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Quotes by Sculptor

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"What I fear is being in the presence of evil and doing nothing. I fear that more than death."
"What I fear is being in the presence of evil and doing nothing. I fear that more than death."
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"I finished my studies in England, I opened my studio in London, and the first one-man exhibit I had on Bond Street, which was opened by the Austrian ambassador."
"I finished my studies in England, I opened my studio in London, and the first one-man exhibit I had on Bond Street, which was opened by the Austrian ambassador."
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"I used to eat lunch with Billy Wilder when I first came out here."
"I used to eat lunch with Billy Wilder when I first came out here."
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"I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer."
"I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer."
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"But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play."
"But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play."
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"What affected me most profoundly was the realization that the sciences of cryptography and mathematics are very elegant, pure sciences. I found that the ends for which these pure sciences are used are less elegant."
"What affected me most profoundly was the realization that the sciences of cryptography and mathematics are very elegant, pure sciences. I found that the ends for which these pure sciences are used are less elegant."
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"Inside you there's an artist you don't know about. He's not interested in how things look different in moonlight."
"Inside you there's an artist you don't know about. He's not interested in how things look different in moonlight."
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"The site I landed on feels much more isolated than it really is; it's almost magical. Within its limited radius, there was a whole range of the local ecology."
"The site I landed on feels much more isolated than it really is; it's almost magical. Within its limited radius, there was a whole range of the local ecology."
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"I think of moving as a kind of saving grace."
"I think of moving as a kind of saving grace."
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"If you really want to do it, you do it. There are no excuses."
"If you really want to do it, you do it. There are no excuses."
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"But part of the enjoyment I take in it is finding the most efficient way to do it, which doesn't mean the corrections aren't made. I like to have a feeling of the whole task before I start, even if it changes."
"But part of the enjoyment I take in it is finding the most efficient way to do it, which doesn't mean the corrections aren't made. I like to have a feeling of the whole task before I start, even if it changes."
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"I think in terms of the day's resolutions, not the years'."
"I think in terms of the day's resolutions, not the years'."
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"A sculptor is a person who is interested in the shape of things, a poet in words, a musician by sounds."
"A sculptor is a person who is interested in the shape of things, a poet in words, a musician by sounds."
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"Well, it was one of my most gratifying experiences because I could devote my knowledge and my talent for the good for the City of Washington, and all the Federal projects where the Fine Arts Commission had jurisdiction, and it was a tremendous experience."
"Well, it was one of my most gratifying experiences because I could devote my knowledge and my talent for the good for the City of Washington, and all the Federal projects where the Fine Arts Commission had jurisdiction, and it was a tremendous experience."
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"The early expression of my youth was filled with all the aspects of art."
"The early expression of my youth was filled with all the aspects of art."
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"One has complexes. One has the art complex. One goes to the School of Fine Arts and catches the complexes."
"One has complexes. One has the art complex. One goes to the School of Fine Arts and catches the complexes."
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"To me art is a form of manifest revolt, total and complete."
"To me art is a form of manifest revolt, total and complete."
Art,
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"Of every noble work the silent part is best, of all expression that which can not be expressed."
"Of every noble work the silent part is best, of all expression that which can not be expressed."
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"If you get it out into the urban field it's going to be used or misused but it'll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day."
"If you get it out into the urban field it's going to be used or misused but it'll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day."
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"Work out of your work. Don't work out of anybody else's work."
"Work out of your work. Don't work out of anybody else's work."
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"They've also, the government's decided now, what sexual content is."
"They've also, the government's decided now, what sexual content is."
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"The thing about coming back to the Bay Area, it's like coming home for me."
"The thing about coming back to the Bay Area, it's like coming home for me."
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"Now when you have administrators deciding what sexuality is, and what's a taboo and what's not in terms of content, you got guys, like, Trent Lott who equates homosexuality with a disease."
"Now when you have administrators deciding what sexuality is, and what's a taboo and what's not in terms of content, you got guys, like, Trent Lott who equates homosexuality with a disease."
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"I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment."
"I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment."
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"Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it."
"Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it."
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"On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton."
"On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton."
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"I think this, I think basically I'm not interested in people following my work or making work like my work."
"I think this, I think basically I'm not interested in people following my work or making work like my work."
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"And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public."
"And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public."
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"But I don't think of any particular viewer in mind other than myself."
"But I don't think of any particular viewer in mind other than myself."
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"But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be."
"But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be."
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"I think different people have different problems and different relations to the exhibition of their work."
"I think different people have different problems and different relations to the exhibition of their work."
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"I chose to deal with the science of cryptography. Cryptography began in mathematics. Codes were developed, even from Caesar's time, based on number theory and mathematical principles. I decided to use those principles and designed a work that is encoded."
"I chose to deal with the science of cryptography. Cryptography began in mathematics. Codes were developed, even from Caesar's time, based on number theory and mathematical principles. I decided to use those principles and designed a work that is encoded."
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"When I accepted the commission, I had something of an epiphany in the research I did about the agency, actually the science of espionage. I realized there is a connection between the sciences and the invisible forces of man."
"When I accepted the commission, I had something of an epiphany in the research I did about the agency, actually the science of espionage. I realized there is a connection between the sciences and the invisible forces of man."
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"What garlic is to salad, insanity is to art."
"What garlic is to salad, insanity is to art."
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"The artist is the confidant of nature, flowers carry on dialogues with him through the graceful bending of their stems and the harmoniously tinted nuances of their blossoms. Every flower has a cordial word which nature directs towards him."
"The artist is the confidant of nature, flowers carry on dialogues with him through the graceful bending of their stems and the harmoniously tinted nuances of their blossoms. Every flower has a cordial word which nature directs towards him."
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"True artists are almost the only men who do their work for pleasure."
"True artists are almost the only men who do their work for pleasure."
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"To the artist there is never anything ugly in nature."
"To the artist there is never anything ugly in nature."
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"To any artist, worthy of the name, all in nature is beautiful, because his eyes, fearlessly accepting all exterior truth, read there, as in an open book, all the inner truth."
"To any artist, worthy of the name, all in nature is beautiful, because his eyes, fearlessly accepting all exterior truth, read there, as in an open book, all the inner truth."
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"There are unknown forces in nature; when we give ourselves wholly to her, without reserve, she lends them to us; she shows us these forms, which our watching eyes do not see, which our intelligence does not understand or suspect."
"There are unknown forces in nature; when we give ourselves wholly to her, without reserve, she lends them to us; she shows us these forms, which our watching eyes do not see, which our intelligence does not understand or suspect."
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"The modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them, drawing and color are better or worse than in others."
"The modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them, drawing and color are better or worse than in others."
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"The artist must create a spark before he can make a fire and before art is born, the artist must be ready to be consumed by the fire of his own creation."
"The artist must create a spark before he can make a fire and before art is born, the artist must be ready to be consumed by the fire of his own creation."
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"Sculpture is the art of the hole and the lump."
"Sculpture is the art of the hole and the lump."
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"Nothing is a waste of time if you use the experience wisely."
"Nothing is a waste of time if you use the experience wisely."
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"Nobody does good to men with impunity."
"Nobody does good to men with impunity."
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"Man's naked form belongs to no particular moment in history; it is eternal, and can be looked upon with joy by the people of all ages."
"Man's naked form belongs to no particular moment in history; it is eternal, and can be looked upon with joy by the people of all ages."
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"Art is contemplation. It is the pleasure of the mind which searches into nature and which there divines the spirit of which nature herself is animated."
"Art is contemplation. It is the pleasure of the mind which searches into nature and which there divines the spirit of which nature herself is animated."
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"I invent nothing, I rediscover."
"I invent nothing, I rediscover."
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"I realized it wasn't necessary to work in the traditional methods of carving and casting."
"I realized it wasn't necessary to work in the traditional methods of carving and casting."
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"At a certain point, I just put the building and the art impulse together. I decided that building was a legitimate way to make sculpture."
"At a certain point, I just put the building and the art impulse together. I decided that building was a legitimate way to make sculpture."
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"I felt it was part of the spirit of the whole program to do more than simply make an object."
"I felt it was part of the spirit of the whole program to do more than simply make an object."
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