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"The thing about coming back to the Bay Area, it's like coming home for me."
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"An artist has no home in Europe except in Paris."
"Many working mothers feel guilty about not being at home. And when they are there, they wish it could be perfect. This pressure to make every minute happy puts working parents in a bind when it comes to setting limits and modifying behavior."
"My husband gave up all his work to stay at home with the kids, and we split all the duties at home. I do all the boring stuff - like pay the bills, and he does all the exercising for both of us, which I'm very grateful for... I thank him for it regularly."
"Once you develop your own style, you know when you're able to give your best. Feeling at home is part of it, and I don't think that's an L.A. thing. It's a matter of the environment and of what affects you."
"For three years now, our brave men and women in uniform have done everything their country has asked of them, yet President Bush still does not have a plan to win the peace in Iraq and bring our troops home."
"The American taxpayers should not have to send one more penny on the Administration's Iraq misadventure. Let's give our troops the supplies they need to get out of Iraq safely. Let's bring our troops home."
"One of the problems that we are confronted with is, when we decide to buy or build a home, we don't get a clear picture of what closing costs will be of that home."
Explore more quotes by Richard Serra
"On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton."
"I think different people have different problems and different relations to the exhibition of their work."
"But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be."
"But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play."
"I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment."
"I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer."
"I think this, I think basically I'm not interested in people following my work or making work like my work."
"And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public."
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