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"For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go. For the blue is not in the place those miles away at the horizon, but in the atmospheric distance between you and the mountains."Longing, says the poet Robert Hass, "because desire is full of endless distances. Blue is the color of longing for the distances you never arrive in, for the blue world."
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"With favoring winds, o'er sunlit seas,We sailed for the Hesperides,The land where golden apples grow;But that, ah! that was long ago.How far, since then, the ocean streamsHave swept us from that land of dreams,That land of fiction and of truth,The lost Atlantis of our youth!Whither, ah, whither? Are not theseThe tempest-haunted Orcades,Where sea-gulls scream, and breakers roar,And wreck and sea-weed line the shore?Ultima Thule! Utmost Isle!Here in thy harbors for a whileWe lower our sails; a while we restFrom the unending, endless quest."

"Isn't it weird the way you remember things, when someone's gone?"

"The blue-backed notebooks, the two pencils and the pencil sharpener (a pocket knife was too wasteful) the marble-topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed. For luck you carried a horse chestnut and a rabbit's foot in your right pocket. The fur had been worn off the rabbit's foot long ago and the bones and the sinews were polished by wear. The claws scratched in the lining of your pocket and you knew your luck was still there."

"As he turns around and her eyes meet his, she lets go off the breath that she had been holding back. All the words she had practised to say when the moment arrived, dissolve at the tip of her tongue. All the things she wanted him to know escape her in the thick blanket of nostalgia that wraps itself around her."
Explore more quotes by Rebecca Solnit

"Silence is what allows people to suffer without recourse, what allows hypocrisies and lies to grow and flourish, crimes to go unpunished."

"I was being cured of soldiering on endlessly: my job was now to be still, which had become almost easy at last."

"How will you go about finding that thing the nature of which is totally unknown to you?" (Plato) The things we want are transformative, and we don't know or only think we know what is on the other side of that transformation. Love, wisdom, grace, inspiration- how do you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else?"

"It was a place as blank as a sheet of paper. It was the place I had always been looking for... Flat expanses would call to me... These are the places where the desert is most itself: stark, open, free, an invitation to wander, a laboratory of perception, scale, light, a place where loneliness has a luxurious flavor..."

"How do you calculate upon the unforeseen? It seems to be an art of recognizing the role of the unforeseen, of keeping your balance amid surprises, of collaborating with chance, of recognizing that there are some essential mysteries in the world and thereby a limit to calculation, to plan, to control."

"Despair is a form of certainty, certainty that the future will be a lot like the present or will decline from it."

"The stars we are given. The constellations we make. That is to say, stars exist in the cosmos, but constellations are the imaginary lines we draw between them, the readings we give the sky, the stories we tell."

"We write history with our feet and with our presece and our collective voice and vision. And yet, of course, everything in the mainstream media suggests that popular resistance is ridiculous, pointless, or criminal, unless it is far away, was long ago, or, ideally, both. These are the forces that prefer the giant remain asleep."

"In her novel Regeneration, Pat Barker writes of a doctor who 'knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay."
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