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Quotes by Czechoslovakian Authors
"Youth is terrible: it is a stage trod by children in buskins and a variety of costumes mouthing speeches they've memorized and fanatically believe but only half understand. And history is terrible because it so often ends up a playground for the immature; a playground for the young Nero, a playground for the young Bonaparte, a playground for the easily roused mobs of children whose simulated passions and simplistic poses suddenly metamorphose into a catastrophically real reality."
"I don't make a habit of watching tennis matches, but I try to watch all the major finals. I try to make time for that. So unless I have something going with the kids where I can't, I try to watch, and I enjoy that."
"Youth is a terrible thing: it is a stage trod by children in buskins and fancy costumes mouthing speeches they've memorized and fanatically believe but only half understand."
"Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves."
"But to be fair, if you take players from my era to now, the game has changed and the players have many more shots. They use them differently than we did. The speed of the game has changed."
"When the heart speaks, the mind finds it indecent to object."
"Never had she let herself go in this way with another body, and never had another body let itself go with her in this way. Her lover could play with her belly, but he had never lived in there; he could touch her breast, but he never drunk from it."
"And therein lies the whole of man's plight. Human time does not turn in a circle, it runs ahead in a straight line. That is why man cannot be happy: happiness is the longing for repetition."
"Looking out over the courtyard at the dirty walls, he realized he had no idea whether it was hysteria or love."
"I've always had the sense that my life is run by other people. Except for a few years after Martin died. Those were the toughest years, I was alone with my children, I had to cope by myself. Complete poverty. You won't believe this, but nowadays when I look back, those are my happiest years."
"Darling, my darling, don't think that I don't love you or that I didn't love you, but it's precisely because I love you that I couldn't have become what I am today if you were still here. It's impossible to have a child and despise the world as it is, because that's the world we've put the child into. The child makes us care about the world, think about it's future, willingly join in its racket and its turmoils, take its incurable stupidity seriously."
"The meaning did not precede the dream; the dream preceded the meaning. So the way to read the tale is to let the imagination carry one along. Not, above all, as a rebus to be decoded."
"Perhaps the reason we are unable to love is that we yearn to be loved, that is, we demand something (love) from our partner instead of delivering ourselves up to him demand-free and asking for nothing but his company."
"For it is clear immediately: human life as such is a defeat. All we can do in the face of that ineluctable defeat called life is to try to understand it. That - that is the raison d'Aatre of the art of the novel."
"When graves are covered with stones, the dead can no longer get out. But the dead can't go out anyway! What difference does it make whether they're covered with soil or stones?"
"I understand you, and I shall not attempt to make you change your mind. I am too old to want to improve the world. I have told you what I think, and that is all. I shall remain your friend even if you act contrary to my convictions, and I shall help you even if I disagree with you."
"Dogs do not have many advantages over people, but one of them is extremely important: euthanasia is not forbidden by law in their case; animals have the right to a merciful death."
"She admired her passion, knowing that passion is by definition excessive."
"They were ready to sell people a future in exchange for their past... They wanted to compel him to cast his life away and become a shadow, a man without past, an actor without a role, and turn even his castaway life, even the role the actor had abandoned, into a shadow. Having turned him into a shadow, they would let him live."
"The old duality of body and soul has become shrouded in scientific terminology, and we can laugh at it as merely an obsolete prejudice.But just make someone who has fallen in love listen to his stomach rumble, and the unity of body and soul, that lyrical illusion of the age of science, instantly fades away."
"For there is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels with someone, for someone, a pain intensified by the imagination and prolonged by a hundred echoes."
"The unification of the planet's history, that humanist dream which God has spitefully allowed to come true, has been accompanied by a process of dizzying reduction. True, the termites of reduction have always gnawed away at life: even the greatest love ends up as a skeleton of feeble memories. But the character of modern society hideously exacerbates this curse: it reduces man's life to its social function; the history of a people to a small set of events that are themselves reduced to a tendentious interpretation; social life is reduced to political struggle, and that in turn to the confrontation of just two great global powers."
"If we cannot accept the importance of the world, which considers itself important, if in the midst of that world our laughter finds no echo, we have but one choice: to take the world as a whole and make it the object of our game; to turn it into a toy."
"The situation is very slightly solemn and thus embarrassing, as are all such situations when after the initial lovemaking, the lovers confront a future they are suddenly required to take on."
"Revolution in Love'. Can you tell me what you mean by that? Do you want free love as against bourgeois marriage, or monogamy as against bourgeois promiscuity?"
"It takes a very great intelligence to breathe logical meaning into meaningless ideas."
"Those who consider the Devil to be a partisan of Evil and angels to be warriors for Good accept the demagogy of the angels. Things are clearly more complicated."
"She wants to have her notebooks so that the flimsy framework of events, as she has constructed them in her school notebook, will be provided with walls and become a house she can live in. Because if the tottering structure of her memories collapses like a clumsily pitched tent, all that Tamina will be left with is the present, that invisible point, that nothingness moving slowly toward death."
"Horror is a shock, a time of utter blindness. Horror lacks every hint of beauty. All we can see is the piercing light of an unknown event awaiting us. Sadness, on the other hand, assumes we are in the know... The light of horror thus lost its harshness, and the world was bathed in a gentle, bluish light that actually beautified it."
"It was the incommunicable scent of this country, its intangible essence, that she had brought along with her to France."
"The religion of orgasm: utilitarianism projected into sex life; efficiency versus indolence; coition reduced to an obstacle to be got past as quickly as possible in order to reach an ecstatic explosion, the only true goal of love-making and of the universe."
"People who shout joy from the rooftops are often the saddest of all."
"For a trial is initiated not to render justice but to annihilate the defendant.Even when the trial is of dead people, the point is to kill them off a second time: by burning their books; by removing their names from the schoolbooks; by demolishing their monuments; by rechristening the streets that bore their names."
"When his wife was at his side, she was also in front of him, marking out the horizon of his life. Now the horizon is empty: the view has changed."
"As I have pointed out before, characters are not born like people, of woman; they are born of a situation, a sentence, a metaphor containing in a nutshell a basic human possibility that the author thinks no one else has discovered or said something essential about."
"You can understand nothing about art, particularly modern art, if you do not understand that imagination is a value in itself."
"Everyone is wrong about the future."
"Jealousy is like a raging toothache. One cannot do anything when one is jealous, not even sit down. Once can only come and go. Back and forth."
"The degree of slowness is directionally proportional to the intensity of memory. The degree of speed is directionally proportional to the intensity of forgetting."
"There is no particular merit in being nice to one's fellow man... We can never establish with certainty what part of our relations with others is a result of our emotions — love, apathy, charity, or malice — and what part is predetermined by the constant power play among individuals. True human goodness, in all its purity and freedom, can come to the fore only when its recipient has no power. Mankind's true moral test, its fundamental test (which lies deeply buried from view), consists of its attitude towards those who are at its mercy: animals. And in this respect, mankind has suffered a fundamental débâcle — a débâcle so fundamental all others stem from it."
"Brod was a brilliant intellectual with exceptional energy; a generous man willing to do battle for others; his attachment to Kafka was warm and disinterested. The only problem was his artistic orientation: a man of ideas, he knew nothing of the passion for form; his novels (he wrote twenty of them) are sadly conventional; and above all: he understood nothing at all about modern art.Why, despite all this, was Kafka so fond of him? What about you-do you stop being fond of your best friend because he has a compulsion to write bad verse?"
"Tell me, where in life is there a value that would make us consider suicide uncalled for on principle! Love? Or friendship? I guarantee that friendship is not a bit less fickle than love and it is impossible to build anything on it. Self-love? I wish it were possible."
"Most people willingly deceive themselves with a doubly false faith; they believe in eternal memory (of men, things, deeds, peoples) and in rectification (of deeds, errors, sins, injustice). Both are sham. The truth lies at the opposite end of the scale: everything will be forgotten and nothing will be rectified. All rectification (both vengeance and forgiveness) will be taken over by oblivion."
"For a novelist, a given historic situation is an anthropologic laboratory in which he explores his basic question: What is human existence?"
"...no one can do a thing about feelings, they exist and there's no way to censor them. We can reproach ourselves for some action, for a remark, but not for a feeling, quite simply because we have no control at all over it."
"The termites of reduction have always gnawed away at life: even the greatest love ends up as a skeleton of feeble memories."
"Laughter was like an enormous trap waiting patiently in the room with them, but hidden behind a thin wall."
"The physical contact with people who struck and trampled and killed one another seemed far worse to him than a solitary death in the purity of the waters."
"Once the writer in every individual comes to life (and that time is not far off), we are in for an age of universal deafness and lack of understanding."
"(God) being the old man invented in order to, and with whom to, hold long conversations."
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