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Colleen Atwood

"I had to work out that it was something that could move, without having everybody in spray painted leotards."

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"I had to work out that it was something that could move, without having everybody in spray painted leotards."

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"That most limited of all specialists, the "well-rounded man"."

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"The world system is employment."

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"Police officers are poorly paid for a very stressful job that has them in very high powered radio frequency (RF) fields and in a daily environment that may result in them being assaulted, maimed or killed."

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"A butler supplies food to nourish your body, but a writer nourishes your mind through writing."

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"Do not be weary to make money."

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"My favourite all-time work of fiction: Lord of the Rings. My favourite all-time nonfiction book: Guns, Germs, and Steel. Ask me again next week, you'll get a different answer."

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"Employers are at their happiest on Mondays. Employees are at their happiest on Fridays."

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"Work was intended not to give a man a reason to live, but rather to give him a means to live."

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"Next to us is not the workman whom we have hired, with whom we love so well to talk, but the workman whose work we are."

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"Be robust enough to work more than a robot!"

Explore more quotes by Colleen Atwood

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Colleen Atwood
"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."
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Colleen Atwood
"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."
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Colleen Atwood
"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."
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Colleen Atwood
"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."
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Colleen Atwood
"As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things."
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Colleen Atwood
"I had to work out that it was something that could move, without having everybody in spray painted leotards."
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Colleen Atwood
"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."
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Colleen Atwood
"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."
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Colleen Atwood
"In Chicago, I walked in knowing what the dancers were going to need."
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Colleen Atwood
"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired."
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