you would only produce something hybrid."
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"Halfway through any work, one is often tempted to go off on a tangent. Once you have yielded, you will be tempted to yield again and again... Finally, you would only produce something hybrid."

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"One must be entirely sensitive to the structure of the material that one is handling. One must yield to it in tiny details of execution, perhaps the handling of the surface or grain, and one must master it as a whole."
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"One must be entirely sensitive to the structure of the material that one is handling. One must yield to it in tiny details of execution, perhaps the handling of the surface or grain, and one must master it as a whole."

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"I rarely draw what I see. I draw what I feel in my body."
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"I rarely draw what I see. I draw what I feel in my body."

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