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Nostalgia Quotes
"He was thinking of that time, the way one does on long journeys when rootlessness and boredom, lack of sleep or routine can summon from out of nowhere random stretches of the past, make them as real as a haunting. --Solar."
25
"In reality, Little Ones, there are two winters. One made for kids; the other for adults. The one made for adults is always too cold and always too long. The one made for kids is always perfect. A kid winter is an endless and wild snow carnival where all the rides are free."
24
"In New York City, everyone is an exile, none more so than the Americans."
22
"Sometimes to return is a vulgarity."
20
"That night in Cartagena he again requested the songs of his youth, some so old he had to teach them to Iturbide, who was too young to remember them. The audience slipped away as the General bled inside, and he was left alone with Iturbide beside the embers."
20
"Wide sea, that one continuous murmur breedsAlong the pebbled shore of memory!Many old rotten-timber'd boats there beUpon thy vaporous bosom, magnifiedTo goodly vessels; many a sail of pride,And golden keel'd, is left unlaunch'd and dry."
20
"Nowadays I'm really cranky about comics. Because most of them are just really, really poorly written soft-core. And I miss good old storytelling. And you know what else I miss? Super powers. Why is it now that everybody's like 'I can reverse the polarity of your ions! Like in one big flash everybody's Doctor Strange. I like the guys that can stick to walls and change into sand and stuff. I don't understand anything anymore. And all the girls are wearing nothing, and they all look like they have implants. Well, I sound like a very old man, and a cranky one, but it's true."
18
"Even now I remember those pictures, like pictures in a storybook one loved as a child. Radiant meadows, mountains vaporous in the trembling distance; leaves ankle-deep on a gusty autumn road; bonfires and fog in the valleys; cellos, dark window-panes, snow."
18
"As he turns around and her eyes meet his, she lets go off the breath that she had been holding back. All the words she had practised to say when the moment arrived, dissolve at the tip of her tongue. All the things she wanted him to know escape her in the thick blanket of nostalgia that wraps itself around her."
17
"Good memories are like charms...Each is special. You collect them, one by one, until one day you look back and discover they make a long, colorful bracelet."
16
"Most places we leave in childhood grow less, not more, fancy."
15
"A man must know the expectations of his woman and a woman must know the expectations of her man."
15
"The house smelled musty and damp, and a little sweet, as if it were haunted by the ghosts of long-dead cookies."
14
"It looked like the world was covered in a cobbler crust of brown sugar and cinnamon."
14
"Belgium! name unromantic and unpoetic, yet name that whenever uttered has in my ear a sound, in my heart an echo, such as no other assemblage of syllables, however sweet or classic, can produce. Belgium! I repeat the word, now as I sit alone near midnight. It stirs my world of the past like a summons to resurrection; the graves unclose, the dead are raised; thoughts, feelings, memories that slept, are seen by me ascending from the clods--haloed most of them--but while I gaze on their vapoury forms, and strive to ascertain definitely their outline, the sound which wakened them dies, and they sink, each and all, like a light wreath of mist, absorbed in the mould, recalled to urns, resealed in monuments."
13
"They were playing old Bob Dylan, more than perfect for narrow Village streets close to Christmas and the snow whirling down in big feathery flakes, the kind of winter where you want to be walking down a city street with your arm around a girl like on the old record cover."
13
"Yet, when this cherished volume was now placed in my hand-when I turned over its leaves, and sought in its marvellous pictures the charm I had, till now, never failed to find-all was eerie and dreary; the giants were gaunt goblins, the pigmies malevolent and fearful imps, Gulliver a most desolate wanderer in most dread and dangerous regions. I closed the book, which I dared no longer peruse, and put it on the table, beside the untasted tart."
12
"Eden is that old-fashioned house we dwell in every day Without suspecting our abode until we drive away."
12
"I think of you when upon the sea the sun flings her beams. I think of you when the moonlight shines in silvery streams. I see you when upon the distant hills the dust awakes; At night when on a fragile bridge the traveler quakes.I hear you when the blows rise on high, with murmur deep. To tread the silent grove where wander I, When all's asleep."
11
"What did Saturday's used to taste like? Like eggs and fried ham and the bitter smell of hair in heavy rollers. Like long quiet hours and making up after a fight. Like ointment and bruising. Like waiting, especially, for something - anything - to happen."
10
"The first thing I did when I got inside was turn on the kitchen light. Then I moved to the table, putting my dad's iPod on the speaker dock, and a Bob Dylan song came on, the notes familiar. I went into the living room, hitting the switch there, then down the hallway to my room, where I did the same. It was amazing what a little noise and brightness could do to a house and a life, how much the smallest bit of each could change everything. After all these years of just passing through, I was beginning to finally feel at home."
10
"Oh, if I had had a friend at this moment, a friend in an attic room, dreaming by candlelight and with a violin lying ready at his hand! How I should have slipped up to him in his quiet hour, noiselessly climbing the winding stair to take him by surprise, and then with talk and music we should have held heavenly festival throughout the night!"
10
"The late afternoon sunlight, warm as oil, sweet as childhood ..."
10
"When I was a little kid I had a very different meaning of life; simple like a cup of tea with sugar and a piece of cake, today the whole world doesn't give me that life."
9
"For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go. For the blue is not in the place those miles away at the horizon, but in the atmospheric distance between you and the mountains."Longing, says the poet Robert Hass, "because desire is full of endless distances. Blue is the color of longing for the distances you never arrive in, for the blue world."
9
"What had survived - maybe all that had survived of Trism - was Liir's sense of him. A catalog of impressions that arose from time to time, unbidden and often upsetting. From the sandy smell of his sandy hair to the locked grip of his muscles as they had wrestled in sensuous aggression - unwelcome nostalgia. Trism lived in Liir's heart like a full suit of clothes in a wardrobe, dress habillards maybe, hollow and real at once. The involuntary memory of the best of Trism's glinting virtues sometimes kicked up unquietable spasms of longing."
9
"This is, to me, the loveliest and saddest landscape in the world. It is the same as that on the preceding page, but I have drawn it again to impress it on your memory. It is here that the little prince appeared on Earth, and disappeared.Look at it carefully so that you will be sure to recognise it in case you travel some day to the African desert. And, if you should come upon this spot, please do not hurry on. Wait for a time, exactly under the star. Then, if a little man appears who laughs, who has golden hair and who refuses to answer questions, you will know who he is. If this should happen, please comfort me. Send me word that he has come back."
9
"Later she remembered all the hours of the afternoon as happy -- one of those uneventful times that seem at the moment only a link between past and future pleasure, but turn out to have been the pleasure itself."
9
"Strange, how the best moments of our lives we scarcely notice except in looking back."
9
"In her final years she would still recall the trip that, with the perverse lucidity of nostalgia, became more and more recent in her memory."
8
"Can we account for instinct?' said Monte Cristo. 'Are there not some places where we seem to breathe sadness? - why, we cannot tell. It is a chain of recollections - an idea which carries you back to other times, to other places - which, very likely, have no connection with the present time and place."
8
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