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"Do you know what directors go through? It's just hell. Like, why do I work so hard - to think I'm only going to see this movie five times and then never see it again 'cause I'm so sick of it? What is it worth, honestly?"
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"With Fellini, the fear dropped out of my work because it was such a happy experience... hanging out with Fellini, having pasta on the set with Fellini, and going out with Fellini!"

"I really do hope that the Millennium Summit gives new impetus to the work of the United Nations."

"Anytime we can take narcotics off the street it is significant because it takes them out of the hands of children. It certainly is not going to stop the drug problem, we have to work very, very hard."

"Give a typical employee a million, and, he is most likely to use the money to print his CV on fancier paper."

"For disappearing acts, it's hard to beat what happens to the eight hours supposedly left after eight of sleep and eight of work."

"The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process."

"Working overtime is an underpaid man's salvation."
Explore more quotes by Michael Bay

"Everybody knows about Pearl Harbor. The thing that really fascinated me is that through this tragedy there was this amazing American heroism."

"For me, the great joy is to watch an audience watching what I've made. To hear not a peep from the audience at the right moment, and then to hear the laughs and the cheers."

"I'm at that point in my life where I definitely want to get married soon. I've got my dogs as surrogates, but I'm ready for kids."

"It's... a hard thing for a director, to think you came up with a shot, something from your mind, and someone died while doing it. It's the worst thing you'll ever have to live with. It was very hard for me to get back on the horse again."

"I can be very reserved about things. My business side isn't shy. I can be like a general. But I've got a shy side. I'm also a lot deeper than people think, and a lot more sensitive. But I don't let people in too much.'"

"What I look for in a script is something that challenges me, something that breaks new ground, something that allows me to flex my director muscle. You have got to think fast in this business, you've got to keep reinventing yourself to stay on top."

"I love doing big movies. It's awesome! You have all these toys. The thing I like about this movie is, like they always say, directors have the biggest train sets! Don't tell anyone, but I'd do this for free."

"A lot of directors don't want the pressure of a movie the size of Pearl Harbor. But I love it. I thrive on it."
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