Haruki Murakami, a Japanese writer, is celebrated worldwide for his unique blend of surrealism, philosophy, and human emotion in novels such as Norwegian Wood and 1Q84. His thought-provoking storytelling, which often explores themes of loneliness and self-discovery, inspires readers to embrace the complexity of human life and to reflect on the deeper aspects of existence. Murakami's ability to blend the ordinary with the extraordinary has earned him a loyal following and encouraged other writers to explore the boundaries of reality.
"I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love."
"A dense, artistic kind of imperfection stimulates your consciousness, keeps you alert. If I listen to some utterly perfect performance of an utterly perfect piece while I'm driving, I might want to close my eyes and die right then and there. But listening to the D major, I can feel the limits of what humans are capable of-- that a certain type of perfection can only be realised through a limitless accumulation of imperfect."
"Human beings are ultimately nothing but carriers-passageways- for genes. They ride us into the ground like racehorses from generation to generation. Genes don't think about what constitutes good or evil. They don't care whether we are happy or unhappy. We're just means to an end for them. The only thing they think about is what is most efficient for them."
"Music brings a warm glow to my vision, thawing mind and muscle from their endless wintering."
"To Tengo, sexual desire was fundamentally an extension of a means of communication. And so, to look for sexual desire in a place where there was no possibility of communication seemed inappropriate to him."
"The power to concentrate was the most important thing. Living without this power would be like opening one's eyes without seeing anything."
"And I really wanted to see you, too," she said. "When I couldn't see you any more, I realized that. It was as clear as if the planets all of a sudden lined up in a row for me. I really need you. You're a part of me; I'm a part of you."
"It occurred to me what a simple thing reality is, how easy it is to make it work. It's just reality. Just housework. Just a home. Like running a simple machine. Once you learn to run it, it's just a matter of repetition. You push this button and pull that lever. You adjust a gauge, put on the lid, set the timer. The same thing, over and over."
"The people who build high, strong fences are the ones who survive the best. You deny that reality only at the risk of being driven into the wilderness yourself."
"I watched the moon alone, unable to share his cold beauty with anyone."
"Think it over carefully. This is very important," I say, "because to believe something, whatever it might be, is the doing of the mind. Do you follow? When you say you believe, you allow the possibility of disappointment. And from disappointment or betrayal, there may come despair. Such is the way of the mind."
"I love you," I said to her. "From the bottom of my heart. I don't ever want to let you go again. But there's nothing I can do. I can't make a move.""Because of her?"I nodded."
"When I was little, I had this science book. There was a section on 'What would happen to the world if there was no friction?' Answer: 'Everything on earth would fly into space from the centrifugal force of revolution.' That was my mood."
"A short story I have written long ago would barge into my house in the middle of the night, shake me awake and shout, 'Hey,this is no time for sleeping! You can't forget me, there's still more to write!' Impelled by that voice, I would find myself writing a novel. In this sense, too, my short stories and novels connect inside me in a very natural, organic way."
"Like boarding a train running parallel. That's what disappearing is."
"Every once in a while she'll get worked up and cry like that. But that's ok. She's letting her feelings out. The scary thing is not being able to do that. Then your feelings build up and harden and die inside. That's when you're in big trouble."
"It seemed unreasonable, unfair, that a woman so young and beautiful should be so exhausted. Of course, it was neither unreasonable nor unfair. Exhaustion pays no mind to age and beauty. Like rain and earthquakes and hail and floods."
"I know how fiction matters to me, because if I want to express myself, I have to make up a story. Some people call it imagination. To me, it's not imagination. It's just a way of watching."
"When did my youth slip away from me? I suddenly thought. It was over, wasn't it? Seemed just like yesterday I was still only half grown up. Huey Lewis and the News had a couple of hit songs then. Not so many years ago. And now here I was, inside a closed circuit, spinning my wheels. Knowing I wasn't getting anywhere but spinning just the same. I had to. Had to keep that up or I wouldn't be able to survive."
"I was always attracted not by some quantifiable, external beauty, but by something deep down, something absolute. Just as some people have a secret love for rainstorms, earthquakes, or blackouts, I liked that certain undefinable something directed my way by members of the opposite sex. For want of a better word, call it magnetism. Like it or not, it's a kind of power that snares people and reels them in."
"Most of the psychological differences between men and women seem to come from differences in their reproductive system."
"Your "scared" and my "scared" are two different things.''What's that supposed to mean?' she asked.'As you get older, you don't recover from things so easy.''As you get older, you also get tired?''Yeah,' I said, 'you get tired."
"And our ages never bothered her from the very beginning. I was married, but that didn't matter, either. She seemed to consider things like age and family and income to be of the same a priori order as shoe size and vocal pitch and the shape of one's fingernails. The sort of thing that thinking about won't change one bit. And that much said, well, she had a point."
"You sit at the edge of the world,I am in a crater that's no more.Words without lettersStanding in the shadow of the door.The moon shines down on a sleeping lizard,Little fish rain from the sky.Outside the window there are soldiers,steeling themselves to die.(Refrain)Kafka sits in a chair by the shore,Thinking for the pendulum that moves the world, it seems.When your heart is closed,The shadow of the unmoving Sphinx,Becomes a knife that pierces your dreams.The drowning girl's fingersSearch for the entrance stone, and more.Lifting the hem of her azure dress,She gazes --at Kafka on the shore."
"The better you were able to imagine what you wanted to imagine, the farther you could flee from reality."
"In any case, suffice it to say I enjoyed hearing about faraway places. I had stocked up a whole store of these places, like a bear getting ready for hibernation. I'd close my eyes, and streets would materialize, rows of houses take shape. I could hear people's voices, feel the gentle, steady rhythm of their lives, those people so distant, whom I'd probably never know."
"I still don't know what sort of world this is, she thought, But whatever world we're in now, I'm sure this is where I will stay. Where we will stay. This world must have its own threats, its own dangers, must be filled with its own type of riddles and contradictions. We may have to travel down many dark paths, leading who knows where. But that's okay. It's not a problem. I'll just have to accept it. I'm not going anywhere. Come what may, this is where we'll remain, in this world with one moon."
"Even now, whenever I think of her, I envision a quiet Sunday morning. A gentle, clear day, just getting under way. No homework to do, just a Sunday when you could do what you wanted. She always gave me this kick-back-and-relax, Sunday-morning kind of feeling."
"I think most readers would say the same. Most would choose Midori. And the protagonist, of course, chooses her in the end. But some part of him is always in the other world and he cannot abandon it. It's a part of him, an essential part. All human beings have a sickness in their minds. That space is a part of them."
"I all of a sudden got to feeling like talking to people. Whenever I look at the ocean, I always want to talk to people, but when I'm talking to people, I always want to look at the ocean. I'm weird like that."
"The mind is strong. It survives, even without thought. Even with everything taken away, it holds a seed-your self."
"In response to my father-in-law's view, I offered no opinion. He was not looking for my opinion. He had merely been spouting his belief, a conviction that would remain unchanged for all eternity."
"You throw a stone into a deep pond. Splash. The sound is big, and it reverberates throughout the surrounding area. What comes out of the pond after that? All we can do is stare at the pond, holding our breath."
"The little things are important, Mr. Wind-Up Bird."
"Well, the death of the body is the flight of the arrow. It's makin' a straight line for the brain. No dodgin' it not for anyone. People have't die, the body has't fall. Time is hurlin' that arrow forward. And yet, like I was sayin' thought goes on subdividin' that time for ever and ever. The paradox becomes real. The arrow never hits.In other words, immortality."
"One thing became crystal clear to me when I couldn't see you anymore. I realized that the only way I had been able to survive until then was having you in my life. When I lost you, the pain and loneliness really got to me."