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Mark Rydell

"He was a psychotic. He was a borderline psychotic. He was a terrific, sensational actor, with a magical screen presence, you couldn't keep your eyes off him, but he was paranoid. He was sure everybody was out to get him."

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"He was a psychotic. He was a borderline psychotic. He was a terrific, sensational actor, with a magical screen presence, you couldn't keep your eyes off him, but he was paranoid. He was sure everybody was out to get him."

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A.E. Samaan

"My college training was primarily in theatre, with an eye to becoming a director, actor, or producer."

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A.E. Samaan

"You know, whatever happens between the two of us that's created when we come together as actors is not something I think we can explain."

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A.E. Samaan

"I watch actors destroy themselves by trying to get it right."

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A.E. Samaan

"A lot of talented actors still have to pay their bills."

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A.E. Samaan

"I'm not like one of those actors who's a frustrated director."

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A.E. Samaan

"I'm an actor who hates dialogue and the present day and reality."

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A.E. Samaan

"Indeed, the actor's lot is a much harder one than that of the director's, from one simple standpoint: The actor has to play the eight shows a week."

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A.E. Samaan

"We all perform our lives in a way. And the actor is a perfect metaphor to get at that theme of 'how do we find our authentic selves?' And that we all - whether we're actors or not - perform ourselves. As a way of searching. As a way of fumbling around and trying to say, is this my voice? Is this who I am?"

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A.E. Samaan

"In those days I was mortified, because I was a serious actor in my own mind, and then all of a sudden I'm this hunk."

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A.E. Samaan

"I never said, 'I'm going to be a big star.' I said, 'I'm going to be a good actor.' And that took the pressure off."

Explore more quotes by Mark Rydell

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Mark Rydell
"Now a movie goes out to two, three thousand theaters and by Friday night at 10 o'clock they know if you are in or out. That desperate competition is, I think, horrendous. It's awful."
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Mark Rydell
"No one turns down a film with Woody; it's something everyone wants in their career as an important moment. He's such a comedic genius, without question, so I was thrilled."
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Mark Rydell
"It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at."
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Mark Rydell
"I long for the days when grosses were not even known. There was no weekend competition."
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Mark Rydell
"Well you're talking about a long career, a lot of movies, a lot of stars. I guess working with Henry Fonda and Katherine Hepburn was a great privilege."
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Mark Rydell
"Well you know, Woody doesn't rehearse, as opposed to my own method of directing where I really work with actors around a round table for weeks, examining the values of the material, so his technique is very different."
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Mark Rydell
"There's evidence of a social decline in direct proportion to technology and the industrialization of the motion picture industry."
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Mark Rydell
"It's sad - it's sad for us old enough to remember when directors ruled, and films were substantially better than they are today. But it's hard to argue with those kinds of grosses."
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Mark Rydell
"He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture."
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Mark Rydell
"It's the unusual leading man. Most of the Hollywood leading men are powerful and capable and strong, heroes. He has this vulnerability, he's fragile, he struggles to find a way to live from day to day that we can identify with, that we can understand."
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