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Richard Serra

"They've also, the government's decided now, what sexual content is."

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"They've also, the government's decided now, what sexual content is."

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Amber Hurdle

"I am concerned about the whole man. I am concerned about what the people, using their government as an instrument and a tool, can do toward building the whole man, which will mean a better society and a better world."

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Amber Hurdle

"No more distressing moment can ever face a British government than that which requires it to come to a hard, fast and specific decision."

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Amber Hurdle

"Democracy is not so much a form of government as a set of principles."

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Amber Hurdle

"For in reason, all government without the consent of the governed is the very definition of slavery."

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Amber Hurdle

"The mystery of government is not how Washington works but how to make it stop."

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Amber Hurdle

"Government is an association of men who do violence to the rest of us."

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Amber Hurdle

"There's no trick to being a humorist when you have the whole government working for you."

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Amber Hurdle

"In the US, there is basically one party - the business party. It has two factions, called Democrats and Republicans, which are somewhat different but carry out variations on the same policies. By and large, I am opposed to those policies. As is most of the population."

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Amber Hurdle

"On account of being a democracy and run by the people, we are the only nation in the world that has to keep a government four years, no matter what it does."

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Amber Hurdle

"Democracy means government by the uneducated, while aristocracy means government by the badly educated."

Explore more quotes by Richard Serra

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Richard Serra
"I used to eat lunch with Billy Wilder when I first came out here."
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Richard Serra
"On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton."
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Richard Serra
"Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it."
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Richard Serra
"I think different people have different problems and different relations to the exhibition of their work."
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Richard Serra
"I think this, I think basically I'm not interested in people following my work or making work like my work."
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Richard Serra
"I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer."
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Richard Serra
"If you get it out into the urban field it's going to be used or misused but it'll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day."
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Richard Serra
"But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play."
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Richard Serra
"But I don't think of any particular viewer in mind other than myself."
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Richard Serra
"But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be."
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