John Irving, an acclaimed American novelist, is celebrated for his richly layered storytelling and complex characters that grapple with profound moral dilemmas. From "The World According to Garp" to "The Cider House Rules," his novels explore themes of identity, family, and the human condition with humor and compassion. Irving's literary legacy endures, resonating with readers for its emotional depth and timeless relevance.
"The way you define yourself as a writer is that you write every time you have a free minute. If you didn't behave that way you would never do anything."
"No one but me ever put a hand on me to feel that baby. No one wanted to put his ear against it and listen...You shouldn't have a baby if there's no one who wants to feel it kick or listen to it move."
"In our hearts... there must abide some pity for those people who have always felt themselves to be separate from even their most familiar surroundings, those people who either are foreigners or who suffer a singular point of view that makes them feel as if they're foreigners - even in their native lands. In our hearts... there also abides a certain suspicion that such people need to feel set apart from their society. But people who initiate loneliness are no less lonely than those who are suddenly surprised by loneliness, nor are they undeserving of our pity."
"Men who believe in good and evil, and who believe that good should win, should watch for those moments when it is possible to play God."
"Nearly everything seems a letdown after a writer has finished writing something."
"MAYBE YOU SHOULD BE AN ENGLISH MAJOR. AT LEAST, YOU GET TO READ STUFF THAT'S WRITTEN BY PEOPLE WHO CAN WRITE! YOU DON'T HAVE TO DO ANYTHING TO BE AN ENGLISH MAJOR, YOU DON'T NEED ANY SPECIAL TALENT, YOU JUST HAVE TO PAY ATTENTION TO WHAT SOMEONE WANTS YOU TO SEE - TO WHAT MAKES SOMEONE ANGRIEST, OR THE MOST EXCITED IN SOME OTHER WAY. IT'S SO EASY!; I THINK THAT'S WHY THERE ARE SO MANY ENGLISH MAJORS!"
"You can learn a lot from your lovers, but-for the most part-you get to keep your friends longer, and you learn more from them."
"When time passes, it's the people who knew you whom you want to see; they're the ones you can talk to. When enough time passes, what's it matter what they did to you?"
"As Garp put it, 'You only grow by coming to the end of something and by beginning something else.' Even if these so-called endings and beginnings are illusions."
"What is hardest to accept about the passage of time is that the people who once mattered the most to us wind up in parentheses."
"I realize that a writer's business is setting fire to Piggy Sneed-and trying to save him-again and again, forever."
"Don't forget this, too: Rumors aren't interested in the unsensational story; rumors don't care what's true."
"It is your responsibility to find fault with me, it is mine to hear you out. But don't expect me to change."
"The building of the architecture of a novel - the craft of it - is something I never tire of."
"Here was the world-famous novelist with her penchant for detail; yet, in her observations of a prostitute with a customer, she had failed to come away with the most important detail of all. She could never identify the murderer; she could barely describe him. She'd made a point of not looking at him!"
"THAT'S WHAT POWERFUL MEN DO TO THIS COUNTRY - IT'S A BEAUTIFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON'T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD - THEY MAKE THEMSELVES APPEAR MORAL...THE COUNTRY WANTS A SAVIOUR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY'RE MORALISTS AND THEN THEY JUST USE US."
"Well, you finally got me," Helen had whispered to him, tearfully, but Garp had sprawled there, on his back on the wrestling mat, wondering who had gotten whom."
"When Jack Burns needed to hold his mother's hand, his fingers could see in the dark."
"Just because you're sober, don't think you're a good driver, Cookie."
"WHAT I'M TELLING YOU IS, IF YOU WANT TO DO THINGS YOUR OWN WAY, YOU'RE GOING TO HAVE TO MAKE A DECISION - YOU'RE GOING TO HAVE TO FIND A LITTLE COURAGE."
"Ruth knew very well what the killer thought he had heard: he'd heard the sound of someone trying not to make a sound - that's what he'd heard."
"Novels are just another kind of cross-dressing, aren't they?"
"This mannerism of what he'd seen of society struck Homer Wells quite forcefully; people, even nice people-because, surely, Wally was nice-would say a host of critical things about someone to whom they would then be perfectly pleasant. At. St. Cloud's, criticism was plainer-and harder, if not impossible, to conceal."
"Novels were not arguments; a story worked, or it didn't, on its own merits. What did it matter if a detail was real or imagined? What mattered was that the detail seemed real, and that it was absolutely the best detail for the circumstance. That wasn't much of a theory, but it was all Ruth could truly commit herself to at the moment. It was time to retire that old lecture, and her penance was to endure the compliments of her former credo."
"It's not very interesting to establish sympathy for people who, on the surface, are instantly sympathetic. I guess I'm always attracted to people who, if their lives were headlines in a newspaper, you might not be very sympathetic about them."
"Garp didn't want a daughter because of men. Because of bad men, certainly; but even, he thought, because of men like me."
"If you're a writer, the problem is that, when you try to call a halt to thinking about your novel-in-progress, your imagination still keeps going; you can't shut it off."
"It doesn't really matter who said it - it's so obviously true. Bevore you can write anything, you have to notice something."
"I'll bet every fucking one of your angels is going to be terrifying!"
"Here is the trap you are in.... And it's not my trap-I haven't trapped you. Because abortions are illegal, women who need and want them have no choice in the matter, and you-because you know how to perform them-have no choice, either. What has been violated here is your freedom of choice, and every woman's freedom of choice, too. If abortion was legal, a woman would have a choice-and so would you. You could feel free not to do it because someone else would. But the way it is, you're trapped. Women are trapped. Women are victims, and so are you."
"Many things the gods achieve beyond our judgement,'" said the sorrowful girl. "'What we thought is not confirmed and what we thought not God contives."
"We were in a phase, through television and the movies, of living only vicariously. Even faintly sordid silliness excited us if it put us in contact with love."
"And maybe it was fair; if a book was any good, it was a slap in the face to someone."
"All I say is: Let us leave les folles alone, let's just leave them be. Don't judge them. You are not superior to them - don't put them down."
"The way you remember or dream about your loved ones - the ones who are gone - you can't stop their endings from jumping ahead of the rest of their stories. You don't get to choose the chronology of what you dream, or the order of events in which you remember someone. In your mind - in your dreams, in your memories - sometimes the story begins with the epilogue."
"According to my mother, I was a fiction writer before I'd written any ficton, by wich she meant not only that I invented things, or made things up, but that I prefered this kind of fantasising or pure imagining to what other people generally liked - she meant reality, of course."
"I suppose I'm proudest of my novels for what's imagined in them. I think the world of my imagination is a richer and more interesting place than my personal biography."
"At times, he admitted, he had been very happy in the apple business. He knew what Larch would have told him: that his happiness was not the point, or that it wasn't as important as his usefulness."
"Thus we try to keep our heroes alive, hence we remember them."