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Mary Oliver was an American poet whose works captured the natural world in profound, accessible language. Her poetry, deeply connected to nature and human experiences, inspired countless individuals to find solace, clarity, and wisdom in the natural world. Oliver's commitment to exploring themes of life, death, and our connection to the environment encourages others to slow down, pay attention, and appreciate the beauty that surrounds us. Her legacy lives on through her heartfelt words that continue to inspire self-reflection and environmental awareness.
"And it is exceedingly short, his galloping life. Dogs die so soon. I have my stories of that grief, no doubt many of you do also. It is almost a failure of will, a failure of love, to let them grow old-or so it feels. We would do anything to keep them with us, and to keep them young. The one gift we cannot give."
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"And it is exceedingly short, his galloping life. Dogs die so soon. I have my stories of that grief, no doubt many of you do also. It is almost a failure of will, a failure of love, to let them grow old-or so it feels. We would do anything to keep them with us, and to keep them young. The one gift we cannot give."

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"The man who has many answersis often foundin the theaters of informationwhere he offers, graciously,his deep findings.While the man who has only questions,to comfort himself, makes music."
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"The man who has many answersis often foundin the theaters of informationwhere he offers, graciously,his deep findings.While the man who has only questions,to comfort himself, makes music."

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"The stars began to burnthrough the sheets of clouds,and there was a new voicewhich you slowlyrecognized as your own."
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"The stars began to burnthrough the sheets of clouds,and there was a new voicewhich you slowlyrecognized as your own."

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"I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple."
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"I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple."

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"You are young. So you know everything. You leap into the boat and begin rowing. But, listen to me. Without fanfare, without embarrassment, without doubt,I talk directly to your soul. Listen to me."
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"You are young. So you know everything. You leap into the boat and begin rowing. But, listen to me. Without fanfare, without embarrassment, without doubt,I talk directly to your soul. Listen to me."

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"A carpenter is hired- a roof repaired, a porch built. Everything that can be fixed. June, July, August. Everyday we hear their laughter. I think of the painting by van Gogh, the man in the chair. Everything wrong, and nowhere to go. His hands over his eyes."
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"A carpenter is hired- a roof repaired, a porch built. Everything that can be fixed. June, July, August. Everyday we hear their laughter. I think of the painting by van Gogh, the man in the chair. Everything wrong, and nowhere to go. His hands over his eyes."

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"Listen, whatever you see and love-that's where you are."
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"Listen, whatever you see and love-that's where you are."

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"As a child, what captivated me was reading the poems myself and realizing that there was a world without material substance which was nevertheless as alive as any other."
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"As a child, what captivated me was reading the poems myself and realizing that there was a world without material substance which was nevertheless as alive as any other."

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"It's very important to write things down instantly, or you can lose the way you were thinking out a line. I have a rule that if I wake up at 3 in the morning and think of something, I write it down. I can't wait until morning - it'll be."
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"It's very important to write things down instantly, or you can lose the way you were thinking out a line. I have a rule that if I wake up at 3 in the morning and think of something, I write it down. I can't wait until morning - it'll be."

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"To pay attention, this is our endless and proper work."
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"To pay attention, this is our endless and proper work."

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"In college, you learn how to learn. Four years is not too much time to spend at that."
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"In college, you learn how to learn. Four years is not too much time to spend at that."

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"Things take the time they take.Don't worry.How many roads did St. Augustine follow before he became St. Augustine?"
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"Things take the time they take.Don't worry.How many roads did St. Augustine follow before he became St. Augustine?"

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"Of course! the path to heavendoesn't lie down in flat miles.It's in the imaginationwith which you perceive this world,and the gestureswith which you honor it.-from The Swan."
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"Of course! the path to heavendoesn't lie down in flat miles.It's in the imaginationwith which you perceive this world,and the gestureswith which you honor it.-from The Swan."

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"MYSTERIES, YES Truly, we live with mysteries too marvelous to be understood. How grass can be nourishing in the mouths of the lambs. How rivers and stones are forever in allegiance with gravity while we ourselves dream of rising. How two hands touch and the bonds will never be broken. How people come, from delight or the scars of damage, to the comfort of a poem. Let me keep my distance, always, from those who think they have the answers. Let me keep company always with those who say "Look!" and laugh in astonishment, and bow their heads."
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"MYSTERIES, YES Truly, we live with mysteries too marvelous to be understood. How grass can be nourishing in the mouths of the lambs. How rivers and stones are forever in allegiance with gravity while we ourselves dream of rising. How two hands touch and the bonds will never be broken. How people come, from delight or the scars of damage, to the comfort of a poem. Let me keep my distance, always, from those who think they have the answers. Let me keep company always with those who say "Look!" and laugh in astonishment, and bow their heads."

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"Poetry is one of the ancient arts, and it began as did all the fine arts, within the original wilderness of the earth."
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"Poetry is one of the ancient arts, and it began as did all the fine arts, within the original wilderness of the earth."

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"Let me keep my distance, always, from those who think they have the answers.Let me keep company always with those who say "Look!" and laugh in astonishment, and bow their heads."
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"Let me keep my distance, always, from those who think they have the answers.Let me keep company always with those who say "Look!" and laugh in astonishment, and bow their heads."

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"I feel the terror of idleness,like a red thirst.Death isn't just an idea."
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"I feel the terror of idleness,like a red thirst.Death isn't just an idea."

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"I want to think again of dangerous and noble things. I want to be light and frolicsome. I want to be improbable beautiful and afraid of nothing, as though I had wings."
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"I want to think again of dangerous and noble things. I want to be light and frolicsome. I want to be improbable beautiful and afraid of nothing, as though I had wings."

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"Someone I loved once gave me a box full of darkness. It took me years to understand that this too, was a gift."
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"Someone I loved once gave me a box full of darkness. It took me years to understand that this too, was a gift."

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"I worked probably 25 years by myself, just writing and working, not trying to publish much, not giving readings."
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"I worked probably 25 years by myself, just writing and working, not trying to publish much, not giving readings."

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"And then I feel the sun itselfas it blazes over the hills,like a million flowers on fire --clearly I'm not needed,yet I feel myself turninginto something of inexplicable value.-from The Buddha's Last Instruction."
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"And then I feel the sun itselfas it blazes over the hills,like a million flowers on fire --clearly I'm not needed,yet I feel myself turninginto something of inexplicable value.-from The Buddha's Last Instruction."

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"In your handsThe dog, the donkey, surely they know They are alive.Who would argue otherwise?But now, after years of consideration, I am getting beyond that.What about the sunflowers? What about The tulips, and the pines?Listen, all you have to do is start and There'll be no stopping.What about mountains? What about water Slipping over rocks?And speaking of stones, what about The little ones you can Hold in your hands, their heartbeats So secret, so hidden it may take yearsBefore, finally, you hear them?"
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"In your handsThe dog, the donkey, surely they know They are alive.Who would argue otherwise?But now, after years of consideration, I am getting beyond that.What about the sunflowers? What about The tulips, and the pines?Listen, all you have to do is start and There'll be no stopping.What about mountains? What about water Slipping over rocks?And speaking of stones, what about The little ones you can Hold in your hands, their heartbeats So secret, so hidden it may take yearsBefore, finally, you hear them?"

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"It's not a competition, it's a doorway."
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"It's not a competition, it's a doorway."

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"To live in this world, you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go."
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"To live in this world, you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go."

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"I have a little dog who likes to nap with me.He climbs on my body and puts his face in my neck.He is sweeter than soap.He is more wonderful than a diamond necklace,which can't even bark..."
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"I have a little dog who likes to nap with me.He climbs on my body and puts his face in my neck.He is sweeter than soap.He is more wonderful than a diamond necklace,which can't even bark..."

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"It is better for the heart to break, than not to break."
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"It is better for the heart to break, than not to break."

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"The sea can do craziness, it can do smooth, it can lie down like silk breathing or toss havoc shoreward; it can give gifts or withhold all; it can rise, ebb, froth like an incoming frenzy of fountains, or it can sweet-talk entirely. As I can too, and so, no doubt, can you, and you."
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"The sea can do craziness, it can do smooth, it can lie down like silk breathing or toss havoc shoreward; it can give gifts or withhold all; it can rise, ebb, froth like an incoming frenzy of fountains, or it can sweet-talk entirely. As I can too, and so, no doubt, can you, and you."

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"People want poetry. They need poetry. They get it. They don't want fancy work."
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"People want poetry. They need poetry. They get it. They don't want fancy work."

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"Poetry isn't a profession, it's a way of life. It's an empty basket; you put your life into it and make something out of that."
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"Poetry isn't a profession, it's a way of life. It's an empty basket; you put your life into it and make something out of that."

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"You do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your body love what it loves."
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"You do not have to be good.You do not have to walk on your kneesfor a hundred miles through the desert, repenting.You only have to let the soft animal of your body love what it loves."

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"Do you think the wren ever dreams of a better house?"
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"Do you think the wren ever dreams of a better house?"

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"But very little of it can do morethan start you on your way to the real, unimaginablydifficult goal of writing memorably. That work is doneslowly and in solitude, and it is as improbable as carryingwater in a sieve."
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"But very little of it can do morethan start you on your way to the real, unimaginablydifficult goal of writing memorably. That work is doneslowly and in solitude, and it is as improbable as carryingwater in a sieve."

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"Be prepared. A dog is adorable and noble.A dog is a true and loving friend. A dogis also a hedonist."
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"Be prepared. A dog is adorable and noble.A dog is a true and loving friend. A dogis also a hedonist."

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"Instructions for living a life. Pay attention. Be astonished. Tell about it."
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"Instructions for living a life. Pay attention. Be astonished. Tell about it."

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"I stood like Adam in his lonely gardenOn that first morning, shaken out of sleep,Rubbing his eyes, listening, parting the leaves,Like tissue on some vast, incredible gift."
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"I stood like Adam in his lonely gardenOn that first morning, shaken out of sleep,Rubbing his eyes, listening, parting the leaves,Like tissue on some vast, incredible gift."

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"Poetry is meant to be heard."
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"Poetry is meant to be heard."

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"LITTLE DOGS RHAPSODY IN THE NIGHT(PERCY THREE)He puts his cheek against mineand makes small, expressive sounds.And when I'm awake, or awake enoughhe turns upside down, his four pawsin the airand his eyes dark and fervent.Tell me you love me, he says.Tell me again.Could there be a sweeter arrangement?Over and overhe gets to ask it.I get to tell."
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"LITTLE DOGS RHAPSODY IN THE NIGHT(PERCY THREE)He puts his cheek against mineand makes small, expressive sounds.And when I'm awake, or awake enoughhe turns upside down, his four pawsin the airand his eyes dark and fervent.Tell me you love me, he says.Tell me again.Could there be a sweeter arrangement?Over and overhe gets to ask it.I get to tell."

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"Imagination is better than a sharp instrument. To pay attention, this is our endless and proper work."
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"Imagination is better than a sharp instrument. To pay attention, this is our endless and proper work."

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"Attention is the beginning of devotion."
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"Attention is the beginning of devotion."

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"Come with me into the woods where spring isadvancing, as it does, no matter what,not being singular or particular, but oneof the forever gifts, and certainly visible."
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"Come with me into the woods where spring isadvancing, as it does, no matter what,not being singular or particular, but oneof the forever gifts, and certainly visible."

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"Poetry is a life-cherishing force. For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry."
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"Poetry is a life-cherishing force. For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry."

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"If you suddenly and unexpectedly feel joy, don't hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happened better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that's often the case. Anyway, whatever it is, don't be afraid of its plenty. Joy is not made to be a crumb. (Don't Hesitate)"
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"If you suddenly and unexpectedly feel joy, don't hesitate. Give in to it. There are plenty of lives and whole towns destroyed or about to be. We are not wise, and not very often kind. And much can never be redeemed. Still life has some possibility left. Perhaps this is its way of fighting back, that sometimes something happened better than all the riches or power in the world. It could be anything, but very likely you notice it in the instant when love begins. Anyway, that's often the case. Anyway, whatever it is, don't be afraid of its plenty. Joy is not made to be a crumb. (Don't Hesitate)"

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"If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer."
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"If I've done my work well, I vanish completely from the scene. I believe it is invasive of the work when you know too much about the writer."

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"Look, hasn't my body already felt like the body of a flower?"
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"Look, hasn't my body already felt like the body of a flower?"

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"Every springI hear the thrush singingin the glowing woodshe is only passing through.His voice is deep,then he lifts it until it seemsto fall from the sky.I am thrilled.I am grateful.Then, by the end of morning,he's gone, nothing but silenceout of the treewhere he rested for a night.And this I find acceptable.Not enough is a poor life.But too much is, well, too much.Imagine Verdi or Mahlerevery day, all day.It would exhaust anyone."
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"Every springI hear the thrush singingin the glowing woodshe is only passing through.His voice is deep,then he lifts it until it seemsto fall from the sky.I am thrilled.I am grateful.Then, by the end of morning,he's gone, nothing but silenceout of the treewhere he rested for a night.And this I find acceptable.Not enough is a poor life.But too much is, well, too much.Imagine Verdi or Mahlerevery day, all day.It would exhaust anyone."

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"I would like people to remember of me, howinexhaustible was her mindfulness."
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"I would like people to remember of me, howinexhaustible was her mindfulness."

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"I read the way a person might swim, to save his or her life. I wrote that way too."
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"I read the way a person might swim, to save his or her life. I wrote that way too."

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"Love, love, love, says Percy.And hurry as fast as you canalong the shining beach, or the rubble, or the dust.Then, go to sleep.Give up your body heat, your beating heart.Then, trust."
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"Love, love, love, says Percy.And hurry as fast as you canalong the shining beach, or the rubble, or the dust.Then, go to sleep.Give up your body heat, your beating heart.Then, trust."

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"Still, what I want in my life is to be willing to be dazzled-to cast aside the weight of facts and maybe even to float a little above this difficult world. I want to believe I am looking into the white fire of a great mystery. I want to believe that the imperfections are nothing-that the light is everything-that it is more than the sum of each flawed blossom rising and falling. And I do."
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"Still, what I want in my life is to be willing to be dazzled-to cast aside the weight of facts and maybe even to float a little above this difficult world. I want to believe I am looking into the white fire of a great mystery. I want to believe that the imperfections are nothing-that the light is everything-that it is more than the sum of each flawed blossom rising and falling. And I do."

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"I learned from Whitman that the poem is a temple - or a green field - a place to enter, and in which to feel. Only in a secondary way is it an intellectual thing - an artifact, a moment of seemly and robust wordiness -wonderful as that part of it is. I learned that the poem was made not just to exist, but to speak -to be company. It was everything that was needed, when everything was needed."
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"I learned from Whitman that the poem is a temple - or a green field - a place to enter, and in which to feel. Only in a secondary way is it an intellectual thing - an artifact, a moment of seemly and robust wordiness -wonderful as that part of it is. I learned that the poem was made not just to exist, but to speak -to be company. It was everything that was needed, when everything was needed."

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