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Mark Rydell

"He was a psychotic. He was a borderline psychotic. He was a terrific, sensational actor, with a magical screen presence, you couldn't keep your eyes off him, but he was paranoid. He was sure everybody was out to get him."

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"He was a psychotic. He was a borderline psychotic. He was a terrific, sensational actor, with a magical screen presence, you couldn't keep your eyes off him, but he was paranoid. He was sure everybody was out to get him."

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"Once you've gotten the job, there's nothing to it. If you're an actor, you're an actor. Doing it is not the hard part. The hard part is getting to do it."

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"I think I am a much better actor than I have allowed myself to be."

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Asa Don Brown

"It's very difficult for me to speak about being an actor."

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"I want to keep doing different things. I'd like to do a more personal, dramatic movie next, I think. But as long as it's about characters and good writing and good parts for actors, that's what's important."

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"I view the whole thing as a collaboration. As an actor, I always found that to be the most freeing thing, when the director would collaborate with you, so that together you'd come up with something exponentially better."

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"My college training was primarily in theatre, with an eye to becoming a director, actor, or producer."

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Asa Don Brown

"If you're going to be that kind of actor and go way out there, it's really important to take care of yourself and have a safe place, whatever that is."

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Asa Don Brown

"A reporter discovers, in the course of many years of interviewing celebrities, that most actors are more attractive behind a spotlight than over a spot of tea."

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Asa Don Brown

"But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor."

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Asa Don Brown

"You can't get an actor to do something that is beyond his range, so you have to be aware of the range of the actor and, if necessary, alter the part to suit the actor."

Explore more quotes by Mark Rydell

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Mark Rydell
"He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture."
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Mark Rydell
"Well you're talking about a long career, a lot of movies, a lot of stars. I guess working with Henry Fonda and Katherine Hepburn was a great privilege."
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Mark Rydell
"No one turns down a film with Woody; it's something everyone wants in their career as an important moment. He's such a comedic genius, without question, so I was thrilled."
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Mark Rydell
"It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at."
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Mark Rydell
"It's the unusual leading man. Most of the Hollywood leading men are powerful and capable and strong, heroes. He has this vulnerability, he's fragile, he struggles to find a way to live from day to day that we can identify with, that we can understand."
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Mark Rydell
"Well you know, Woody doesn't rehearse, as opposed to my own method of directing where I really work with actors around a round table for weeks, examining the values of the material, so his technique is very different."
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Mark Rydell
"Now a movie goes out to two, three thousand theaters and by Friday night at 10 o'clock they know if you are in or out. That desperate competition is, I think, horrendous. It's awful."
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Mark Rydell
"It always amazed me that he was able to do it, and that Orson Welles was able to do it. I never understood it because the talents are absolutely opposite - polar opposites."
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Mark Rydell
"It's sad - it's sad for us old enough to remember when directors ruled, and films were substantially better than they are today. But it's hard to argue with those kinds of grosses."
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Mark Rydell
"It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance."
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