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Roy Lichtenstein, an iconic figure in the world of art, revolutionized the contemporary art scene with his distinctive style and bold aesthetic. Renowned for his pioneering contributions to the pop art movement, Lichtenstein's vibrant, larger-than-life compositions captivate audiences worldwide. Through his masterful blend of comic book imagery and commercial art techniques, he challenged conventional notions of high and low culture, leaving an enduring legacy that continues to influence artists across generations.
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"There is a relationship between cartooning and people like Mir= and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney."

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"Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist. You forget that this has been thirty five years now and people don't look at it as if it were some kind of oddity."

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"You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard."

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"I think that most people think painters are kind of ridiculous, you know?"

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"I like to pretend that my art has nothing to do with me."

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"Art doesn't transform. It just plain forms."

Art,
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"I'm interested in what would normally be considered the worst aspects of commercial art. I think it's the tension between what seems to be so rigid and cliched and the fact that art really can't be this way."

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"I don't think that I'm over his influence but they probably don't look like Picassos; Picasso himself would probably have thrown up looking at my pictures."

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"Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself."

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"I'm not really sure what social message my art carries, if any. And I don't really want it to carry one. I'm not interested in the subject matter to try to teach society anything, or to try to better our world in any way."

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"But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it."

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"In America the biggest is the best."

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"Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence."

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"Personally, I feel that in my own work I wanted to look programmed or impersonal but I don't really believe I am being impersonal when I do it. And I don't think you could do this."

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"But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes."

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"I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like."

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"I think we're much smarter than we were. Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it."

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