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Colleen Atwood

"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired."

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"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired."

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"The studio should not have released this film."

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"I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do."

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Amber Hurdle

"How speak about an art which no one recognizes as an art? I know that a great deal has already been written about the "art of the cinema". One can read about it most every day in the newspapers & the magazines. But it is not the art of the cinema which you will find discussed therein--it is rather dire, botched embryo as it now stands revealed before our eyes, the still-birth which was mangled in the womb by the obstetricians of art."

Explore more quotes by Colleen Atwood

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Colleen Atwood
"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."
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Colleen Atwood
"I've always loved movies, art and clothes."
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Colleen Atwood
"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."
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Colleen Atwood
"Planet of the Apes was a gigantic challenge, making the clothes work so people could do stunts and action in the clothes. I really learned a lot about that in that movie."
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Colleen Atwood
"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."
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Colleen Atwood
"I had to work out that it was something that could move, without having everybody in spray painted leotards."
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Colleen Atwood
"In Chicago, I walked in knowing what the dancers were going to need."
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Colleen Atwood
"The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all."
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Colleen Atwood
"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."
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Colleen Atwood
"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."
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