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Art Quotes
"For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings and attempt to write them down, but we lose ever and anon a word or a verse and substitute something of our own, and thus miswrite the poem. The men of more delicate ear write down these cadences more faithfully, and these transcripts, though imperfect, become the songs of the nations."
14
"What did one see if one looked in any depth into the world of this writer's fiction? Elegant self-control concealing from the world's eyes until the very last moment a state of inner disintegration and biological decay; sallow ugliness, sensuously marred and worsted, which nevertheless is able to fan its smouldering concupiscence to a pallid impotence, which from the glowing depths of the spirit draws strength to cast down a whole proud people at the foot of the Cross and set its own foot upon them as well; gracious poise and composure in the empty austere service of form; the false, dangerous life of the born deceiver, his ambition and his art which lead so soon to exhaustion."
14
"Why should literature be easy? Sometimes you can do what you want to do in a simple, direct way that is absolutely right. Sometimes you can't. Reading is not a passive act. Books are not TV. Art of all kinds is an interactive challenge. The person who makes the work and the person who comes to the work both have a job to do. I am never wilfully obscure, but I do ask for some effort."
14
"There is no competition of sounds between a nightingale and a violin."
14
"In designing the scenery and costumes for any of Shakespeare's plays, the first thing the artist has to settle is the best date for the drama. This should be determined by the general spirit of the play more than by any actual historical references which may occur in it."
14
"So I have to create the whole thing afresh for myself each time. Probably all writers now are in the same boat. It is the penalty we pay for breaking with tradition, and the solitude makes the writing more exciting though the being read less so. One ought to sink to the bottom of the sea, probably, and live alone with ones words."
14
"To become a work of art is the object of living."
14
"In art, theories are as useful as a doctor's prescription; one must be sick to believe them."
14
"As for being poisoned by a book, there is no such thing as that. Art has no influence upon action. It annihilates the desire to act. It is superbly sterile. The books that the world calls immoral are books that show the world its own shame."
14
"This is almost always the case: A piece of art receives its f(r)ame when found offensive."
14
"My icons do not raise up the blessed savior in elaborate cathedrals. They are constructed concentrations celebrating barren rooms. They bring a limited light."
14
"And in fact the artist's experience lies so unbelievably close to the sexual, to its pain and its pleasure, that the two phenomena are really just different forms of one and the same longing and bliss. And if instead of "heat" one could say "sex";- sex in the great, pure sense of the word, free of any sin attached to it by the Church, - then his art would be very great and infinitely important. His poetic power is great and as strong as a primal instinct; it has its own relentless rhythms in itself and explodes from him like a volcano."
13
"I became an artist because I wanted to be an active participant in the conversation about art."
13
"My weakness has always been to prefer the large intention of an unskilful artist to the trivial intention of an accomplished one: in other words, I am more interested in the high ideas of a feeble executant than in the high execution of a feeble thinker."
13
"There's an old rule of theater that goes, 'If there's a gun on the mantel in Act I, it must go off in Act III.' The reverse is also true."
13
"Our moments are music, and sometimes " just sometimes " we can catch them and put them into some lasting form. If we didn't have music, I don't think we could ever be truly happy, and if we didn't have special moments, we would never find music."
13
"The writer has little control over personal temperament, none over historical moment, and is only partly in charge of his or her own aesthetic."
13
"For the vision of a novelist is both complex and specialised; complex, because behind his characters and apart from them must stand something stable to which he relates them; specialised because since he is a single person with one sensibility the aspects of life in which he can believe with conviction are strictly limited."
13
"There is a certain standard of grace and beauty which consists in a certain relation between our nature... and the thing which pleases us."
13
"I think comedy as an art involves the audience as a participant as much as is involves the artist."
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"To receive the compliments of being a good writer really annoys me, as this has been my perception that a writer as such has no value, it is the readers who invest their thought process, give life to dead words, coupled with their own imagination, thus syncing the content to their tastes and sensibilities, that matter."
13
"Art is what we call...the thing an artist does.It's not the medium or the oil or the price or whether it hangs on a wall or you eat it. What matters, what makes it art, is that the person who made it overcame the resistance, ignored the voice of doubt and made something worth making. Something risky. Something human.Art is not in the ...eye of the beholder. It's in the soul of the artist."
13
"A poem is its own name and cover."
13
"Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience becoming, to find out what's inside you, to make your soul grow."
13
"Now art should never try to be popular. The public should try to make itself artistic."
13
"The highest prize we can receive for creative work is the joy of being creative. Creative effort spent for any other reason than the joy of being in that light filled space, love, god, whatever we want to call it, is lacking in integrity. . ."
13
"Self-consciousness is the enemy of all art, be it acting, writing, painting, or living itself, which is the greatest art of all."
13
"Even though artists of all kinds claim to put their hearts and souls into their works, it will only confuse you, for example, if you try to discern a painter by his paintings. His masterpiece may be the master because of its iridescence; it may display a hundred different perspectives through his single face."
13
"The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim.The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault."
13
"What one means by integrity, in the case of the novelist, is the conviction that he gives one that this is the truth. . . . When one so exposes it [integrity] and sees it come to life one exclaims in rapture, But this is what I have always felt and known and desired! And one boils over with excitement, and, shutting the book even with a kind of reverence as if it were something very precious, a stand-by to return to as long as one lives, one puts it back on the shelf."
13
"Art changes posture and posture changes innocent bystanders."
13
"Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh."
13
"Writers haven't got any rockets to blast off. We don't even trundle the most insignificant auxiliary vehicle. We haven't got any military might. So what can literature do in the face of the merciless onslaught of open violence? One word of truth outweighs the whole world."
13
"But as men grow more industrialised and regimented, the kind of delight that is common in children becomes impossible to adults because they are always thinking of the next thing and cannot let themselves be absorbed in the moment. This habit of thinking of the 'next thing' is more fatal to any kind of aesthetic excellence than any other habit of mind that can be imagined, and if art, in any important sense, is to survive it will not be by the foundation of solemn academies, but by recapturing the capacity for wholehearted joys and sorrows which prudence and foresight have all but destroyed."
13
"She has wings the color of wild and a soul the color of art."
13
"Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all."
13
"Wilder touches all the bases... in some kind of shorthand way. Now that's art."
13
"Art serves a purpose. It expands our horizons, frees our minds, and opens us up to new experiences. It opens the imagination. All these great discoveries of our time - without the desire to reach beyond our boundaries, we would be forever stagnant. The folly is in closing one's eyes and not recognizing it."
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