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"I paint and sculpt to get a grip on reality... to protect myself."
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"Not for the first time I find our lives are a shadow, and I am not afraid to say that people who think they have everything figured out and are masters of logic - they are responsible for the greatest folly. No human being is happy. Strike it rich and you are luckier than your neighbor - but happy, never."

"The closing years of life are like the end of a masquerade party when the masks are dropped."

"Never expect people to understand, respect or love you , they are just a bunch of dirty flesh and fake skins. Staring to eat you when you are fat enough."

"It is hope--with regard to our careers, our love lives, our children, our politicians, and our planet--that is primarily to blame for angering and embittering us. The incompatibility between the grandeur of our aspirations and the mean reality of our condition generates the violent disappointments which rack our days and etch themselves in lines of acrimony across our faces."

"Do you really believe that the moon isn't there when nobody looks?"
Explore more quotes by Alberto Giacometti

"Only reality interests me now and I know I could spend the rest of my life in copying a chair."

"All the sculptures of today, like those of the past, will end one day in pieces... So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life."

"All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure."

"I've been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand."

"In the past I have never thought about loneliness when working, and I don't think about it now. Yet there must be a reason for the fact that so many people talk about it."

"Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it."

"Once the object has been constructed, I have a tendency to discover in it, transformed and displaced, images, impressions, facts which have deeply moved me."

"In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession."
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