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Bruce Nauman

"But part of the enjoyment I take in it is finding the most efficient way to do it, which doesn't mean the corrections aren't made. I like to have a feeling of the whole task before I start, even if it changes."

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"But part of the enjoyment I take in it is finding the most efficient way to do it, which doesn't mean the corrections aren't made. I like to have a feeling of the whole task before I start, even if it changes."

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Amber Hurdle

"He did not arrive at this conclusion by the decent process of quiet, logical deduction, nor yet by the blinding flash of glorious intuition, but by the shoddy, untidy process halfway between the two by which one usually gets to know things."

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Amber Hurdle

"The importance to the writer of first writing must be out of all proportion of the actual value of what is written."

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Amber Hurdle

"I do not plan my fiction any more than I normally plan woodland walks; I follow the path that seems most promising at any given point, not some itinerary decided before entry."

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Amber Hurdle

"There are three secrets to writing a novel. Unfortunately nobody knows what they are."

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Amber Hurdle

"Now the writing in the head, I definitely do every day, thinking about how I want to phrase something or how I'd like to rephrase something I've already written."

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Amber Hurdle

"The practice of forgiving is a sequential practice that begins with excusing someone."

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Amber Hurdle

"Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his conscious reflection, his progressive steps, mysterious even to himself, should enter so swiftly into the work that he is unable to recognize them in the moment of transition."

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Amber Hurdle

"You do everything by the book, like everybody else, you get the same results s everybody else."

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Amber Hurdle

"Rust through washing never became white."

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Amber Hurdle

"If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient. [25 February 2010]"

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Bruce Nauman
"In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever."
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Bruce Nauman
"And then what makes the work interesting is if you choose the right questions."
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Bruce Nauman
"And so I put down some of the things that he said, about keeping your tools sharpened and not letting them lie on the ground where they get hurt or get abused and dirty and can't find them. And some thoughts about how his father used to do things."
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Bruce Nauman
"Generalised anger and frustration is something that gets you in the studio, and gets you to work - though it's not necessarily evident in anything that's finished."
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Bruce Nauman
"And I don't have any specific steps to take because I don't start the same way every time. But there is a knowing when it's enough and you can leave it alone."
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Bruce Nauman
"If you choose the wrong questions and you proceed, you still get a result, but it's not interesting."
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Bruce Nauman
"I'll talk. You'll listen."
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Bruce Nauman
"In art, the only one who really knows whether what you've done is honest is the artist."
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Bruce Nauman
"What I am really concerned about is what art is supposed to be - and can become."
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Bruce Nauman
"I don't like to think about being an influence. It's embarrassing."
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