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Colleen Atwood

"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."

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"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."

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Amber Hurdle

"Enhance and intensify one's vision of that synthesis of truth and beauty which is the highest and deepest reality."

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Amber Hurdle

"Remember that the most beautiful things in the world are the most useless; peacocks and lilies for instance."

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Amber Hurdle

"What does this beauty or than music mean to you? You cannot see the waves rolling up the beach or hear their roar. What do they mean to you?' In the most evident sense they mean everything. I cannot fathom or define their meaning any more than I can fathom or define love or religion or goodness."

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Amber Hurdle

"I can barely conceive of a type of beauty in which there is no Melancholy."

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Amber Hurdle

"The golden proportion is a scale of proportions which makes the bad difficult to produce and the good easy."

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Amber Hurdle

"You are funny like a kid and awesome like a princess. Unseen like an angel, like the morning sunshine, Kindness like a river and highness like a mountain, In the middle of the Rheine, the cute face and sweet lips, (La la la la, La la , mmmm , mm). Keep the lovely smile, in your juicy icy eyes, Open the heaven for my eyes, forever angel voice, Never angry never harsh, never mad never marsh, Dear or darling, either diamond or dime, Overall the dream of the world."

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Amber Hurdle

"It was beautiful in a harsh I'm-going-to-gut-you-like-a-fish kind of way."

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Amber Hurdle

"She is beautiful like an angel, charming like a fairy and sweet like honey."

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Amber Hurdle

"It is difficult for flowers to hide their beauty, that is why they are always picked first."

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Amber Hurdle

"When the soul looks out of its body, it should see only beauty in its path. These are the sights we must hold in mind, in order to move to a higher place."

Explore more quotes by Colleen Atwood

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Colleen Atwood
"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired."
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Colleen Atwood
"In Chicago, I walked in knowing what the dancers were going to need."
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Colleen Atwood
"The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all."
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Colleen Atwood
"I've always loved movies, art and clothes."
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Colleen Atwood
"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."
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Colleen Atwood
"I had to work out that it was something that could move, without having everybody in spray painted leotards."
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Colleen Atwood
"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."
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Colleen Atwood
"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."
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Colleen Atwood
"Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles."
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Colleen Atwood
"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."
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