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"No man ever puts down what he intended to say... words... are but crude hieroglyphs chiseled in pain and sorrow to commemorate an event which is untransmissible."
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"The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means."

"Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all."

"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

"One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin."

"Art and the artist meet in stages, slowly revealing themselves until both are satisfied with what the other has become."

"A picture is a voiceless poem, a poem is a vocal picture."

"It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support system for art. It's the other way around."

"When yellow lights struggle with blue shades in hairlike lines."
Explore more quotes by Henry Miller

"No matter how vast, how total, the failure of man here on earth, the work of man will be resumed elsewhere. War leaders talk of resuming operations on this front and that, but man's front embraces the whole universe."

"The great work must inevitably be obscure, except to the very few, to those who like the author himself are initiated into the mysteries. Communication then is secondary: it is perpetuation which is important. For this only one good reader is necessary."

"This was the sort of ebullience and élan I prayed for when I felt the desire to write. I used to sit down and wait for this to happen. But it never did happen — not this way. It happened afterwards, sometimes when I had left the machine and gone for a walk. Yes, suddenly it would come on, like an attack, pell-mell, from every direction, a veritable inundation, an avalanche — and there I was, helpless, miles away from the typewriter, not a piece of paper in my pocket."

"Whoever uses the spirit that isin him creatively is an artist. Tomake living itself an art, that isthe goal."

"A valise without straps. A hole without a key. She had a German mouth, French ears, Russian ass. Cunt international. When the flag waved it was red all the way back to the throat. You entered on the Boulevard Jules-Ferry and came out at the Porte de la Villette. You droppedyour sweetbreads into the tumbrils " red tumbrils with two wheels, naturally. At the confluence of the Ourcq and Marne, where the water sluices through the dikes and lies like glass under thebridges."

"The only thing we can never get enough of is love. And the one thing we never give is enough love."

"When a desperate, hungry spirit appears and makes the guinea pigs squeal it is because he knows where to put the live wire of sex, because he knows that beneath the hard carapace of indifference there is concealed the ugly gash, the wound that never heals."

"We have two American flags always: one for the rich and one for the poor. When the rich fly it means that things are under control; when the poor fly it means danger, revolution, anarchy."
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