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Rebecca Solnit

"For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go. For the blue is not in the place those miles away at the horizon, but in the atmospheric distance between you and the mountains."Longing, says the poet Robert Hass, "because desire is full of endless distances. Blue is the color of longing for the distances you never arrive in, for the blue world."

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"For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go. For the blue is not in the place those miles away at the horizon, but in the atmospheric distance between you and the mountains."Longing, says the poet Robert Hass, "because desire is full of endless distances. Blue is the color of longing for the distances you never arrive in, for the blue world."

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"In her final years she would still recall the trip that, with the perverse lucidity of nostalgia, became more and more recent in her memory."

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"You think you can get rid of things, and people too-leave them behind. You don't know yet about the habit they have, of coming back."

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"Summertime. It was a song. It was a season. I wondered if that season would ever live inside of me."

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"Whenever you are transplanted, like me, you will understand how very delightful it is to meet with anything at all like what one has left behind."

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"A Tennyson garden, heavy with scent, languid; the return of the word swoon."

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"Sitting in his old schoolroom on the sofa with little cushions on the arms and looking into Natasha's wildly eager eyes, Rostov was carried back into that world of home and childhood which had no meaning for anyone else, but gave him some of the greatest pleasure in his life."

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"When I was a kid, Toronto streets were deserted and quiet on Sundays, except for the sound of church bells I stood on the sidewalk one December listening to the Christmas bells - I've never forgotten that moment..."

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"Every time I look at you autumn leaves come in between - does it matter they're the color of your hair - or they still fall in my memory?..."

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"All I do is keep on running in my own cozy, homemade void, my own nostalgic silence. And this is a pretty wonderful thing. No matter what anybody else says."

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Rebecca Solnit
"Listen: you are not yourself, you are crowds of others, you are as leaky a vessel as was ever made, you have spent vast amounts of your life as someone else, as people who died long ago, as people who never lived, as strangers you never met."
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Rebecca Solnit
"When someone doesn't show up, the people who wait sometimes tell stories about what might have happened and come to half believe the desertion, the abduction, the accident. Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown. Perhaps fantasy is what you fill up maps with rather than saying that they too contain the unknown."
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Rebecca Solnit
"The revolution that counts is the one that takes place in the imagination; many kinds of change issue forth thereafter, some gradual and subtle, some dramatic and conflict-ridden--which is to say that revolution doesn't necessarily look like revolution."
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Rebecca Solnit
"When exactly do the abuses that have been tolerated for so long become intolerable? When does the fear evaporate and the rage generate action that produces joy?"
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Rebecca Solnit
"Memory, even in the rest of us, is a shifting, fading, partial thing, a net that doesn't catch all the fish by any means and sometimes catches butterflies that don't exist."
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Rebecca Solnit
"Hope is not a lottery ticket you can sit on the sofa and clutch, feeling lucky. It is an axe you break down doors with in an emergency. Hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth's treasures and the grinding down of the poor and marginal... To hope is to give yourself to the future - and that commitment to the future is what makes the present inhabitable."
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Rebecca Solnit
"Not to find one's way in a city may well be uninteresting and banal. It requires ignorance-nothing more," says the twentieth-century philosopher-essayist Walter Benjamin. "But to lose oneself in a city-as one loses oneself in a forest-that calls for quite a different schooling. To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin's terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. And one does not get lost but loses oneself, with the implication that it is a conscious choice, a chosen surrender, a psychic state achievable through geography."
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Rebecca Solnit
"A lone peak of high point is a natural focal point in the landscape, something by which both travelers and local orient themselves. In the continuum of landscape, mountains are discontinuity -- culminating in high points, natural barriers, unearthly earth."
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Rebecca Solnit
"The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest)."
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Rebecca Solnit
"The term 'politics of prefiguration' has long been used to describe the idea that if you embody what you aspire to, you have already succeeded. That is to say, if your activism is already democratic, peaceful, creative, then in one small corner of the world these things have triumphed. Activism, in this model, is not only a toolbox to change things but a home in which to take up residence and live according to your beliefs, even if it's a temporary and local place..."
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