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Alberto Giacometti was a Swiss sculptor and painter whose groundbreaking works in the mid-20th century revolutionized the art world. Known for his elongated figures and haunting representations of the human condition, Giacometti's art explores themes of isolation, existentialism, and the complexity of human existence. Despite facing struggles in his career, his relentless pursuit of artistic expression and innovation set him apart as one of the most influential artists of his time. His legacy continues to inspire artists and thinkers to push boundaries and explore the depth of the human experience through art.
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"Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it."

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"Only reality interests me now and I know I could spend the rest of my life in copying a chair."

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"In the past I have never thought about loneliness when working, and I don't think about it now. Yet there must be a reason for the fact that so many people talk about it."

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"All the sculptures of today, like those of the past, will end one day in pieces... So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life."

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"I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!"

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"Once the object has been constructed, I have a tendency to discover in it, transformed and displaced, images, impressions, facts which have deeply moved me."

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"When you look at art made by other people, you see what you need to see in it."

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"Whores are the most honest girls. They present the bill right away."

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"I don't know if I work in order to do something, or in order to know why I can't do what I want to do."

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"In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession."

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"I paint and sculpt to get a grip on reality... to protect myself."

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"All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure."

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"I've been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand."

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