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Colleen Atwood

"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."

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"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."

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Akiroq Brost

"Hey, I'm a girl, and we like to play dress-up."

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"I don't want to dress up a picture with just my face."

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Akiroq Brost

"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."

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Akiroq Brost

"I wore a lot of vintage clothing. I dressed like a reporter, with a little card in my hat. I had these fantasies of who I wanted to be, so I'd dress like an explorer, a cowboy. I dressed up like Elton John a lot too. That was another period."

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Akiroq Brost

"They are the literary equivalent of sequins on an evening dress."

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Akiroq Brost

"They are best dressed, whose dress no one observes."

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Akiroq Brost

"Louis Armstrong, who learned to be in exquisite dress, came from the bottom, and he's not a trash can."

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Akiroq Brost

"When it began to grow dark, the Rat, with an air of excitement and mystery, summoned them back into the parlour, stood each of them up alongside of his little heap, and proceeded to dress them up for the coming expedition."

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Akiroq Brost

"I feel less pressure to dress youthfully. I'm 50 and everyone knows I'm 50 - who are you kidding? Jeans are my uniform. I have about 15 pairs."

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Akiroq Brost

"Without knowing this, no man can dress a horse perfectly."

Explore more quotes by Colleen Atwood

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Colleen Atwood
"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."
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Colleen Atwood
"In real life, a lot of people at that level will have their kimonos made especially for them."
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Colleen Atwood
"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."
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Colleen Atwood
"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."
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Colleen Atwood
"Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie."
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Colleen Atwood
"Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles."
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Colleen Atwood
"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."
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Colleen Atwood
"I had to work out that it was something that could move, without having everybody in spray painted leotards."
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Colleen Atwood
"As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things."
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Colleen Atwood
"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."
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