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Colleen Atwood

"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."

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"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."

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Amber Hurdle

"The power of beauty may move more than a heart. Beauty can move heaven and earth."

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Amber Hurdle

"Then, were not summer's distillation leftA liquid prisoner pent in walls of glass,Beauty's effect with beauty were bereft,Nor it nor no remembrance what it was.But flowers distilled, though they with winter meet,Leese but their show; their substance still lives sweet."

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Amber Hurdle

"Be beautiful and you are doing your part to create a more beautiful world."

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Amber Hurdle

"The smile of roses expresses the beauty of the heart."

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Amber Hurdle

"You don't have to be beautiful to have a beautiful life."

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Amber Hurdle

"To find beauty all around you, fill yourself with self-love."

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Amber Hurdle

"Not the eyes, but the heart sees the beauty."

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Amber Hurdle

"Every flower blooms from the face of impossibility with a hope to make this world beautiful."

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Amber Hurdle

"We complain that the world is an ugly place to live and grow, we never learn to see the beauty of the world."

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Amber Hurdle

"You are prettier than you can imagine."

Explore more quotes by Colleen Atwood

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Colleen Atwood
"I've always loved movies, art and clothes."
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Colleen Atwood
"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."
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Colleen Atwood
"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired."
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Colleen Atwood
"The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all."
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Colleen Atwood
"I had to work out that it was something that could move, without having everybody in spray painted leotards."
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Colleen Atwood
"In real life, a lot of people at that level will have their kimonos made especially for them."
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Colleen Atwood
"In Chicago, I walked in knowing what the dancers were going to need."
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Colleen Atwood
"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."
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Colleen Atwood
"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."
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Colleen Atwood
"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."
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