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Colleen Atwood, an American designer, is celebrated for her extraordinary work in costume design for film. With a career spanning several decades, Atwood has designed iconic costumes for movies such as Alice in Wonderland and Chicago. Her artistic vision and attention to detail have earned her numerous awards, including several Academy Awards. Atwood's innovative approach to costume design continues to inspire aspiring designers, showing that creativity and a keen understanding of character can elevate storytelling and bring characters to life in unforgettable ways.
"The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all."
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"The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all."

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"I had to work out that it was something that could move, without having everybody in spray painted leotards."
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"I had to work out that it was something that could move, without having everybody in spray painted leotards."

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"As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things."
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"As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things."

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"Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie."
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"Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie."

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"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."
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"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."

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"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."
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"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."

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"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."
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"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."

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"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."
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"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."

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"In real life, a lot of people at that level will have their kimonos made especially for them."
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"In real life, a lot of people at that level will have their kimonos made especially for them."

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"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."
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"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."

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"Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles."
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"Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles."

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"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."
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"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."

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"In Chicago, I walked in knowing what the dancers were going to need."
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"In Chicago, I walked in knowing what the dancers were going to need."

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"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired."
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"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired."

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"I've always loved movies, art and clothes."
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"I've always loved movies, art and clothes."

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