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Richard Serra

"Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it."

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"Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it."

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"Alexander Hamilton started the U.S. Treasury with nothing, and that was the closest our country has ever been to being even."

Explore more quotes by Richard Serra

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Richard Serra
"I used to eat lunch with Billy Wilder when I first came out here."
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Richard Serra
"On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton."
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Richard Serra
"I think different people have different problems and different relations to the exhibition of their work."
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Richard Serra
"I think this, I think basically I'm not interested in people following my work or making work like my work."
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Richard Serra
"I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer."
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Richard Serra
"If you get it out into the urban field it's going to be used or misused but it'll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day."
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Richard Serra
"But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play."
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Richard Serra
"But I don't think of any particular viewer in mind other than myself."
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Richard Serra
"But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be."
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Richard Serra
"And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public."
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