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Quotes by Director

"We must not confuse distortion with innovation; distortion is useless change, art is beneficial change."

"I always like to reveal the fact that the emperor has no clothes. And children are best at that. They teach us how to see the world in that sense. They are without artifice; they see it for what it is. I am drawn to that ruthless honesty."


"Because I found myself telling the story of his family to people without the visual aids that I was able to employ by filming them eventually. But I very much knew exactly what I was going to do."

"The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards."

"Fortunately, somewhere between chance and mystery lies imagination, the only thing that protects our freedom, despite the fact that people keep trying to reduce it or kill it off altogether."

"If you were to ask me if I'd ever had the bad luck to miss my daily cocktail, I'd have to say that I doubt it; where certain things are concerned, I plan ahead."


"When I come to London, I always like to see what's playing at the NFT."

"I am not trying to be a historian and a dramatist; I'm a dramatist, a dramatic historian, or one who does a dramatic interpretation of history."

"Trusting your individual uniqueness challenges you to lay yourself open."

"I allow a lot of room for improvisation and funny stuff. I always feel planned."

"That's a very odd notion because it involves seeing money up there on the screen - if something cost $5 million to make, they want to see that $5 million up there."

"Honey! Bring down a copy of my will - and an eraser!"

"My father was an amateur filmmaker who shot 8mm color documentaries."

"I have made a film about jazz that tries to look through jazz to see what it tells us about who we are as a people. I think that jazz is a spectacularly accurate model of democracy and a kind of look into our redemptive future possibilities."

"Character and emotionality don't always have to be relegated to quieter, more simple constructs."

"For me a poem has to sing out of itself and the lilt of it carries the magic."

"I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it."

"Women often postpone their lives, thinking that if they're not with a partner then it doesn't really count. They're still searching for their prince, in a way. And as much as we don't discuss that, because it's too embarrassing and too sad, I think it really does exist."

"You know, when people want to get any information, research information, it will all exist on these Web sites."

"I was tweaked by the idea of Superman immediately."

"I'm less comfortable making American movies because I don't know them so well."

"No, in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences."

"When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it."


"I watched Someone to Watch Over Me the other night. I thought it was a really good movie. It's a great movie."
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