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Colleen Atwood

"The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all."

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"The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all."

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Amber Hurdle

"I design for real people. I think of our customers all the time. There is no virtue whatsoever in creating clothing or accessories that are not practical."

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Amber Hurdle

"The mind is like a richly woven tapestry in which the colors are distilled from the experiences of the senses, and the design drawn from the convolutions of the intellect."

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Amber Hurdle

"I don't design clothes, I design dreams."

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Amber Hurdle

"I have yet to learn that I am not designed to carry the burden of men. Rather, I am designed to carry the love of God so that I might soothe the burden of men."

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Amber Hurdle

"Designing is my hobby. If I didn't do what I do for a living - at some point when I don't do this for a living - I'll probably just do design work. I love finding really special pieces of furniture."

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Amber Hurdle

"Many things difficult to design prove easy to performance."

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Amber Hurdle

"At our company, our Design and Construction Consulting Service Team not only helps eliminate the risks inherent in the construction process, they typically save our clients 5% - 10% on overall construction costs. They also help make sure projects come in on time."

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Amber Hurdle

"Graphic designers judge a cover by its book."

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Amber Hurdle

"People who run a ready-to-wear company are businessmen rather than production or design people."

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Amber Hurdle

"It is not that you do wrong by design, but that you should never do right by mistake."

Explore more quotes by Colleen Atwood

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Colleen Atwood
"As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things."
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Colleen Atwood
"Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie."
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Colleen Atwood
"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."
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Colleen Atwood
"In real life, a lot of people at that level will have their kimonos made especially for them."
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Colleen Atwood
"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."
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Colleen Atwood
"Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles."
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Colleen Atwood
"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."
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Colleen Atwood
"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."
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Colleen Atwood
"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."
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Colleen Atwood
"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired."
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