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Colleen Atwood

"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."

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"I'd seen the current stage production and the 1975 production of Chicago. I liked them both very much, but I didn't use them necessarily as inspiration."

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Explore more quotes by Colleen Atwood

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Colleen Atwood
"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."
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Colleen Atwood
"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."
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Colleen Atwood
"The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all."
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Colleen Atwood
"In real life, a lot of people at that level will have their kimonos made especially for them."
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Colleen Atwood
"If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story."
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Colleen Atwood
"In Chicago, I walked in knowing what the dancers were going to need."
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Colleen Atwood
"I had to work out that it was something that could move, without having everybody in spray painted leotards."
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Colleen Atwood
"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."
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Colleen Atwood
"Each simian had a much different body suit, so besides trying to define class across species, there was a definite attempt to dress each group in different styles."
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Colleen Atwood
"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."
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