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"You sit at the edge of the world,I am in a crater that's no more.Words without lettersStanding in the shadow of the door.The moon shines down on a sleeping lizard,Little fish rain from the sky.Outside the window there are soldiers,steeling themselves to die.(Refrain)Kafka sits in a chair by the shore,Thinking for the pendulum that moves the world, it seems.When your heart is closed,The shadow of the unmoving Sphinx,Becomes a knife that pierces your dreams.The drowning girl's fingersSearch for the entrance stone, and more.Lifting the hem of her azure dress,She gazes --at Kafka on the shore."
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"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."
"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."
"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."
"Let music ignite your vivid inner colors and bring you harmony inside and out."
"A work of art has no importance whatever to society. It is only important to the individual."
"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."
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"All the same, writing honestly is very difficult. The more I try to be honest, the farther my words sink into darkness."
"All's well that ends well.''Assuming there's an end somewhere,' Aomame said.Tamaru formed some short creases near his mouth that were faintly reminiscent of a smile. 'There has to be an end somewhere. It's just that nothing's labeled "This is the end." Is the top rung of a ladder labeled "This is the last rung. Please don't step higher than this'?"Aomame shook her head.'It's the same thing,' Tamaru said.Aomame said, 'If you use common sense and keep your eyes open, it becomes clear enough where the end is.'Tamaru nodded. 'And even if it doesn't' -- he made a falling gesture with his finger -- 'the end is right there."
"I all of a sudden got to feeling like talking to people. Whenever I look at the ocean, I always want to talk to people, but when I'm talking to people, I always want to look at the ocean. I'm weird like that."
"An apparently trivial indulgence in lust or anger today is the loss of a ridge or railway line or bridgehead from which the enemy may launch an attack otherwise impossible."
"She gave me this look " she might have been watching from a lifeboat as the ship went down. Or maybe it was the other way around."
"There are symbolic dreams-dreams that symbolize some reality. Then there are symbolic realities-realities that symbolize a dream."
"Have books 'happened' to you? Unless your answer to that question is 'yes,' I'm unsure how to talk to you."
"I don't think it's right that I'm part of the problem. I can't be part of the solution if I'm part of the problem."
"IT's not death. It's eternal life. And you get't'be yourself. Compared to that, this world isn't but a momentary fantasy. Please don't forget that."
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