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Jay Roach

"My biggest role as director on the film is keeping a sense of the overview - how to cast the movie and shoot it in such a way that it will cut together. And how to design the style and tone."

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"My biggest role as director on the film is keeping a sense of the overview - how to cast the movie and shoot it in such a way that it will cut together. And how to design the style and tone."

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Amber Hurdle

"I design my shots. I walk the rehearsal as the camera and say 'this is where I want to be... I want this look."

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Amber Hurdle

"Often we don't see the majesty of God's design because we're caught up in the mediocrity of our own designs."

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Amber Hurdle

"God is His own Design and End, and that there is no other Worthy of Him."

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Amber Hurdle

"For me, unemployment and poverty in the Greater Montreal area is not mainly a problem of structure, or design, or statistics. It is a profoundly human situation."

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Amber Hurdle

"Work is designed to be in your own field of calling."

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Amber Hurdle

"God did not simply decide to create heaven and earth. He had a vision."

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Amber Hurdle

"I studied literature design and fashion design."

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Amber Hurdle

"Everyone by now presumably knows about the danger of premature optimization. I think we should be just as worried about premature design - designing too early what a program should do."

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Amber Hurdle

"I design for the woman who loves being a woman."

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Amber Hurdle

"To design is to communicate clearly by whatever means you can control or master."

Explore more quotes by Jay Roach

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Jay Roach
"I do love DVD and I've always taken them seriously. You know, on the Austin things, we really put a ton of work into them because there's so much design involved. And in this one, we thought a lot about it and what could go in."
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Jay Roach
"Because I actually find the next take after they've controlled it a little bit and repressed the laughter is actually a really interesting take, because that's still going on underneath the surface. That struggle to maintain composure becomes part of the joy of the scene."
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Jay Roach
"I love making people laugh. It's an addiction and it's probably dysfunctional, but I am addicted to it and there's no greater pleasure for me than sitting in a theater and feeling a lot of people losing control of themselves."
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Jay Roach
"You could get in rehearsals, pre-production, anything that would actually contribute to the understanding of how a film gets made. I actually find those things increase people's interest in a movie and like that better than worrying about showing the tricks behind the curtain."
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Jay Roach
"We had to do the same thing here. To top that sequel was quite a task. Mike had a couple of good conceptual humour and character ideas, which got me back into it."
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Jay Roach
"On the other track I got to talk with Jon Poll, my editor, and we go into more detail about the decisions we made in both the production and the post-production. So I hope the combination becomes something worth collecting."
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Jay Roach
"But I couldn't cut that whole septic tank scene out because the audience liked it so much. So I sort of fell right back into getting a cheap laugh, but I still loved it."
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Jay Roach
"My favorite laser disk ever was the laser disk for The Graduate, which had a commentary track that wasn't even the filmmakers, it was a professor, some film criticism guy who just happen to be this amazing commentator who went off into the whole theory of comedy."
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Jay Roach
"I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it's a really great experience."
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Jay Roach
"As long as we, again, kind of keep earning the sequels with material and I'm confident Mike can, I'm in. You know I always want to do those. But I also want to keep going in some of the direction as Meet the Parents has."
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