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Colleen Atwood

"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."

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"Some of the kimonos took as long as four to five months to make, with all the layers that go into it."

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Colleen Atwood
"Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie."
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"As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things."
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Colleen Atwood
"The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired."
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Colleen Atwood
"Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are."
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Colleen Atwood
"The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all."
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Colleen Atwood
"Knowing who the actors were as you were designing them helped, with Catherine's beauty and Renee's frailty, they directed me visually just by who they were."
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Colleen Atwood
"I had to work out that it was something that could move, without having everybody in spray painted leotards."
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Colleen Atwood
"In real life, a lot of people at that level will have their kimonos made especially for them."
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Colleen Atwood
"In Chicago, I walked in knowing what the dancers were going to need."
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Colleen Atwood
"I've always loved movies, art and clothes."
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